Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Curmudgeonly scholar Emily Wilde must brave the beautiful but haunted Black Forest and open a portal to a long-lost, eldritch realm dreaded by the Folk, in this fourth installment of the New York Times bestselling series. Driven by an insatiable scientific curiosity, Emily Wilde has made a name for herself as the world’s foremost scholar of faeries. Along the way, she’s rescued a faerie kingdom and helped her now-husband—fellow professor Wendell Bambleby, dashing and infuriating in equal measure—regain his throne. And while understanding her fellow mortals has never been her strong suit, she’s also made a small number of friends. But two years later, one of those friends goes missing in the beautiful but faerie-haunted Black Forest in Germany, a region of picturesque villages and sinister Folk. And if she’s to save him, Emily will have to reckon with the darker side of her own nature, and how ruthless she’s prepared to be to solve the most tantalizing of scholarly mysteries: the history of the ancient and long-lost realm she’s named Dark Faerie, the only place the Folk fear. But Emily is not alone—she has her beloved Wendell, and her niece Ariadne, who hopes to follow in her footsteps. Told from the perspective of all three characters, this installment of the Emily Wilde series opens a magical portal to the most wondrous and dread faerie realm of all.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants. A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the hardships undergone by past generations for the sake of those alive today. Imbued with humor, deep emotion, and the essence of life, it is one of the most masterful literary novels published in recent years.

Winner of the 2025 ARA Historical Novel PrizeShortlisted for the 2025 NiB Literary AwardBased on the true story of Tasma Walton’s ancestor, a powerful, heart-wrenching novel about maternal love that endures against pitiless odds. Kidnapped by sealers and enslaved far from her homeland, Nannertgarrook has a spirit that refuses to bow …From her idyllic life in sea country in Nerrm (Port Phillip Bay, Victoria), Nannertgarrook is abducted and taken to a slave market, leaving behind a husband, daughter and son. Pregnant when seized, she soon gives birth to another son, whom she raises with the children of her fellow captives.Nannertgarrook is separated not only from her Boonwurrung family, but from her birthright – the ceremonies she once was so joyously part of, the majestic whales who are her totem, the land and sky and sea country and its creatures. All these things she loves as deeply as she does her blood kin.But now, as her reality becomes profoundly different, she must keep that family and her old life alive in her mind. Their rich, pulsating elements sing to us through her beautiful voice, even while Nannertgarrook herself is subjected to the worst of humanity. This sweeping novel asks us to consider who, in colonial history, were the real savages, and what it truly means to be civilised.

Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour“A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers.  In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. INCLUDING ESSAYS Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

The renowned nature writer and author of the best-selling author of Underland delivers a revelatory book that transforms how we look at the natural world—and life itself. Hailed as “a naturalist who can unfurl a sentence with the breathless ease of a master angler” (Holly Morris, New York Times), Robert Macfarlane brings his glittering style to a profound work of travel writing, reporting, and natural history. Is a River Alive? is a joyous exploration into an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes readers on three unforgettable journeys teeming with extraordinary people and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada—imperiled by mining, pollution, and dams. Braiding these journeys is the life story of the fragile chalk stream a mile from Macfarlane’s house, which flows through his own years and days. Powered by Macfarlane’s dazzling prose and lit throughout by other voices, Is a River Alive? will open hearts, challenge perspectives, and remind us that our fate flows with that of rivers—and always has.