Tara Selter is no longer alone. Tara Selter has lived the eighteenth of November 1,143 times when she notices a break in the a man has changed his shirt. The man is Henry Dale, and he remembers all the days that have come before. He knows that time has fallen out of joint. Now they are two of a kind - trapped in the eighteenth of November, but no longer alone. Together they learn to share their present; their voices grow hoarse recounting their small battles against it and their bewilderment at the disintegrating world. Henry sees things differently to he does not think that time will put itself back together and he does not think that the future will come around. But he makes her realise that she is no longer the same person she was before this fault in time. And he makes her believe that there may be others to find within it.Shortlisted for the International Booker Prize and Winner of the Nordic Council Prize for Literature, On the Calculation of Volume III is the third volume of the poetic, page-turning European masterpiece about one woman's fall through the cracks of time. 'Absolutely, absolutely incredible.' Karl Ove Knausgård'A total explosion.' Nicole Krauss'Extraordinary.' Daisy Johnson'Unforgettable.' Hernan Díaz'Breathtaking.' Chetna Maroo'Brilliant.' Jon McGregor'Absolutely marvellous.' Lauren Groff

A merchant’s daughter who yearns for adventure gets more than she bargained for when she falls for a broodingly handsome stranger in this saucy romantasy from the New York Times bestselling author of The Hurricane Wars. As the daughter of an ambitious merchant, Guinevere’s path has been predetermined: marry into a noble house of the Dwendalian Empire, raise her family’s station, and live quietly as a lordling’s obedient wife. But Guinevere longs for a life unbounded by expectations, for freedom and passion and adventure. Those distant dreams become a sudden reality when her caravan is beset by bandits, leaving her guards slain and Guinevere stranded alone on the dangerous Amber Road. Her only chance of survival is to travel alongside Oskar, the aloof half-orc who saved her during the attack. Unlike Guinevere, Oskar’s path is not so set in stone. With his mother dead and his apprenticeship abandoned, all that’s left is a long, lonely walk to a land he’s never seen to find family he’s never met. The last thing he needs is a spoiled waif like Guinevere slowing him down—even if the spark between them sizzles with promise. Despite his cold exterior, Oskar is brave and thoughtful and unlike anyone Guinevere has ever met. And while Guinevere may be sheltered, she brings out a softness in him that he has never dared to feel before. As the flames of their passion grow, they realize that soon they’ll need to choose between their expected destinations or their blossoming romance. Written by New York Times bestselling author Thea Guanzon at the behest of Critical Role’s Jester Lavorre, Tusk Love brings the most romantic story on Exandrian bookshelves to life.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

Londres, 1840. Arthur, un garçon à la mémoire prodigieuse né sur les rives de la Tamise, est engagé comme apprenti dans une imprimerie. Bientôt, son monde s'ouvre bien au-delà des taudis de la capitale anglaise, vers un autre fleuve, le Tigre, et une ancienne cité de Mésopotamie qui abrite les fragments d'un poème oublié. Turquie, 2014. Chassées de leur village au bord du Tigre, Naryn, une petite fille yézidie, et sa grand-mère entreprennent un long voyage, traversant des terres en guerre dans l'espoir d'atteindre la vallée sacrée de leur peuple, en Irak, pour que Naryn y soit baptisée. Londres, 2018. Zaleekhah, hydrologue fascinée par la mémoire de l'eau, emménage dans une péniche pour échapper à la faillite de son mariage. C'est alors qu'un curieux livre qui la ramène à ses origines vient chambouler son existence. Avec ce roman éblouissant, une traversée des siècles et des cultures suivant trois destinées entrelacées par le cours imprévisible de l'eau, Elif Shafak s'impose comme l'une des plus grandes conteuses de notre époque.

With lush illustrations and buoyant prose, Venessa Vida Kelley blends historical fantasy with epic romance at the turn of the 20th century in this unforgettable New York fairytale of queer identity and found family. Benigno “Benny” Caldera knows an orphaned Boricua blacksmith in 1910s New York City can’t call himself an artist. But the ironwork tank he creates for famed Coney Island playground, Luna Park, astounds everyone, especially the eccentric sideshow proprietor who commissioned it. Benny’s work earns him an invitation to join the show’s eclectic crew of performers—his first welcome in the city—and share in their astonishing secret: the tank Benny built is a cage for their newest exhibit, a living, breathing, in-the-flesh merman stolen from the banks of the East River under a gleaming full moon. The merman is more than a mythic marvel, though. Benny comes to know Río as a clever philosopher, an observant traveler, and a kindred spirit more beautiful and compassionate than any human he’s ever met. Despite their different worlds, what begins as a friendship of necessity deepens to love, leading Benny’s heart into uncharted waters where he can no longer ignore the agonizing truth of Río’s captivity—and his own. A cage is no place for a merman to survive. Though releasing Río means betraying his new family, bankrupting their home, and losing his soulmate forever, Benny must look within for the courage to do what’s right, and find a love strong enough to free them both.

With her country's future and her own life at stake, an orphaned duchess must journey into a world of myth and there discover a power that may be her salvation—or her demise—in this enchanting new novel from the New York Times bestselling author of the Winternight Trilogy and The Warm Hands of Ghosts. Anne of Brittany was a child when her realm was invaded, her home besieged, and her royal father driven to his death. Now her treasury is empty, her land occupied by her enemies, and she is ordered, under threat of renewed war, to become queen of her conquerors and marry the King of France. This marriage means her country’s annexation. But Anne promised her father that Brittany would never be conquered. Defiantly, she betroths herself in secret to France’s greatest enemy. But in a world where courts may spy on each other by magic, there is only one way to solemnize this illicit union. Anne takes her court deep into a legendary forest, where the court diviners’ skill cannot reach. The world thinks they are only a hunting party, coursing after unicorns. But that is a lie, a trick, a feint. No one in living memory has seen a unicorn. All Anne wants is this secret wedding, which is her only hope of salvation. But when against all hope a unicorn appears and a stranger out of legend stumbles from the trees and falls at her feet, Anne is plunged into a world of enchantment where a doomed sovereign might find the power to change her own and her country’s destiny—or be lost in the shadows forever.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination. Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew. With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home? This startling and irresistibly witty collection from the phenomenally talented Moïra Fowley is an exploration of all our darkest impulses and deepest fears.