NEW YORK TIMES BESTSELLER • The award-winning, bestselling author of Hamnet and The Marriage Portrait returns with a soaring historical novel set in Ireland in the years before and after the Great Hunger. “A breathtaking hymn to the sanctity of natural spaces, operating on timescales both intimate and geological. I finished Land moved not only by the vivid lives of its human characters, but the thrumming, gorgeous presence of its mosses, waters, winds, and skies.” —Daniel Mason, author of North Woods On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster. The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is unexpectedly sent off course by an unsettling encounter in a copse. His life, and the lives of those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás, and how is Liam, aged only ten, going to finish the mapping and get them both home? Land is a novel about separation and reunion, tragedy and recovery, colonization and rebellion. It is a story of buried treasure, overlapping lives, ancient woodland, persistent ghosts, a particularly loyal dog, and how, when it comes to both land and history, nothing ever goes away. As spellbinding and varied as the landscape that inspired it, Land is, above all, a story of survival, for our times and for all time.

Ocean Vuong returns with a big-hearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to alter Hai’s relationship to himself, his family, and a community at the brink. Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Vuong’s writing – formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness – are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left At the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life. Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized. With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.