The unforgettable memoir by the late Virginia Roberts Giuffre, the woman who dared to take on Jeffrey Epstein and Ghislaine Maxwell. The world knows Virginia Roberts Giuffre as Jeffrey Epstein and Ghislaine Maxwell’s most outspoken victim: the woman whose decision to speak out helped send both serial abusers to prison, whose photograph with Prince Andrew catalyzed his fall from grace. But her story has never been told in full, in her own words—until now. In April 2025, Giuffre took her own life. She left behind a memoir written in the years preceding her death and stated unequivocally that she wanted it published. Nobody’s Girl is the riveting and powerful story of an ordinary girl who would grow up to confront extraordinary adversity. Here, Giuffre offers an unsparing and definitive account of her time with Epstein and Maxwell, who trafficked her and others to numerous prominent men. She also details the molestation she suffered as a child, as well as her daring escape from Epstein and Maxwell’s grasp at nineteen. Giuffre remade her life from scratch and summoned the courage to not only hold her abusers to account but also advocate for other victims. The pages of Nobody’s Girl preserve her voice—and her legacy—forever. Nobody’s Girl is an astonishing affirmation of Giuffre’s unshakable will—first, to claw her way out of victimhood, and then to shine light on wrongdoing and fight for a safer, fairer world. Equal parts intimate and fierce, it is a remarkable narrative of fortitude in the face of depravity and despair.

For readers of Modern Lovers and Conversations with Friends, an addictive, humorous, and poignant debut novel about the shock waves caused by one couple's impulsive marriage. Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. As hilarious as it is heartbreaking, entertaining as it is deeply moving, Cleopatra and Frankenstein marks the entry of a brilliant and bold new talent.

Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms. “This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home. After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.” —Jose Antonio Vargas, from Dear America

"Jarvious Cotton's great-great-grandfather could not vote as a slave. His great-grandfather was beaten to death by the Klu Klux Klan for attempting to vote. His grandfather was prevented from voting by Klan intimidation; his father was barred by poll taxes and literacy tests. Today, Cotton cannot vote because he, like many black men in the United States, has been labeled a felon and is currently on parole." As the United States celebrates the nation's "triumph over race" with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status--much like their grandparents before them. In this incisive critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. Alexander shows that, by targeting black men and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of color blindness. The New Jim Crow challenges the civil rights community--and all of us--to place mass incarceration at the forefront of a new movement for racial justice in America.

"Hi, I'm the guy who reads your e-mail, and also, I love you..." Beth Fremont and Jennifer Scribner-Snyder know that somebody is monitoring their work e-mail. (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives. Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to be "internet security officer," he pictured himself building firewalls and crushing hackers—not writing up a report every time a sports reporter forwards a dirty joke. When Lincoln comes across Beth's and Jennifer's messages, he knows he should turn them in. But he can't help being entertained—and captivated—by their stories. By the time Lincoln realizes he's falling for Beth, it's way too late to introduce himself. What would he say . . . ?

Global conspiracy, complex code-breaking, high-tech data visualization, young love, the secret to eternal life. Mostly in a hole-in-the-wall San Francisco bookstore. Clay Jannon tells how serendipity, sheer curiosity, and the ability to climb a ladder like a monkey has sent him from Web Drone to night shift at Mr. Penumbra’s 24-Hour Bookstore. After just a few days on the job, Clay realizes just how curious this store is. A few customers come in repeatedly without buying anything. Instead they “check out” obscure volumes from strange corners of the store. All runs according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes. He embarks on a complex analysis of the customers’ behavior and ropes in friends to help. Once they bring their findings to Mr. Penumbra, it turns out the secrets extend far outside the walls of the bookstore. A quest to New York City dips in a world conspiracy for eternal life. The current of romance pulls Clay onward.

Meet Kitty Collins. FRIEND. LOVER. KILLER. He was following me. That guy from the nightclub who wouldn’t leave me alone. I hadn’t intended to kill him of course. But I wasn’t displeased when I did and, despite the mess I made, I appeared to get away with it. That’s where my addiction started… I’ve got a taste for revenge and quite frankly, I’m killing it. A deliciously dark, hilariously twisted story about friendship, love, and murder. Fans of My Sister the Serial Killer, How to Kill Your Family and Killing Eve will love this wickedly clever novel!

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

The fiercest, most powerful novel of 2025. For what do you hunger . . .?Lenore is the wife of steel magnate Henry, but ten years into their marriage the relationship has soured, and no child has arrived to fill the distance growing between them. Henry's ambitions take them from London to Sheffield, and with his success hinged on a hunt, an old tradition looms over the home; the hunt is a time to settle old scores. If a bullet finds a human home, then it is only that they were foolish to become prey. In the weeks leading up to the hunt, a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who will not eat meals with the family, Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a terrible hunger . . .Set against the violent wilderness of the Peaks and the uncontrolled appetite of the industrial revolution HUNGERSTONE is a compulsive feminist reworking of CARMILLA, the book that inspired a captivating story of appetite and desire.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighbourhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community-heaven and earth-that sustain us.

For fans of Conversations with Friends and Vladimir comes a magnetic, fresh take on marriage and when two married professors tiptoe toward infidelity, their transgressions are brought to light in a graduate student’s searing thesis project. Simone is the star of Edwards University’s creative writing renowned Woolf scholar, grief memoirist, and campus sex icon. Her less glamorous and ostensibly devoted husband, Ethan, is a forgotten novelist and lecturer in the same department. But when Ethan and the department administrative assistant Abigail have sex, Simone and Ethan’s faith in their flawless marriage is rattled. Simone has secrets of her own. While Ethan’s away for the summer, she becomes inordinately close with her advisee, graduate student Roberta “Robbie” Green. In Robbie, Simone finds a new running partner, confidante, and disciple—or so she believes. Behind Simone’s back, Robbie fictionalizes her mentor’s marriage in a breathtakingly invasive MFA thesis. Determined to tell her version of the story, Robbie paints a revealing portrait of Simone, Ethan, Abigail, and even herself, scratching at the very surface of what may—or may not—be the truth. Innovative, witty, and tender, Seduction Theory exposes the intoxicating nature of power and attraction, masterfully demonstrating how love and betrayal can coexist.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

At the time of his death in 1962, E. E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."

The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions. “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Oz is knotted with social unrest: The Emerald City is mounting an invasion of Munchkinland, Glinda is under house arrest, the Cowardly Lion is on the run from the law, and Dorothy is back. Amid chaos and war, Elphaba’s green granddaughter born at the end of "Son of a Witch", comes of age. Rain will take up her broom, and bring the series to a close.

In this much-anticipated third volume of the Wicked Years, we return to Oz, seen now through the eyes of the Cowardly Lion - the once tiny cub defended by Elphaba in Wicked. While civil war looms, a tetchy oracle named Yackle prepares for death. Before her final hour, an enigmatic figure known as Brrr - the Cowardly Lion - arrives searching for information about Elphaba Thropp, the Wicked Witch of the West. As payment, Yackle demands some answers of her own. Brrr surrenders his story: abandoned as a cub, his earliest memories are gluey hazes, and his life's path is no Yellow Brick Road. A Lion Among Men chronicles a battle of wits hastened by the Emerald City's approaching armies. At once a portrait of a would-be survivor and a panoramic glimpse of a world gone shrill with war fever, Gregory Maguire's new novel is written with the sympathy and power that have made his books contemporary classics.

Liir hid in the shadows of the castle after Dorothy did in the Witch. Left for dead in a gully, the teen is shattered in spirit and body. But silent novice Candle tends him at the Cloister of Saint Glinda, and wills him back to life with her music. What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape - but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz under new and dangerous management, can Liir keep his head down long enough to grow up?