After nine years fighting the Trojan War, the Greeks sense imminent defeat. The gods have cursed them with a plague; the Trojans have set their ships on fire; and their best warrior, the impenetrable Achilles, has turned his back on them. But when the Trojans go too far and kill Patroclus, his beloved brother-in-arms, Achilles returns to the battlefield with a vengeance so terrible that it shocks even the gods. Written by Homer more than twenty-five hundred years ago, The Iliad is among the oldest extant works of Western literature—the seminal epic narrative of infantry combat, the scars of battle, and the inevitability of fate. Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War.

The author of The Holy or the Broken and former editor-in-chief of Vibe brings his “thoughtful and illuminating” (The New York Times) insight to Fleetwood Mac’s iconic album Rumours, celebrating its story, mythology, and enduring impact. On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time. Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don’t Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac’s monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album’s transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today’s rapidly changing music scene. Drawing on in-depth interviews with current artists inspired by Fleetwood Mac, as well as fans who have only recently discovered the album, Light investigates what keep Rumours at the forefront of popular culture, from Glee to Saturday Night Live to Daisy Jones & the Six. Through insightful analysis and storytelling, Don’t Stop celebrates the album’s trail blazing sound and diverse voices, and the emotional depth that continues to fascinate audiences. From the incredible soap opera behind the album’s creation to its embrace in the age of TikTok, this book presents a kaleidoscopic view of a landmark work that has transcended its time.

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.

In this emotionally raw and propulsive folk horror-mystery, a journalist goes to a small town and unravels a dark secret that the women have been keeping for generations. Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here. As she’s pulled deeper into the town and its guarded people, her sense of reality is tipped on its head. Is she losing her grip? Or is this impossible story the key to a dark secret that has haunted the women of Raeford for generations? Unbearably tense and utterly gripping, this atmospheric tale of female rage, bodily autonomy, and generational trauma hails the arrival of a masterful storyteller.

In this emotionally raw and propulsive folk horror-mystery, a journalist goes to a small town and unravels a dark secret that the women have been keeping for generations. Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here. As she’s pulled deeper into the town and its guarded people, her sense of reality is tipped on its head. Is she losing her grip? Or is this impossible story the key to a dark secret that has haunted the women of Raeford for generations? Unbearably tense and utterly gripping, this atmospheric tale of female rage, bodily autonomy, and generational trauma hails the arrival of a masterful storyteller.

A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses--until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past. A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.