HELL IS TOO COLDMo Ran awakens in the prison at Tianyin Pavilion, the subject of scorn and ridicule as he awaits trial for his crimes. At worst, his souls will be torn apart, never to re-enter the cycle of reincarnation. At best, Tianyin Pavilion will dig out his shattered spiritual core in the name of justice. In either case, he is unlikely to survive.Far away on Mount Jiao, Chu Wanning, too, has awakened with the memories of two lifetimes and more: The truth of how Mo Ran became infected with the curse that poisoned his heart in the past lifetime. Distraught, he rushes to Mo Ran’s rescue, hoping to clear his name in time to save his life.As the cultivation realm assembles to decide Mo Ran’s fate, Hua Binan and Taxian-jun lurk in the shadows, waiting for the final piece of their nightmarish plan to fall into place—a plan that, if allowed to come to fruition, stands to sunder two worlds.

"Riot Baby bursts at the seams of story with so much fire, passion and power that in the end it turns what we call a narrative into something different altogether."—Marlon James Rooted in foundational loss and the hope that can live in anger, Riot Baby is both a global dystopian narrative an intimate family story with quietly devastating things to say about love, fury, and the black American experience. Ella and Kev are brother and sister, both gifted with extraordinary power. Their childhoods are defined and destroyed by structural racism and brutality. Their futures might alter the world. When Kev is incarcerated for the crime of being a young black man in America, Ella—through visits both mundane and supernatural—tries to show him the way to a revolution that could burn it all down.

"Riot Baby bursts at the seams of story with so much fire, passion and power that in the end it turns what we call a narrative into something different altogether."—Marlon James Rooted in foundational loss and the hope that can live in anger, Riot Baby is both a global dystopian narrative an intimate family story with quietly devastating things to say about love, fury, and the black American experience. Ella and Kev are brother and sister, both gifted with extraordinary power. Their childhoods are defined and destroyed by structural racism and brutality. Their futures might alter the world. When Kev is incarcerated for the crime of being a young black man in America, Ella—through visits both mundane and supernatural—tries to show him the way to a revolution that could burn it all down.

Brimming with magic and romance, a young fairy queen must form an unlikely alliance or risk an unspeakable danger destroying all she holds dear in this standalone YA novel from New York Times bestselling author Allison Saft. It’s been centuries since a warm-season fairy in Pixie Hollow has crossed into the Winter Woods, and while most fear the legends of monsters lurking in the frozen lands, Clarion, can’t help being intrigued by Winter’s stoic beauty. But under the watchful eyes of the current monarch and the court's seasonal ministers, Clarion has little time to dwell on daydreams while the days to her coronation dwindle away. That is, until reports of a monster crossing from Winter into Spring make their way to the palace. Clarion sees defeating this threat as an opportunity to prove that she is worthy of her new role. But instead of finding a monster at the edge of Winter, she finds Milori, a young guardian of the Winter Woods. Together, they form an unlikely bond as they race to save their lands. But as their alliance warms to something more, they will discover there is a reason a warm-season fairy and a winter fairy must not be together. And the cost could be just as deadly as the monsters that prowl the Winter Woods. Discover the origin of the sweeping, star-crossed romance between the queen of Pixie Hollow and the lord of the Winter Woods.

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era—when white women fought in court to keep "ownership" of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars</i< tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.

Boy meets boy. Boys become friends. Boys fall in love. The final installment in the bestselling LGBTQ+ graphic novel series about life, love, and everything that happens in between. Everyone in school knows Nick and Charlie. Everyone knows they're going to be together forever. But Charlie's busy with his bid to become head boy. And while Nick is preparing to leave for uni, he's starting to wonder who he'll be . . . without Charlie. Contains discussions around mental health and eating disorders, and sexual references.