Two girls on opposite sides of a war discover they're fighting for a common purpose--and falling for each other--in Zoe Hana Mikuta's high-octane debut Gearbreakers, perfect for fans of Pacific Rim, Pierce Brown's Red Rising Saga, and Marie Lu's Legend series. We went past praying to deities and started to build them instead... The shadow of Godolia's tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords. Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within. As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia's reign once and for all, Eris and Sona grow closer--as comrades, friends, and perhaps something more...

Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . . Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite. But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another. To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .

A cozy, contemporary romantasy about a teen witch who wants to keep her family’s apothecary from falling to the competition but can only do so with assistance from her first crush. Plant witch, Sage Bishop, is determined to run her family’s old apothecary one day. She spends her time trying to invent the perfect tonic to put Bishop Brews on the map. And she’s going to need one quickly, too, because their biggest competitor is drawing away customers. Short-staffed, her nana hires Ximena Reyes, Sage’s ex-best friend and first crush, who’s more of an unwelcome distraction than anything. Ximena has always dreamed of leaving their small town behind while Sage wants to tend to her roots. And during one of their first shifts together, someone breaks into Bishop Brews, stealing several tonics, including the one Sage has been working tirelessly on, the same one that wipes a councilmember’s kid’s memory. To avoid being shut down by the sheriff, Sage decides to investigate. If so much wasn’t at stake, she’d do it alone. But with her grandmother’s legacy and her future on the line, she must partner with her ever smug and unfairly pretty new coworker. As Sage begins to fall for Ximena (again), she’ll have to decide if the comfort of the familiar is worth missing out on a chance at real happiness.

Remi Daniels knows what she wants. Maxine King. She screwed up when they were teenagers allowing them to part on bad terms, but now that Maxine is divorced and back on the island their chemistry can’t be denied. And Remi is ready to pick up right where they left off. Maxine King has only ever fooled around with one woman, Remi Daniels and being back in each other’s orbits they can’t seem to keep their hands off each other. Maxine has enough to deal with in her daily life: her daughter and trying to prove herself at work. She can’t add lusting after Remi to that list. To prove that their relationship can be more than just sex, Maxine suggests they keep things casual and go on 10 friend dates. After all if they can do that it would mean they’re serious about each other right? But their dates keep getting reset as they keep breaking their pact. Remi’s getting restless because not making it to the 10 days by their imposed deadline means failure which sucks because each date just shows her how much more she wants Maxine. As the two women try to navigate this budding relationship the both have to combat their fears: Maxi’s of falling for a woman and Remi’s of worrying that Maxi will reject her at the end of their deal.

A dark and funny YA thriller with a supernatural twist. From the winner of the Comedy Women in Print Prize Ten years ago, four students lost their lives in the infamous North Tower murders at the elite Carvell College of Arts, forcing Carvell to close its doors. Now Carvell is reopening, and fearless student Lottie is determined to find out what really happened. But when her roommate, Alice, stumbles upon a sinister soul-splitting ritual hidden in Carvell’s haunted library, the North Tower claims another victim. Can Lottie uncover the truth before the North Tower strikes again? Can Alice reverse the ritual before her monstrous alter ego consumes her? And can they stop flirting for literally fifteen seconds in order to do this? Exploring possession and ambition, lust and bloodlust, femininity and violence, The Society of Soulless Girls is perfect for fans of Ace of Spaces, The Secret History and The Inheritance Games.

A thought-provoking and haunting novel about a creature that escapes from an artist's canvas, whose talent is sniffing out monsters in a world that claims they don't exist anymore. Perfect for fans of Akata Witch and Shadowshaper. There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster--and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also uncover the truth, and the answer to the question How do you save the world from monsters if no one will admit they exist? In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices you can make when the society around you is in denial.

An Instant New York Times Bestseller!Get Out meets Holly Jackson in this YA social thriller where survival is not a guarantee.Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student—the handsome Allister—and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse. Though most ghosts are harmless and Jake is always happy to help them move on to the next place, Sawyer Doon wants much more from Jake. In life, Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he's a powerful, vengeful ghost and he has plans for Jake. Suddenly, everything Jake knows about dead world goes out the window as Sawyer begins to haunt him. High school soon becomes a different kind of survival game—one Jake is not sure he can win.

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home. Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp. Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

A poetry collection about the mythic life of Artemis, Greek Goddess of the hunt. Told through the perspective of Artemis herself with the contributions of a few other Greek Goddesses. This collection reimagines and follows Artemis navigating her lifelong vow of chastity and, rather than suffering through it, owning it as a facet of her aromanticism and asexuality. Immerse yourself in a cultivated tempest of poems illustrating Artemis as a warrior, whose shoulders have known an excessive weight of responsibility, and who always fights to remain her authentic self among people who would change her.

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend. The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Tengo diez años y llevo toda mi vida en este sótano. Vivo en la oscuridad con mis padres, mi abuela, mi hermana y mi hermano. Todos están desfigurados por el fuego. Mi hermana lleva una máscara blanca para tapar sus quemaduras, porque papá dice que su cara podría asustarme. Me gusta mi cactus. Me gusta leer mi libro sobre insectos. Y tocar durante horas el único rayo de sol que se filtra por una rendija del techo. Pero desde que mi hermana tuvo al bebé, todos actúan de forma extraña. Creo que mienten sobre quién es el padre, sobre el hombre grillo que acecha por las noches, sobre lo que sucedió antes de que yo naciera, sobre por qué estamos aquí encerrados. Por lo menos tengo las luciérnagas. Llegaron hace unos días al sótano y las he guardado en un bote. Como dice mi abuela, no existe criatura más fascinante que aquella que es capaz de crear luz por sí misma. Esa luz me anima a conocer el mundo exterior, a escapar, a descubrir qué sucedió. Lo malo es que aquí todas las puertas están cerradas. Y no sé dónde voy a encontrar una salida...

Mariel Spark knows not to trust a demon, especially one that wants her soul, but what’s a witch to do when he won’t leave her side—and she kind of doesn’t want him to? Mariel Spark is prophesied to be the most powerful witch seen in centuries of the famed Spark family, but to the displeasure of her mother, she prefers baking to brewing potions and gardening to casting hexes. When a spell to summon flour goes very wrong, Mariel finds herself staring down a demon—one she inadvertently summoned for a soul bargain. Ozroth the Ruthless is a legend among demons. Powerful and merciless, he drives hard bargains to collect mortal souls. But his reputation has suffered ever since a bargain went awry—if he can strike a bargain with Mariel, he will earn back his deadly reputation. Ozroth can’t leave Mariel’s side until they complete a bargain, which she refuses to do (turns out some humans are attached to their souls). But the witch is funny. And curvy. And disgustingly yet endearingly cheerful. Becoming awkward roommates quickly escalates when Mariel, terrified to confess the inadvertent summoning to her mother, blurts out that she’s dating Ozroth. As Ozroth and Mariel struggle with their opposing goals and maintaining a fake relationship, real attraction blooms between them. But Ozroth has a limited amount of time to strike the deal, and if Mariel gives up her soul, she’ll lose all her emotions—including love—which will only spell disaster for them both.