From the author of A Good Happy Girl, a lesbian screwball comedy following two exes who turn to online dating after their dramatic split—only to end up seeing the same womanIn Sweetener, recently separated wives, both named Rebecca, can’t seem to disentangle their lives. Lonely and depressed, Rebecca is scraping by as a part-time cashier at an organic grocery store. Despite having less than ten dollars in her bank account, she lists herself as a sugar mama on a lesbian hookup app. Enter Charlotte, a charismatic artist who, unbeknownst to Rebecca, is also dating her wife.Meanwhile, the other Rebecca, a newly sober doctoral student, has renewed her efforts to foster a child. The catch? Because the Rebeccas are still legally married, she needs her wife to attend parenting classes with her as part of the approval process.Neither of them asks whether this means they’re getting back together, but the idea alone sends Charlotte into a tailspin. As Charlotte navigates her desire for each Rebecca—or her desire for attention—her world becomes more and more Gumby-like and surreal. It doesn’t help that she’s been wearing a fake pregnancy belly to all of her dates, and only one of the Rebeccas knows it isn’t real.Sumptuous, sticky, and slightly absurd, Sweetener brings together three women fixated on the fantasy of motherhood, and trying to figure out what kind of mother, partner, or sugar mama they want to be.

France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world. But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.