Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina Apostol A  New York Times Book Review  Editor's Choice   Nick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play,  A Portrait of the Artist as Filipino . As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work.   Introduction and Suggestions for Further Reading by Vicente L. Rafael   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Something terrible has happened. In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere. Tragedy strikes in cycles - and wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. These ghosts call out desperately to our narrator as she tries to explain, in the very real world, exactly what has happened to her. And they all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.A debut novel as emotionally poignant as it is fiercely smart, Sour Cherry is an arresting debut examining toxic masculinity through its chorus of women - deconstructing the idea of what makes someone a monster.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized. Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in. Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch. Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London--where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated. Then there are the humans--the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for--perpetual youth, near-invulnerability, immortality--but, she is miserable; she is lonely; and she is hungry--always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her--between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans if she is to find a way to exist in the world. Before any of this, however, she must eat.

A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.When four isolated elderly people commit suicide back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. Dismissing the case as a series of unfortunate events due to the patients’ loneliness, the police force doesn't engage. But Su-Yeon doesn’t have the privilege of looking her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Wanda at the crime scene. Wanda, hot on the trail of her ex-lover, Lily, gives Su-Yeon the answer to her a vampire did it. Su-Yeon is skeptical at first, but then a fifth victim jumps from the window and her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Wanda’s explanation—that something supernatural is involved.The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.

A diwata brings a grieving slave's brother back to life as a mango tree. Two writers write their ideal lovers into existence with ink from a mangkukulam. A kapre and a farmgirl play out a tale as old as time in Spanish colonial Philippines. A girl with a magical heritage must rescue a bumbling cartographer from the hidden city of Biringan. Maria Makiling opens a pop-up cafe with human heartbreak on the menu. In Song of the Mango and Other New Myths, Vida Cruz-Borja brings stories woven from elements of classical myths and folklore from the Philippines and other parts of the world, as well as from visions of the modern and of the future. In words richly reimagined and reinvented, these "new myths" explore hidden depths from flawed characters who strive to search for a just and equal world, whether that may be in the realm of ordinary humans or the terrain of magical creatures.

A dark contemporary fantasy featuring witchcraft, tarot, death, and a bit of romance that's perfect for fans of Immortal Dark and Cinderella Is Dead. On an ordinary Monday morning, eighteen-year-old Mikaela Broussard receives the shock of her life. During a customer’s tarot reading at her family’s occult shop, she turns over the Death card and envisions the beautiful stranger stabbing her in the heart. In order to determine why the girl, Joelle, wants to kill her, she’ll have to keep her close. But the more time Mikaela spends with her soon-to-be murderer, the more irresistible she finds her. As if imminent death isn’t worrisome enough, witches are turning up with their magic stolen. And it’s clear some very dark magic is at work. Mikaela, as the next Witch Queen of her coven, is tasked with figuring out who’s behind the horrific acts—a mystery that will put her and her power to the test. Death Card is a dark, pacy, and romantic fantasy about one witch’s journey to find the strength to fight for herself, her future, and her beloved community.