Art, power, desire, and illusion collide in a hypnotic new novel from Olivia Laing, set in the months leading up to the murder of Pier Paolo Pasolini in 1975. It is September 1974. Two men meet in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the illusionist responsible for realizing the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young apprentice is just what he needs.He brings Nicholas back to Rome and introduces him to the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. In the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret, and in this world of constant illusion, his real nature passes unseen. Amid the rising tensions of Italy’s “Years of Lead,” he acts as an accelerant, setting in motion a tragedy he didn’t intend.Olivia Laing’s The Silver Book is at once a queer love story and a noir-ish thriller, set in the dream factory of cinema. It is a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

"Twelve times a week," answered Uta Hagen when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art--an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."

The original Sex God has re-landed, Masimo the Italian Stallion wants to be her boyfriend, and Dave the Laugh is still a regular snoggee. How will Georgia cope juggling all three boys of her dreams? Have her days on the rack of love really gone for good? Or will this just lead to confusionosity and merde? Laugh your knickers off at Georgia’s hilarious confessions – this brilliant new story is her funniest yet.

From the bestselling author of Ghosts and Everything I Know About Love: a story of heartbreak and friendship and how to survive both. Andy's story wasn't meant to turn out this way. Living out of a suitcase in his best friends' spare room, waiting for his career as a stand-up comedian to finally take off, he struggles to process the life-ruining end of his relationship with the only woman he's ever truly loved. As he tries to solve the seemingly unsolvable mystery of his broken relationship, he contends with career catastrophe, social media paranoia, a rapidly dwindling friendship group and the growing suspicion that, at 35, he really should have figured this all out by now. Andy has a lot to learn, not least his ex-girlfriend's side of the story. Warm, wise, funny and achingly relatable, Dolly Alderton's highly-anticipated second novel is about the mystery of what draws us together - and what pulls us apart - the pain of really growing up, and the stories we tell about our lives.

The original Sex God has re-landed, Masimo the Italian Stallion wants to be her boyfriend, and Dave the Laugh is still a regular snoggee. How will Georgia cope juggling all three boys of her dreams? Have her days on the rack of love really gone for good? Or will this just lead to confusionosity and merde? Laugh your knickers off at Georgia’s hilarious confessions – this brilliant new story is her funniest yet.

On the rack of romance. And also in the oven of luuurve . And possibly on my way to the bakery of pain . And maybe even going to stop along the way to get a little cake at the cakeshop of agony. Shut up , brain, shut up. Georgia is in quite a predicament. Dave the Laugh has declared his love for her (at least she thinks he was talking about her), leaving her in a state of confusiosity. And then when she finally decides to give Masimo an ultimatum -- to be her one and only -- he tells her he needs to think about it. To distract herself from her romantic woes, Georgia throws herself into Mac-Useless play rehearsals and planning a Viking wedding, and tries to avoid all thoughts of boy decoys, Italian-American dreamboats . . . and let’s not forget guitar-plucking Sex Gods!

On the rack of romance. And also in the oven of luuurve . And possibly on my way to the bakery of pain . And maybe even going to stop along the way to get a little cake at the cakeshop of agony. Shut up , brain, shut up. Georgia is in quite a predicament. Dave the Laugh has declared his love for her (at least she thinks he was talking about her), leaving her in a state of confusiosity. And then when she finally decides to give Masimo an ultimatum -- to be her one and only -- he tells her he needs to think about it. To distract herself from her romantic woes, Georgia throws herself into Mac-Useless play rehearsals and planning a Viking wedding, and tries to avoid all thoughts of boy decoys, Italian-American dreamboats . . . and let’s not forget guitar-plucking Sex Gods!