Knives Out gets a holiday rom-com twist in this rivals-to-lovers romance-mystery from New York Times bestselling author Ally Carter. The bridge is out. The phones are down. And the most famous mystery writer in the world just disappeared out of a locked room three days before Christmas. Meet Maggie Chase and Ethan Wyatt: She’s the new Queen of the Cozy Mystery. He’s Mr. Big-time Thriller Guy. She hates his guts. He thinks her name is Marcie (no matter how many times she’s told him otherwise.) But when they both accept a cryptic invitation to attend a Christmas house party at the English estate of a reclusive fan, neither is expecting their host to be the most powerful author in the world: Eleanor Ashley, the Duchess of Death herself. That night, the weather turns, and the next morning Eleanor is gone. She vanished from a locked room, and Maggie has to wonder: Is Eleanor in danger? Or is it all some kind of test? Is Ethan the competition? Or is he the only person in that snowbound mansion she can trust? As the snow gets deeper and the stakes get higher, every clue will bring Maggie and Ethan closer to the truth—and each other. Because, this Christmas, these two rivals are going to have to become allies (and maybe more) if they have any hope of saving Eleanor. Assuming they don’t kill each other first.

A mystery about a Black classical musician whose family heirloom violin is stolen on the eve of the most prestigious classical music competition in the world. Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids with a dash of Moss Hart’s Act One. The Uncool is a joyful dispatch from a lost world, the real-life events that became Almost Famous, and a coming-of-age journey filled with characters you won’t soon forget. Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac. The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There’s no such thing as a media junket—just a rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him—and the band—on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did Bowie give Crowe such unprecedented access? “Because you’re young enough to be honest,” Bowie tells him. Youth and humility are Crowe’s ticket into the Eagles’ dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell who had sworn to never again speak to Rolling Stone. It’s a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It’s a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, The Who, and Pearl Jam. The Uncool is also a surprisingly intimate family drama. If you’ve seen Almost Famous, you may think you know this story—but you don’t. For the first time, Crowe opens up about his early formative years in Palm Springs, and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary. With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: Your place in the world.

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World. In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned. But at what cost?  Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the “cursed film” that breathlessly builds to an unforgettable, mind-bending conclusion.

Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss. Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building. Greta is miles away, sitting at a desk in her own house, wearing only headphones, fingerless gloves, a kimono, and legwarmers, transcribing this disembodied voice. What Greta doesn't know is that she's about to bump into Big Swiss in the local dog park. A new - and not entirely honest - relationship is going to be born. A relationship that will transform both of their lives.

When a world, renowned scientist is found brutally murdered in a Swiss research facility, a Harvard professor, Robert Langdon, is summoned to identify the mysterious symbol seared onto the dead man's chest. His baffling conclusion: it is the work of the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years - reborn to continue their bitter vendetta against their sworn enemy, the Catholic church. In Rome, the college of cardinals assembles to elect a new pope. Yet somewhere within the walls of the Vatican, an unstoppable bomb of terrifying power relentlessly counts down to oblivion. While the minutes tick away, Langdon joins forces with Vittoria Vetra, a beautiful and mysterious Italian scientist, to decipher the labyrinthine trail of ancient symbols that snakes across Rome to the long-forgotten Illuminati lair - a secret refuge wherein lies the only hope for the Vatican. But with each revelation comes another twist, another turn in the plot, which leaves Langdon and Vetra reeling and at the mercy of a seemingly invisible enemy...