In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

“A canvas of vividly impressionistic splashes of growing up young, gifted, Black, and female.” ― The Philadelphia Inquirer In this memoir of perceptions and ideas, renowned feminist intellectual bell hooks presents a stirringly intimate account of growing up in the South. Stitching together the gossamer threads of her girlhood memories, hooks shows us one strong-spirited child’s journey toward becoming a writer. Along the way, hooks sheds light on the vulnerability of children, the special unfurling of female creativity, and the imbalance of a society that confers marriage’s joys upon men and its silences on women. In a world where daughters and daddies are strangers under the same roof, and crying children are often given something to cry about, hooks uncovers the solace to be found in solitude, the comfort to be had in the good company of books. Bone Black allows us to bear witness to the awakening of a legendary author’s awareness that writing is her most vital breath. “With the emotion of poetry, the narrative of a novel, and the truth of experience, bell hooks weaves a girlhood memoir you won’t be able to put down―or forget. Bone Black takes us into the cave of self-creation.” ―Gloria Steinem

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

“A canvas of vividly impressionistic splashes of growing up young, gifted, Black, and female.” ― The Philadelphia Inquirer In this memoir of perceptions and ideas, renowned feminist intellectual bell hooks presents a stirringly intimate account of growing up in the South. Stitching together the gossamer threads of her girlhood memories, hooks shows us one strong-spirited child’s journey toward becoming a writer. Along the way, hooks sheds light on the vulnerability of children, the special unfurling of female creativity, and the imbalance of a society that confers marriage’s joys upon men and its silences on women. In a world where daughters and daddies are strangers under the same roof, and crying children are often given something to cry about, hooks uncovers the solace to be found in solitude, the comfort to be had in the good company of books. Bone Black allows us to bear witness to the awakening of a legendary author’s awareness that writing is her most vital breath. “With the emotion of poetry, the narrative of a novel, and the truth of experience, bell hooks weaves a girlhood memoir you won’t be able to put down―or forget. Bone Black takes us into the cave of self-creation.” ―Gloria Steinem

“A canvas of vividly impressionistic splashes of growing up young, gifted, Black, and female.” ― The Philadelphia Inquirer In this memoir of perceptions and ideas, renowned feminist intellectual bell hooks presents a stirringly intimate account of growing up in the South. Stitching together the gossamer threads of her girlhood memories, hooks shows us one strong-spirited child’s journey toward becoming a writer. Along the way, hooks sheds light on the vulnerability of children, the special unfurling of female creativity, and the imbalance of a society that confers marriage’s joys upon men and its silences on women. In a world where daughters and daddies are strangers under the same roof, and crying children are often given something to cry about, hooks uncovers the solace to be found in solitude, the comfort to be had in the good company of books. Bone Black allows us to bear witness to the awakening of a legendary author’s awareness that writing is her most vital breath. “With the emotion of poetry, the narrative of a novel, and the truth of experience, bell hooks weaves a girlhood memoir you won’t be able to put down―or forget. Bone Black takes us into the cave of self-creation.” ―Gloria Steinem

An exhilarating and expansive new novel about fathers and sons, faith and friendship from Caleb Azumah Nelson, the no.1 bestselling, award-winning author of Open WaterThe one thing that can solve Stephen's problems is dancing. Dancing at Church, with his parents and brother, the shimmer of Black hands raised in praise; he might have lost his faith, but he does believe in rhythm. Dancing with his friends, somewhere in a basement with the drums about to drop, while the DJ spins garage cuts. Dancing with his band, making music which speaks not just to the hardships of their lives, but the joys too. Dancing with his best friend Adeline, two-stepping around the living room, crooning and grooving, so close their heads might touch. Dancing alone, at home, to his father's records, uncovering parts of a man he has never truly known.Stephen has only ever known himself in song. But what becomes of him when the music fades? When his father begins to speak of shame and sacrifice, when his home is no longer his own? How will he find space for himself: a place where he can feel beautiful, a place he might feel free?Set over the course of three summers in Stephen's life, from London to Ghana and back again, Small Worlds is an exhilarating and expansive novel about the worlds we build for ourselves, the worlds we live, dance and love within.

An exhilarating and expansive new novel about fathers and sons, faith and friendship from Caleb Azumah Nelson, the no.1 bestselling, award-winning author of Open WaterThe one thing that can solve Stephen's problems is dancing. Dancing at Church, with his parents and brother, the shimmer of Black hands raised in praise; he might have lost his faith, but he does believe in rhythm. Dancing with his friends, somewhere in a basement with the drums about to drop, while the DJ spins garage cuts. Dancing with his band, making music which speaks not just to the hardships of their lives, but the joys too. Dancing with his best friend Adeline, two-stepping around the living room, crooning and grooving, so close their heads might touch. Dancing alone, at home, to his father's records, uncovering parts of a man he has never truly known.Stephen has only ever known himself in song. But what becomes of him when the music fades? When his father begins to speak of shame and sacrifice, when his home is no longer his own? How will he find space for himself: a place where he can feel beautiful, a place he might feel free?Set over the course of three summers in Stephen's life, from London to Ghana and back again, Small Worlds is an exhilarating and expansive novel about the worlds we build for ourselves, the worlds we live, dance and love within.

/ / English literature / Engels / English / Anglais / Englisch / Pocket / Poche / Taschenbuch / 11 x 18 cm / 375 .pp /