Some believe Bedford, Maine, is cursed. Its bloody past, endless rain, and the decay of its downtown portend a hopeless future. With the death of its paper mill, Bedford's unemployed residents soon find themselves with far too much time to dwell on thoughts of Susan Marley. Once the local beauty, she's now the local whore. Silently prowling the muddy streets, she watches eerily from the shadows, waiting for . . . something. And haunting the sleep of everyone in town with monstrous visions of violence and horror. Those who are able will leave Bedford before the darkness fully ascends. But those who are trapped here-from Susan Marley's long-suffering mother and younger sister to her guilt-ridden, alcoholic ex-lover to the destitute and faithless with nowhere else to go-will soon know the fullest and most terrible meaning of nightmare.

A grumpy dragon king, his new human queen, and their captain of the guard in an arranged marriage with a twist. Princess Nissia has always been destined to be married off to the king of the dragons, but she didn't expect how grouchy and closed off her new husband would be. Alone in a new country, she finds herself turning to Ragnakor, the kind, protective captain of the guard. King Vizarios never wanted to marry, especially not a human. He’s always held a candle for Ragnakor, but they both know there can be no relationship between them as long as the king must fulfill his duty to the realm. Though Vizarios has pledged to feel nothing for his new wife, when he and Nissia must consummate the marriage publicly, sparks fly. Ragnakor believes that at last, his king has found happiness. But the stoic captain is developing feelings for Nissia, too, and Vizarios won’t let him go. Can the three lovers find a way when the dragon kingdom demands an heir? This is a steamy, why choose romance with MM, MF, and MMF content. In these pages you'll find yearning, a slow burn, a redemption arc, public displays, size difference, breeding, and a grumpy/sunshine/stoic dynamic. In the end, no one has to choose.

An alternative cover edition for this ISBN can be found here and here. The Emperor of All Maladies is a magnificent, profoundly humane “biography” of cancer - from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with - and perished from - for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. From the Persian Queen Atossa, whose Greek slave cut off her malignant breast, to the nineteenth-century recipients of primitive radiation and chemotherapy to Mukherjee’s own leukemia patient, Carla, The Emperor of All Maladies is about the people who have soldiered through fiercely demanding regimens in order to survive—and to increase our understanding of this iconic disease. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.

A startlingly original voice makes her literary debut with this wondrous coming-of-age story infused with Chinese folklore, romantic intrigue, adventure, and fascinating, dreamlike twists. 'One evening, my father asked me whether I would like to become a ghost bride...' Though ruled by British overlords, the Chinese of colonial Malaya still cling to ancient customs. And in the sleepy port town of Malacca, ghosts and superstitions abound. Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, traditional ghost marriages are used to placate restless spirits. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price. After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lims' handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits, and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.

Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

Seraphine has spent her life kneeling before a god that sees everything. As one of the chosen priestesses of the Engine, she was taught that obedience is salvation, and doubt is death. Unfortunately, when she disobeys to water to give to those in need, Seraphine learns the truth far too late: Even devotion does not make her untouchable. Cast into the desert as punishment, she is offered as a living sacrifice to the creature that stalks the sands. Vael. A being of fang and scale. Half man. Half serpent. The Phantom of the Waste, who slaughters humans without mercy. Except her. He leaves her alive, and she follows him into the endless dunes, where the world splits open beneath her feet. Hidden cities. Buried truths. A history her god erased. His touch burns like venom in her veins. And soon she learns the monster she was taught to fear may be the only one who has ever told her the truth.

Some believe Bedford, Maine, is cursed. Its bloody past, endless rain, and the decay of its downtown portend a hopeless future. With the death of its paper mill, Bedford's unemployed residents soon find themselves with far too much time to dwell on thoughts of Susan Marley. Once the local beauty, she's now the local whore. Silently prowling the muddy streets, she watches eerily from the shadows, waiting for . . . something. And haunting the sleep of everyone in town with monstrous visions of violence and horror. Those who are able will leave Bedford before the darkness fully ascends. But those who are trapped here-from Susan Marley's long-suffering mother and younger sister to her guilt-ridden, alcoholic ex-lover to the destitute and faithless with nowhere else to go-will soon know the fullest and most terrible meaning of nightmare.

Yoru is a vampire, a predator of the night dwelling among humans. But compared to a meal of fresh blood, he’d much rather partake in the culinary delights of the human world—fragrant stews, tasty meat buns, and sweet pastries are all irresistible delicacies to him. Unfortunately, being a vampire means he cannot stomach human food…unless he first drinks blood as an appetizer. Thus, Yoru spends his nights sinking his fangs into criminals and evildoers, all for the sake of the beloved supper awaiting him… 

THE CHURCH OF THE MOUNTAIN OF FLESH is a cosmic horror novel about mad artists, bodies spiralling out of control, and a trans man's merciless desperation. Sole De Gasinis drowns his grief in wine and buries his hatred of his body in twisted sculptures. When, one drunken night on the beach, God orders him to rebuild his village's church, he knows he wasn't chosen for his piety. Instead, he and God make a deal. If Sole rebuilds the church, God will give him the body of a man. As Sole works in a frenzy for salvation, lifelong friendships decay, a village united to tear down its church fractures into pariahs and zealots, and power and grief reshape the prophet into a tyrant. Grief for a boy he fell in love with ten years ago, who claimed to be a virgin birth, who died in agony in the church crypt when the God inside him wanted out -- and whose monstrous remnant Sole must commune with for every piece of his prize.

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself. You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them. The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

A compelling new look at one of the worst disasters to strike humankindthe Great Irish Potato Famineconveyed as lyrical narrative history from the acclaimed author of The Great Mortality.