A reclusive graduate student is forced into a friendship that destabilizes her life in this surreal, allegorical romance. In a famed but crumbling university city overrun by nature, where power is held in a fragile balance between academics and a contingent of rogue gardeners, the reclusive narrator of The Vivisectors spends her days propping up the career of her needy and fraudulent professor boss. Then a controversy ruptures her careful Adam, a contrarian student and an obsession of the boss, comes into heated conflict with a young professor, with both men claiming discrimination. The crisis subsumes the university, though the narrator is unmoved—not even the attempted suicide of her estranged mother has been enough to dispel her lack of engagement with the world. But when her boss commands her to befriend Adam, the narrator finds herself both caught up in the events threatening to tear the city apart and increasingly drawn to the alluring student at the heart of it all. Coursing with icy suspense and told with violent precision, The Vivisectors is a new kind of love story for an age of deteriorated communication. With the unsparing style and intellectual ambition that made her award-winning debut The Doloriad a celebrated provocation, Missouri Williams holds a mirror up to humanity’s most intimate contradictions and reflects them back through a novel of profound, spiky spiritual reckoning.

The story of the Ham Lake fire, at the time the most destructive wildfire in modern Minnesota history—the blaze, the firefighters’ battle, the human toll On May 5, 2007, two days into his twenty-seventh trip to the Boundary Waters, Stephen Posniak found a perfect spot on Ham Lake and set about making a campfire. Over the next two weeks, the fire he set would consume 75,000 acres of forest and 144 buildings. More than one thousand firefighters would rally to extinguish the blaze, at a cost of 11 million dollars.  Gunflint Burning is a comprehensive account of the dramatic events around the Ham Lake fire, one of the largest wildfires in Minnesota history. Cary J. Griffith describes what happened in the minutes, hours, and days after Posniak struck that fateful match—from the first hint of danger to the ensuing race to flee the fire or defend imperiled property to the incredible efforts of firefighters and residents battling a blaze that lit up the Gunflint Trail like the fuse to a powder keg. We meet locals faced with losing everything: the sheriff and his deputy tasked with getting everyone out alive; tourists caught unawares; men and women using every piece of equipment and modern firefighting technique against impossibly high winds and dry conditions to suppress a wildfire as it grew to historic proportions; and, finally, Stephen Posniak, who in the aftermath tragically took his own life—the fire’s only fatality. In sharp detail, Gunflint Burning describes the key events of the Ham Lake fire as they unfold, providing readers with a sense of being on the front lines of an epic struggle that was at times heroic, tragic, and sublime.

A woman discovers that her bathroom has been remodeled into a prison cell—where she is an unlikely inmate—in this surreal novel of exile, grief, memory, and migration. In Salerno, Italy, Dilara spends her days caring for her aging father and her hypochondriac husband. Since leaving her native Istanbul, she’s been unable to find a job—adrift, she becomes increasingly fixated on domestic improvement, specifically on the renovation of a second bathroom. When the work is completed, she enters and finds herself not in a bathroom but in a prison cell, and a Turkish one at that. As she tries and fails to conceal the unfortunate discovery from her husband, she confronts the prison’s other inhabitants—the buffoonish guards who refuse to believe her conundrum; the other women who begin filling the cells beyond hers—and the strange things that drift through the smell of the Bosporus, her mother’s voice, calls to prayer . . . Has she gone mad? Is she the victim of a terrible prank? Is it a portal, a dream, a simulation? As she burrows deeper into her cell, her life beyond it begins to fall apart—her husband disappears, her father’s grip on reality loosens, political dictatorship threatens to destroy everything worth keeping. In his slender, disquieting first novel, Kenan Orhan tells a story of modern migration like no other. The Renovation is a tragic comedy of displacement, a story that remodels its own form to the dazzling inevitable end.

A battle-worn corporate samurai undertakes one last mission on a merciless planet where death is always a mere breath away, in this standalone dystopian epic from the author of the modern fantasy classic Jade City. Isako is a legendary swordswoman, but every legend must come to an end. When her long-time client unexpectedly retires, she plans to follow—to walk out into the frozen wasteland of their planet with her head held high and her family enriched by her death. But when she’s offered a final mission, she can’t refuse, especially when she realizes who lies at the center of it all: Martim, her last—and worst—apprentice, who’s somehow made his way to the top. As she’s thrust into a world of corporate espionage and shadowy secrets, what she uncovers could forever change humanity’s existence among the stars. The Last Contract of Isako is epic science fiction like only Fonda Lee can write it—set in a world where money trumps loyalty, the elite have the power to extend life or end it, and one woman in the twilight of her calling must decide what’s ultimately worth living—or dying—for.

No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

A woman discovers that her bathroom has been remodeled into a prison cell—where she is an unlikely inmate—in this surreal novel of exile, grief, memory, and migration. In Salerno, Italy, Dilara spends her days caring for her aging father and her hypochondriac husband. Since leaving her native Istanbul, she’s been unable to find a job—adrift, she becomes increasingly fixated on domestic improvement, specifically on the renovation of a second bathroom. When the work is completed, she enters and finds herself not in a bathroom but in a prison cell, and a Turkish one at that. As she tries and fails to conceal the unfortunate discovery from her husband, she confronts the prison’s other inhabitants—the buffoonish guards who refuse to believe her conundrum; the other women who begin filling the cells beyond hers—and the strange things that drift through the smell of the Bosporus, her mother’s voice, calls to prayer . . . Has she gone mad? Is she the victim of a terrible prank? Is it a portal, a dream, a simulation? As she burrows deeper into her cell, her life beyond it begins to fall apart—her husband disappears, her father’s grip on reality loosens, political dictatorship threatens to destroy everything worth keeping. In his slender, disquieting first novel, Kenan Orhan tells a story of modern migration like no other. The Renovation is a tragic comedy of displacement, a story that remodels its own form to the dazzling inevitable end.

For fans of Lisa McInerney, Gabriel Krauze, and Graeme Armstrong, All Them Dogs is a fizzing debut from one of Ireland's most striking new voices Things are different since Tony Ward landed back in town. The West Dublin gangland has changed. His old mentor is dead, and his best pal Kenny Boyle is on the straight and narrow. After five years keeping quiet across the way, Tony is keen to reinstate himself, and when the opportunity to work side by side with Darren 'Flute' Walsh, a top enforcer of notorious crime boss Angus Lavelle, it feels like a no brainer. Biting off more than he can chew has never bothered Tony Ward, but Flute Walsh is not the meek, quiet boy Tony remembers from school. Brooding, stoic, and unpredictably dangerous, Tony finds himself drawn to his new associate in more ways than one. With retribution from his past actions always close in the rear view, the protection offered by Flute's standing in the gang is crucial. But how safe is Tony really, when a mutual attraction starts to complicate matters?

For fans of Lisa McInerney, Gabriel Krauze, and Graeme Armstrong, All Them Dogs is a fizzing debut from one of Ireland's most striking new voices Things are different since Tony Ward landed back in town. The West Dublin gangland has changed. His old mentor is dead, and his best pal Kenny Boyle is on the straight and narrow. After five years keeping quiet across the way, Tony is keen to reinstate himself, and when the opportunity to work side by side with Darren 'Flute' Walsh, a top enforcer of notorious crime boss Angus Lavelle, it feels like a no brainer. Biting off more than he can chew has never bothered Tony Ward, but Flute Walsh is not the meek, quiet boy Tony remembers from school. Brooding, stoic, and unpredictably dangerous, Tony finds himself drawn to his new associate in more ways than one. With retribution from his past actions always close in the rear view, the protection offered by Flute's standing in the gang is crucial. But how safe is Tony really, when a mutual attraction starts to complicate matters?