A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption. An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears. Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Ten children, abducted in broad daylight—and buried alive. Sage and her sister won’t make it home from school today. Neither will the other children on Bus 315. But that’s only the beginning of the nightmare.New bus driver Jessa blames herself for what happened. She couldn’t protect the kids she was supposed to deliver to daycare, just like she couldn’t protect her own daughter three years ago. But this time, everything will be different. It has to be.Trapped in a shipping container buried twenty feet underground, Jessa and the children do their best to stay calm. The kidnappers insist that if everyone behaves, they’ll be freed when the ransom is paid. But Sage isn’t sure they’ll last that long. Neither is Jessa. It’s dark and cramped, and with every passing minute it’s getting harder to breathe.With time—and air—running thin, Jessa and the children must find a way to outsmart their captors, or face an unthinkable fate.Such Quiet Girls was inspired by actual events.

A MAN MURDERED, LIVE ON CAMERA When a DVD is delivered in the dead of night, DCI Cara Elliott hits play on a horrifying showreel of violence… This is death, on demand. A KILLER COUNTING DOWN Avid viewers are paying for the killings, with twisted specifications. A request, an abduction, a murder. And always in a forty-eight-hour pattern. A MISSING DETECTIVE But when the killer finds out they’re being investigated, they reveal their next target. In forty-eight hours, a police officer will be the one in front of the camera. The hunters have become the hunted, and the clock is ticking…

She can't see the killer But the killer can see her...Naomi Hannah has been blind since birth. Struggling with living in the small, claustrophobic town of Balkerne Heights, Naomi contemplates ending her life. But before she can, Naomi stumbles across the body of a young woman who has been brutally murdered. She senses someone else there at the scene - watching her. Naomi may not be able to see the killer's face, but she is still the only person who can identify him. For Naomi, this frightening truth changes everything: she realises that she wants to live, at the very point at which her life is in greatest peril. As the police begin hunting the person responsible and the bodies pile up, Naomi must lie in wait and answer the question that hangs her fate in the balance: why did the killer let her live? In a town this small, the murderer must be close, perhaps even before her very eyes...