White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

Beware of the woods and the dark, dank deep. He’ll follow you home, and he won’t let you sleep. Who are the Sawkill Girls? Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find. Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is. Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies. Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires. Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.

Sixteen bloodless bodies. Two teenagers. One impossible explanation. Summer 1958—a string of murders plagues the Midwest. The victims are found in their cars and in their homes—even in their beds—their bodies drained, but with no blood anywhere. September 19- the Carlson family is slaughtered in their Minnesota farmhouse, and the case gets its first lead: 15-year-old Marie Catherine Hale is found at the scene. She is covered in blood from head to toe, and at first she’s mistaken for a survivor. But not a drop of the blood is hers. Michael Jensen, son of the local sheriff, yearns to become a journalist and escape his small-town. He never imagined that the biggest story in the country would fall into his lap, or that he would be pulled into the investigation, when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?

1990. The teen detectives once known as the Blyton Summer Detective Club (of Blyton Hills, a small mining town in the Zoinx River Valley in Oregon) are all grown up and haven't seen each other since their fateful, final case in 1977. Andy, the tomboy, is twenty-five and on the run, wanted in at least two states. Kerri, one-time kid genius and budding biologist, is bartending in New York, working on a serious drinking problem. At least she's got Tim, an excitable Weimaraner descended from the original canine member of the team. Nate, the horror nerd, has spent the last thirteen years in and out of mental health institutions, and currently resides in an asylum in Arkham, Massachusetts. The only friend he still sees is Peter, the handsome jock turned movie star. The problem is, Peter's been dead for years. The time has come to uncover the source of their nightmares and return to where it all began in 1977. This time, it better not be a man in a mask. The real monsters are waiting.

1988. Charleston, South Carolina. High school sophomores Abby and Gretchen have been best friends since fourth grade. . But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act… different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries - and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My best Friend's Exorcism blends teen angst, adolescent drama, unspeakable horrors, and a mix of '80s pop songs into a pulse-pounding supernatural thriller.

From BRIAN K. VAUGHAN, New York Times bestselling writer of SAGA, and CLIFF CHIANG, legendary artist of Wonder Woman, this gorgeous oversized deluxe hardcover is the perfect way to experience the first two storylines of the smash-hit series that The Chicago Tribune named one of the "Best Books of the Year." In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this critically acclaimed story about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-10, along with exclusive extras and a brand-new cover from CLIFF CHIANG!

A hilarious memoir of home truths and whatever the opposite of 'that girl energy' is, from one half of the hit podcast Toni and Ryan.Most of us tell little white lies all the time. Whether it's 'I'm five minutes away' or 'It must have gone to my spam folder', most of these fibs are harmless. But what if you realised that you weren't just lying about the little things, but the big 'life' stuff too?When Toni Lodge sat down to write this memoir, she discovered that the lies she was telling herself were hiding some pretty important home truths—about her work, her identity and her mental health. Her dogged pursuit of these truths sent her on a brazen exploration of everything from gastro, fame and Twilight to funerals, the Dalai Lama and Brazilian waxes.In this hilarious warm hug of a book, Toni exposes the lies she has told herself about who she is and what she is capable of, inviting you on a riotous romp that will make you laugh, cringe, cry and utterly rethink the truth behind the stories we tell ourselves. 'Hilarious, relatable and heartbreaking in equal measure. Toni's words will make you giggle and cry—on repeat.' Zara and Michelle from the Shameless podcast'From fits of giggles to unexpected tears, this was like a besties road trip with Toni and a pure delight to read.' Sarah Davidson, host of the Seize the Yay podcast'Nostalgic, tender, raw and laugh-out-loud funny. I loved it.' Chrissie Swan, television and radio presenter'I absolutely love Toni. She is one of my heroes. So funny and relatable. I didn't read her book though, too busy.' Christian Hull, author of Leave Me Alone'A nostalgic look back at our Australian childhoods, some questionable life advice and a hilarious explanation as to why Toni is the loveable hot mess she is today. Reading this book felt like hanging out with a best friend.' Ryan Jon, co-host of the Toni and Ryan podcast

When two young rival journalists find love through a magical connection, they must face the depths of hell, in a war among gods, to seal their fate forever. After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette. To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish―into the hands of Roman Kitt, her cold and handsome rival at the paper. When he anonymously writes Iris back, the two of them forge a connection that will follow Iris all the way to the front lines of battle: for her brother, the fate of mankind, and love. Shadow and Bone meets Lore in this epic enemies-to-lovers fantasy novel filled with hope and heartbreak, and the unparalleled power of love.

Years ago, Rachel had a crush on Henry Jones. The day before she moved away, she tucked a love letter into his favorite book in his family’s bookshop. She waited. But Henry never came. Now Rachel has returned to the city—and to the bookshop—to work alongside the boy she’d rather not see, if at all possible, for the rest of her life. But Rachel needs the distraction, and the escape. Her brother drowned months ago, and she can’t feel anything anymore. She can't see her future. Henry's future isn't looking too promising, either. His girlfriend dumped him. The bookstore is slipping away. And his family is breaking apart. As Henry and Rachel work side by side—surrounded by books, watching love stories unfold, exchanging letters between the pages—they find hope in each other. Because life may be uncontrollable, even unbearable sometimes. But it’s possible that words, and love, and second chances are enough.

Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye. An alternative cover for this ISBN can be found here

As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding... six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.