From New York Times bestselling author Rachel Gillig comes a sensational romantasy, a gothic, mist-cloaked tale of a young prophetess forced on an impossible quest with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum’s windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil’s visions. But when Sybil’s fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral’s cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she’d rather avoid Rodrick’s dark eyes and sharp tongue, only a heretic can defeat a god.

An accessible foray into botany’s origins and how we can transform its futureColonial ambitions spawned imperial attitudes, theories, and practices that remain entrenched within botany and across the life sciences. Banu Subramaniam draws on fields as disparate as queer studies, Indigenous studies, and the biological sciences to explore the labyrinthine history of how colonialism transformed rich and complex plant worlds into biological knowledge. Botany of Empire demonstrates how botany’s foundational theories and practices were shaped and fortified in the aid of colonial rule and its extractive ambitions. We see how colonizers obliterated plant time’s deep history to create a reductionist system that imposed a Latin-based naming system, drew on the imagined sex lives of European elites to explain plant sexuality, and discussed foreign plants like foreign humans. Subramanian then pivots to imagining a more inclusive and capacious field of botany untethered and decentered from its origins in histories of racism, slavery, and colonialism. This vision harnesses the power of feminist and scientific thought to chart a course for more socially just practices of experimental biology.A reckoning and a manifesto, Botany of Empire provides experts and general readers alike with a roadmap for transforming the colonial foundations of plant science.

Yaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama. Gifty is a fifth-year candidate in neuroscience at Stanford School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after a knee injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief--a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.

An accessible foray into botany’s origins and how we can transform its futureColonial ambitions spawned imperial attitudes, theories, and practices that remain entrenched within botany and across the life sciences. Banu Subramaniam draws on fields as disparate as queer studies, Indigenous studies, and the biological sciences to explore the labyrinthine history of how colonialism transformed rich and complex plant worlds into biological knowledge. Botany of Empire demonstrates how botany’s foundational theories and practices were shaped and fortified in the aid of colonial rule and its extractive ambitions. We see how colonizers obliterated plant time’s deep history to create a reductionist system that imposed a Latin-based naming system, drew on the imagined sex lives of European elites to explain plant sexuality, and discussed foreign plants like foreign humans. Subramanian then pivots to imagining a more inclusive and capacious field of botany untethered and decentered from its origins in histories of racism, slavery, and colonialism. This vision harnesses the power of feminist and scientific thought to chart a course for more socially just practices of experimental biology.A reckoning and a manifesto, Botany of Empire provides experts and general readers alike with a roadmap for transforming the colonial foundations of plant science.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

Born ​in the firelit domain of the under realm, Matilda is the youngest goddess of her clan, blessed with humble messenger magic. But in a land where gods often kill each other to steal power and alliances break as quickly as they are forged, Matilda must come of age sooner than most. She may be known to carry words and letters through the realms, but she holds a secret she must hide from even her dearest of allies to ensure her survival. And to complicate matters . . . there is a mortal boy who dreams of her, despite the fact they have never met in the waking world. Ten years ago, Vincent of Beckett wrote to Matilda on the darkest night of his life―begging the goddess he befriended in dreams to help him. When his request went unanswered, Vincent moved on, becoming the hardened, irreverent lord of the river who has long forgotten Matilda. That is, until she comes tumbling into his bedroom window with a letter for him. As Fate would have it, Matilda and Vincent were destined to find each other beyond dreams. There may be a chance for Matilda to rewrite the blood-soaked ways of the gods, but at immense sacrifice. She will have to face something she fears even more than losing her magic: to be vulnerable, and to allow herself to finally be loved.