Insufferable Tools: Feminism Against Big Tech

Sarah Sharma

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A City Is Not a Computer: Other Urban Intelligences (Places Books)

Shannon Mattern

A bold reassessment of smart cities that reveals what is lost when we conceive of our urban spaces as computers Computational models of urbanism--smart cities that use data-driven planning and algorithmic administration--promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the city-as-computer metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.

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Bangkok Wakes to Rain

Pitchaya Sudbanthad

A house in Bangkok is the confluence of lives shaped by upheaval, memory, and the lure of home. A missionary doctor pines for his native New England even as he succumbs to the vibrant chaos of nineteenth-century Siam. A post-WWII society woman marries, mothers, and holds court, little suspecting her solitary future. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the resident spirits. A young woman tries to outpace the long shadow of her political past. And in New Krungthep, savvy teenagers row tourists past landmarks of the drowned old city they themselves do not remember. Time collapses as these stories collide and converge, linked by the forces voraciously making and remaking the amphibious, ever-morphing capital itself.

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The Curse of Eelgrass Bog

Mary Averling

Dark secrets and unnatural magic abound when a twelve-year-old girl ventures into a bog full of monsters to break a mysterious curse. Nothing about Kess Pedrock’s life is normal. Not her home (she lives in her family’s Unnatural History Museum), not her interests (hunting for megafauna fossils and skeletons), and not her best friend (a talking demon’s head in a jar named Shrunken Jim). But things get even stranger than usual when Kess meets Lilou Starling, the new girl in town. Lilou comes to Kess for help breaking a mysterious curse—and the only clue she has leads straight into the center of Eelgrass Bog. Everyone knows the bog is full of witches, demons, and possibly worse, but Kess and Lilou are determined not to let that stop them. As they investigate the mystery and uncover long-buried secrets, Kess begins to realize that the curse might hit closer to home than she’d ever expected, and she’ll have to summon all her courage to find a way to break it before it’s too late.

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The Jungle

Upton Sinclair

For nearly a century, the original version of Upton Sinclair's classic novel has remained almost entirely unknown. When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

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