Una niña guiada por un ahorcado descubre la verdadera historia de su pueblo, un lugar habitado por vírgenes sin pies, niños santos y ángeles desollados.

Told in email messages, texts, and essays, this innovative page-turner follows a group of students in an art master’s program that goes dangerously awry. Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. There’s Jem, a talented sculptor recently graduated from her university program and eager to make her mark as an artist at any cost. Jonathan, who has little experience in art practice aside from running his family’s gallery. Patrick, who runs an art supply store but can barely operate his phone, much less design software. Ludya, a single mother and graphic designer more interested in a paycheck than homework. Cameron, a marketing executive in search of a hobby or a career change. And Alyson, who's already a successful artist and seems overqualified. Finally there is the examiner, the man hired to grade students’ final works, who, in sifting through final essays, texts, and message boards, warns that someone is in danger—or already dead.

Casas vacías habla del dolor de las mujeres ante la desaparición de un hijo y de su propia vida. Es una novela que también cuestiona la maternidad y abre la posibilidad de un diálogo sobre cómo se enfrentan las maternidades no solicitadas y que son impuestas socialmente. Casas vacías es la primera novela de Brenda Navarro y el primer libro editado por Kaja Negra. Es el primer paso de nuestro proyecto editorial.

Told in email messages, texts, and essays, this innovative page-turner follows a group of students in an art master’s program that goes dangerously awry. Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. There’s Jem, a talented sculptor recently graduated from her university program and eager to make her mark as an artist at any cost. Jonathan, who has little experience in art practice aside from running his family’s gallery. Patrick, who runs an art supply store but can barely operate his phone, much less design software. Ludya, a single mother and graphic designer more interested in a paycheck than homework. Cameron, a marketing executive in search of a hobby or a career change. And Alyson, who's already a successful artist and seems overqualified. Finally there is the examiner, the man hired to grade students’ final works, who, in sifting through final essays, texts, and message boards, warns that someone is in danger—or already dead.

In her new novella, Sunday Times best-selling author Becky Chambers imagines a future in which, instead of terraforming planets to sustain human life, explorers of the solar system instead transform themselves. Ariadne is one such explorer. As an astronaut on an extrasolar research vessel, she and her fellow crewmates sleep between worlds and wake up each time with different features. Her experience is one of fluid body and stable mind and of a unique perspective on the passage of time. Back on Earth, society changes dramatically from decade to decade, as it always does. Ariadne may awaken to find that support for space exploration back home has waned, or that her country of birth no longer exists, or that a cult has arisen around their cosmic findings, only to dissolve once more by the next waking. But the moods of Earth have little bearing on their mission: to explore, to study, and to send their learnings home. Carrying all the trademarks of her other beloved works, including brilliant writing, fantastic world-building and exceptional, diverse characters, Becky's first audiobook outside of the Wayfarers series is sure to capture the imagination of listeners all over the world.

Han pasado seis años y yo aún vivo donde vivíamos. En la misma casa. Conocí a Pablo y tuvimos a Matilda. Ahora los tres dormimos en el que fue tu dormitorio, el de las pelusas. Dos amigas dejan de ser amigas. Esta es la historia de la cicatriz que queda en una de ellas.

Fitz has survived his first hazardous mission as king’s assassin, but is left little more than a cripple. Battered and bitter, he vows to abandon his oath to King Shrewd, remaining in the distant mountains. But love and events of terrible urgency draw him back to the court at Buckkeep, and into the deadly intrigues of the royal family. Renewing their vicious attacks on the coast, the Red-Ship Raiders leave burned-out villages and demented victims in their wake. The kingdom is also under assault from within, as treachery threatens the throne of the ailing king. In this time of great danger, the fate of the kingdom may rest in Fitz’s hands—and his role in its salvation may require the ultimate sacrifice.