Butting heads leads to knocking boots in this wildly sexy enemies-to-lovers, grumpy/sunshine, small town cowboy romance by Jessica Peterson. My dad and I have been estranged for years. But as his only living relative, it’s no surprise I inherit his massive cattle ranch when he dies. Something that is a surprise? The stipulation in his will, which requires me to live on the ranch and actively manage it for a year before I can access my inheritance money. I haven’t stepped foot in Hartsville, Texas, population one thousand, since my parents split when I was six. Now a city girl through and through, I never imagined having to move back to cowboy country. But I need the money to invest in my company, and a girl’s gotta do what a girl’s gotta do. There’s just one giant roadblock to my plan: the ranch’s foreman, grumpy cowboy Cash Rivers. I don’t care how good he looks in his Wranglers and chaps. He’s rude, he’s growly, and he wants me gone. I’d fire him in a heartbeat, but I need this cowboy to teach me the ropes of running a ranch. We’re enemies from the get-go. But turns out, Cash is really good at this ranch thing. He’s got strong hands, an intelligent mind, and let’s just say everything really is bigger in Texas. Working alongside him leads to conversations beneath the stars. Throw in some cheek-to-cheek dancing at the local dive bar, and it all feels so right that I start to fall in love with life on the ranch. And maybe with him, too. But my stay in Hartsville is only temporary. And you know what they say about cowboys: they may break horses, but they also break hearts. If only Cash hadn’t already lassoed mine… CASH is the first standalone book in the brand new steamy, interconnected Lucky River Ranch Series.

An award-winning sexuality educator takes down society’s deeply entrenched colonial views on sex and gender throughout history in this accessible, candid, and revolutionary exploration of how we can—and should—reclaim our minds and bodies for a more pleasurable existence for all. When you think about sex ed, your mind likely goes back to those uncomfortable school desks and the stifled laughs of your teenage years. But what we’ve been socialized to believe about sexuality actually hinders our own pleasure well into adulthood. Whether we know it or not, even the most progressive among us are often using 400-year-old inherited thoughts and belief systems in the twenty-first century. Why are we still carrying forth these ancient values that have never served the vast majority? As a Black, queer, non-binary, disabled femme, Ericka Hart believes that sex ed done right can actually be a tool for liberation. In Nasty Work, she breaks down the ways that social implications keep us from experiencing pleasure, particularly for marginalized communities across race, gender, sexuality, and ability, and how we can dismantle these oppressive myths. From examining what guides our attraction to others to the history of consent, Ericka Hart takes the blinders off and reveals a more empowering view of sex and sexuality. Nasty Work blends eye-opening research with powerful, poignant personal narrative that disrupts everything you thought you knew about sex and society, offering a liberatory framework that makes pleasure accessible for all.

From the bestselling social commentator and cultural historian, a fascinating exploration of one of humanity's oldest the celebration of communal joy In the acclaimed Blood Rites , Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future.

A manifesto to change how you eat and how you think about the human body. It’s not you, it’s the food. We have entered a new age of eating. For the first time in human history, most of our calories come from an entirely novel set of substances called Ultra-Processed Food. There’s a long, formal scientific definition, but it can be boiled down to this: if it’s wrapped in plastic and has at least one ingredient that you wouldn’t find in your kitchen, it’s UPF. These products are specifically engineered to behave as addictive substances, driving excess consumption. They are now linked to the leading cause of early death globally and the number one cause of environmental destruction. Yet almost all our staple foods are ultra-processed. UPF is our food culture and for many people it is the only available and affordable food. In this book, Chris van Tulleken, father, scientist, doctor, and award-winning BBC broadcaster, marshals the latest evidence to show how governments, scientists, and doctors have allowed transnational food companies to create a pandemic of diet-related disease. The solutions don’t lie in willpower, personal responsibility, or exercise. You’ll find no diet plan in this book―but join Chris as he undertakes a powerful self-experiment that made headlines around the world: under the supervision of colleagues at University College London he spent a month eating a diet of 80 percent UPF, typical for many children and adults in the United States. While his body became the subject of scientific scrutiny, he spoke to the world’s leading experts from academia, agriculture, and―most important―the food industry itself. But more than teaching him about the experience of the food, the diet switched off Chris’s own addiction to UPF. In a fast-paced and eye-opening narrative he explores the origins, science, and economics of UPF to reveal its catastrophic impact on our bodies and the planet. And he proposes real solutions for doctors, for policy makers, and for all of us who have to eat. A book that won’t only upend the way you shop and eat, Ultra-Processed People will open your eyes to the need for action on a global scale.

The incredible true story of the women who fought America's Undark dangerThe Curies' newly discovered element of radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War.Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive—until they begin to fall mysteriously ill.But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come.Written with a sparkling voice and breakneck pace, The Radium Girls fully illuminates the inspiring young women exposed to the "wonder" substance of radium, and their awe-inspiring strength in the face of almost impossible circumstances. Their courage and tenacity led to life-changing regulations, research into nuclear bombing, and ultimately saved hundreds of thousands of lives.

“Who knew the humble pocket could hold so much history? In this enthralling and always surprising account, Hannah Carlson turns the pocket inside out and out tumble pocket watches, coins, pistols, and a riveting centuries-long social and political history.”  ― Jill Lepore, author of These Truths: A History of the United States Pockets "showcases the best features of cultural history: a lively combination of visual, literary and documentary evidence. As sumptuously illustrated as it is learned … this highly inventive and original book demands a pocket sequel.”  ― Jane Kamensky, Wall Street Journal Who gets pockets, and why? It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? And why are the pockets on women’s clothes often too small to fit phones, if they even open at all? In her captivating book, Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, reveals the issues of gender politics, security, sexuality, power, and privilege tucked inside our pockets. Throughout the medieval era in Europe, the purse was an almost universal dress feature. But when tailors stitched the first pockets into men’s trousers five hundred years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality. #GiveMePocketsOrGiveMeDeath. Filled with incredible images, this microhistory of the humble pocket uncovers what pockets tell us about How is it that putting your hands in your pockets can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass seemed like an affront to middle-class respectability. When W.E.B. Du Bois posed for a portrait, his pocketed hands signaled defiant coolness. And what else might be hiding in the history of our pockets? (There’s a reason that the contents of Abraham Lincoln’s pockets are the most popular exhibit at the Library of Congress.) Thinking about the future, Carlson asks whether we will still want pockets when our clothes contain “smart” textiles that incorporate our IDs and credit cards. Pockets is for the legions of people obsessed with pockets and their absence, and for anyone interested in how our clothes influence the way we navigate the world.

Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt’s bakery making gingerbread men dance. But Mona’s life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona’s city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona’s worries…

A compassionate and hopeful romantic comedy, Passion Project is a reminder that love is waiting for us to let it in If your twenties are supposed to be the best years of your life, Bennet Taylor is failing miserably . . . with a big emphasis on the miserable. Where’s that zest she keeps hearing about? She’s a temp worker in New York City with no direction, no future, and no social life. And at the painful center of this listlessness is grief over the death of her first love. When Bennet runs into Henry Adams just hours after standing him up for a first date, she makes an alcohol-fueled confession: She’s not ready to date. In fact, it’s been years since she felt passion for something. Not even pottery, or organized sports—not anything. Rather than leaving her to ruminate, Henry jumps at the opportunity for adventure: Bennet needs to find a passion for life, and Henry will help her find it. Every Saturday, they’ll try something new in New York City. As friends, of course. As their “passion project” continues, the pair tackle everything from carpentry to tattooing to rappelling off skyscrapers, and Bennet feels her guarded exterior ebbing away. But as secrets surface, Bennet has to decide what she wants, and if she’s truly ready to move on. With emotional resonance and sparkling banter, Passion Project is a fun, flirty, thoughtful story of finding a spark—and igniting happiness.

A compassionate and hopeful romantic comedy, Passion Project is a reminder that love is waiting for us to let it in If your twenties are supposed to be the best years of your life, Bennet Taylor is failing miserably . . . with a big emphasis on the miserable. Where’s that zest she keeps hearing about? She’s a temp worker in New York City with no direction, no future, and no social life. And at the painful center of this listlessness is grief over the death of her first love. When Bennet runs into Henry Adams just hours after standing him up for a first date, she makes an alcohol-fueled confession: She’s not ready to date. In fact, it’s been years since she felt passion for something. Not even pottery, or organized sports—not anything. Rather than leaving her to ruminate, Henry jumps at the opportunity for adventure: Bennet needs to find a passion for life, and Henry will help her find it. Every Saturday, they’ll try something new in New York City. As friends, of course. As their “passion project” continues, the pair tackle everything from carpentry to tattooing to rappelling off skyscrapers, and Bennet feels her guarded exterior ebbing away. But as secrets surface, Bennet has to decide what she wants, and if she’s truly ready to move on. With emotional resonance and sparkling banter, Passion Project is a fun, flirty, thoughtful story of finding a spark—and igniting happiness.

When Chloe Torres plans the perfect summer to reunite her estranged BFFs—a cross-country road trip to see their favorite boy band!—there’s only one difficulty… getting them to actually go along for the ride. Chloe Torres’ birthday has always marked the end of summer—but as she turns eighteen and prepares to leave for her freshman year of art school, it feels like the end of more than that. It’s the end of her adolescence, which means it’s time to leave the past behind… but can she really let go of the two estranged best friends she left there? NOPE. Chloe decides to take one more shot at healing the friend breakup she’s always regretted: planning the bucket-list trip neither girl can say no to. She’s taken care of everything: the car, the hotels, and concert tickets to see their favorite boy band’s reunion show in Las Vegas—stage seats, so close they can fangirl right in front of the boys’ faces. But first, her ex-BFFs have to say yes. And to say yes, they’d all have to be talking… which they haven’t done since Ramona kissed Chloe, and everything imploded. But with some clever finagling (and some undignified begging) Chloe gets them all on board. Of course, being in a car together for two weeks brings back old feelings… a lot of old feelings… and soon enough, Chloe wants Sienna, Ramona wants Chloe, and everything is on fireeeee. This sizzling summer adventure from YA star Crystal Maldonado is a hilarious and heartfelt romcom with a little something for everyone: fat positivity, sapphic romance, a blazing love triangle, ADHD representation, a diversity of Latine identities, a once-in-a-lifetime roadtrip—and the perfect it’s-finally-happening kiss.