A groundbreaking guide to sexuality that dispels     the stale cultural attitudes about sex that leave too many feeling inadequate, and offers an expansive, attachment-based framework to free us and develop bolder, more satisfying relationships with our sexual selves. When it comes to sex, most people feel insecure. But it’s not because we’re deficient; it’s because we’ve been under-resourced and miseducated.       Certified sex therapist Casey Tanner argues that our sex lives are a microcosm of every untruth we’ve internalized about gender, sex, relationships, our bodies, and ourselves. Most of us were taught that healthy sexuality is only for a certain kind of person, in a certain kind of relationship, with a certain kind of body. As a result, the way we’ve learned how to define “good sex” is reflective of how good, worthy, and loveable we see ourselves. Sex Therapy is a comprehensive guide to help everyone uncover their personal misconceptions about sexuality and relationships. Tanner helps you recognize and assess your core beliefs surrounding relationships, sexuality, gender, and more; identify past trauma; find pathways to healing that work for you; and redefine sex based on knowledge and possibilities, rather than potential consequences. Comprehensive yet accessible, informative, warm, and nonjudgmental, Feel It All provides a pathway for personal healing, creating stronger relationships, and achieving deeper intimacy.

Sabrina Haskins and her family have just moved into their dream home, a gorgeous Craftsman in the rapidly-growing Southwestern city of Jackson Hill. Sabrina's a bored and disillusioned home-maker, Hal a reverse mortgage salesman with a penchant for ill-timed sports analogies. Their two children, Damien and Michaela, are bright and precocious. At first glance, the house is perfect. But things aren't what they seem. Sabrina's hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina's already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of 4596 James Circle, they're far from its only residents...

You can learn a lot from the movies-about sex and relationships, about business, about history. Sure, there's a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public's understanding of and assumptions about disability. As a movie critic and disabled person, Kristen Lopez speaks with particular authority on how disability is represented-and too often misrepresented-in Hollywood movies. Having dealt with the effects of osteogenesis imperfecta for her entire life, she has experienced directly the lack of accommodations, political neglect, and social difficulties that disabled people deal with daily-and she has witnessed the vast difference between those everyday challenges and how they are typically depicted on-screen. As Lopez points out in this book, even when they're not just narrative props to help out an able-bodied protagonist, disabled movie characters are overwhelmingly white, affluent, and conventionally attractive, which obscures the variety of disabilities and the experiences of those who deal with them. (Roughly one in four people in the US have a disability, and a disproportionate number of them live in poverty.) Popcorn Disabilities is an impassioned but nonetheless fun and engaging survey of how Hollywood has dealt with disability over the last century, covering not only the many ways that cinema has distorted the lived reality of disabled people, but also where films have gotten it right, and how the power of the medium can continue to be used to enlighten and educate in the future. From little-remembered gems like Tod Browning's Freaks—one of the earliest well-intentioned attempts to show disabled characters as complex, three-dimensional human beings—to contemporary films like Coda, My Left Foot, The Little Mermaid, Unbreakable, and many others, it challenges popular assumptions about disability while never losing sight of movies' unique power, influence, and potential as a tool for social good.

Eugéne Tarpon, the private-eye protagonist from Manchette’s No Room at the Morgue , appears once more for a characteristically brisk and brutal story full of unexpected comedy and feeling. Sex, drugs, and . . . murder. Private eye Eugène Tarpon (previously seen in Jean-Patrick Manchette’s No Room at the Morgue ) returns for another punishing round against the forces of greed and malfeasance. Along the way he drags his only friends, Charlotte Malrakis and Jean-Baptiste Haymann, through some gruesome episodes of their own. In Skeletons in the Closet , Manchette aims his dark humor at corruption at the highest “spiritual” and political levels. A savage page-turner with a heart.