In this epic and seductive gothic fantasy, a vampire escapes the thrall of Dracula and embarks on her own search for self-discovery and true love. Her name was written in the pages of someone else's story: Lucy Westenra was one of Dracula's first victims. But her death was only the beginning. Lucy rose from the grave a vampire, and has spent her immortal life trying to escape from Dracula's clutches--and trying to discover who she really is and what she truly wants. Her undead life takes an unexpected turn when, in twenty-first-century London, she meets another woman who is also yearning to break free from her past. Iris’s family has built a health empire based on a sinister secret, and they’ll do anything to stay in power. Lucy has long believed she would never love again. But she finds herself compelled by the charming Iris, while Iris is mesmerized by the confident and glamorous Lucy. But their intense connection and blossoming love is threatened by forces from without. Iris's mother won't let go of her without a fight, and Lucy's past still has fangs: Dracula is on the prowl again. Lucy Westenra has been a tragically murdered teen, a lonesome adventurer, and a fearsome hunter, but happiness always eluded her. Can she find the strength to destroy Dracula once and for all, or will her heart once again be her undoing?

A graphic memoir of Alison Bechdel becoming the artist her mother wanted to be.Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

Read the original inspiration for the new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino. Winner of the Pulitzer Prize and the National Book Award A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love. “Reading The Color Purple was the first time I had seen Southern, Black women’s literature as world literature. In writing us into the world—bravely, unapologetically, and honestly—Alice Walker has given us a gift we will never be able to repay.” —Tayari Jones “The Color Purple was what church should have been, what honest familial reckoning could have been, and it is still the only art object in the world by which all three generations of Black artists in my family judge American art.” —Kiese Laymon

Heartstopper meets A Knight’s Tale in this queer medieval rom-com YA debut about love, friendship, and being brave enough to change the course of history. It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run-up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy, and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair. Realizing they might make better allies than enemies, Gwen and Art make a reluctant pact to cover for each other, and as things heat up at the annual royal tournament, Gwen is swept off her feet by her knight, and Arthur takes an interest in Gwen's royal brother. Lex Croucher's Gwen & Art Are Not in Love is chock full of sword-fighting, found family, and romantic shenanigans destined to make readers fall in love.

A compelling, propulsive YA graphic novel mystery from acclaimed Eisner Award–winning author of Laura Dean Keeps Breaking Up With Me, Mariko Tamaki, and Eisner-nominated illustrator Nicole GouxAt Wilberton Academy, few students are more revered than the members of the elite Wilberton Theatrical Society—a.k.a. the WTS—and no one represents that exclusive club better than Elizabeth Woodward. Breathtakingly beautiful, beloved by all, and a talented thespian, it’s no surprise she’s starring as Juliet in the WTS’s performance of Shakespeare’s classic tragedy. But when she’s found dead the morning after opening night, the whole school is thrown into chaos. Transfer student Abby Kita was one of the last people to see Elizabeth alive, and when local authorities deem the it-girl’s death a suicide, Abby’s not convinced. She’s sure there’s more to Wilburton and the WTS than meets the eye. As she gets tangled in prep school intrigues, Abby quickly realizes that Elizabeth was keeping secrets. Was one of those secrets worth killing for? Told in comics, letters, diary entries, and news articles, This Place Kills Me is a page-turning whodunnit from award-winning writer Mariko Tamaki and acclaimed illustrator Nicole Goux that will have readers on the edge of their seats and begging for an encore.

Before Dracula, before Nosferatu, there was...CARMILLA.In the second volume of this feminist tale of murder, monsters, and mystery layered with dark Chinese folklore, social worker turned vampire hunter Athena Lo has just lost everyone she loves—and it's all her fault.Hoping to put her life back together, Athena travels to San Francisco’s Chinatown on a quest to uncover the secrets of her mysterious family history. But her journey escalates into a nightmare when she‘s violently introduced to a new, ruthless gang of Asian American vampires and its unlikely leader, who hold shocking truths. As she navigates this dangerous territory, Athena can't escape the ghost of Carmilla...and neither can the vampires. Athena must decide—whose side is she on?Inspired by the gothic novel that started the vampire genre, this queer, feminist murder mystery graphic novel is a tale of identity, obsession and fateful family secrets. Praise for The First “Part of the challenge when writing about the Asian-American experience is attempting to define something that feels so amorphous. Chu and Lee ingeniously meld one of Western horror's oldest icons with the touchstones of the East.”—Pornsak Pichetshote (The Good Asian, Infidel)“A sophisticated and modern reimagination of one of the great classics of the horror genre, Chu and Lee have crafted a Vampire story you do not want to miss.”—James Tynion IV (Something Is Killing The Children, The Department of Truth)“Carmilla is an itch in the back of your head, the horror of knowing something’s right behind you, whether it be a creature, a nightmare, or a terrible love. Amy Chu and Soo Lee weave a beautiful tale full of mystery in an unsettling New York. I highly recommend it.”—Chip Zdarsky (Batman, Sex Criminals)