Bestselling and award-winning author Andrew Joseph White returns with a queer Appalachian thriller, that pulls no punches, for teens who see the failures in our world and are pushing for radical change. A gut-wrenching story following a trans autistic teen who survives an attempted murder, only to be drawn into the generational struggle between the rural poor and those who exploit them. On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement. Now, Miles becomes the feud’s latest victim as the sheriff’s son and his friends sniff out the evidence, follow him through the woods, and beat him nearly to death. In the hospital, the ghost of a soot-covered man hovers over Miles’s bedside while Sheriff Davies threatens Miles into silence. But when Miles accidently kills one of the boys who hurt him, he learns of other folks in Twist Creek who want out from under the sheriff’s heel. To free their families from this cycle of cruelty, they’re willing to put everything on the line—is Miles? A visceral, unabashedly political page-turner that won’t let you go until you’ve reached the end, Compound Fracture is not for the faint of heart, but it is for every reader who is ready to fight for a better world.

Growing up in a housing estate in Glasgow, Mungo and James are born under different stars--Mungo a Protestant and James a Catholic--and they should be sworn enemies if they're to be seen as men at all. Yet against all odds, they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. And when several months later Mungo's mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future. Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in the literary world, Young Mungo is a gripping and revealing story about the bounds of masculinity, the divisions of sectarianism, the violence faced by many queer people, and the dangers of loving someone too much.

A romantic ode to the strength of love and the power of choosing each other, against odds and obstacles, again and again. What would you do if you forgot the love of your life ever even existed? Stevie and Nora had a love. A secret, epic, once-in-a-lifetime kind of love. They also had a plan: to leave their small, ultra-conservative town and families behind after graduation and move to California, where they could finally stop hiding that love. But then Stevie has a terrible fall. And when she comes to, she can remember nothing of the last two years—not California, not coming to terms with her sexuality, not even Nora. Suddenly, Stevie finds herself in a life she doesn’t quite understand, one where she’s estranged from her parents, drifting away from her friends, lying about the hours she works, dating a boy she can’t remember crushing on, and headed towards a future that isn’t at all what her fifteen-year-old self would have envisioned. And Nora finds herself…forgotten. Can the two beat the odds a second time and find their way back together when “together” itself is just a lost memory?

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid’s life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid’s worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet- and celebrity-obsessed world.

The New York Times–bestselling author of The First Bad Man returns with an irreverently sexy, tender, hilarious, and surprising novel about a woman upending her life A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey. Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

The Rot is a recalcitrant study of the decaying romances, expired hopes and abject injustices of the world. A liturgy for girlhood in the dying days of late-stage capitalism, these poems expose fraying nerves and tendons of a speaker refusing to avert their gaze from the death of Country, death on Country, and the bloody violence of settler colonies here and afar. Across sleepless nights, fractured alliances and self-destructive coping strategies, The Rot is what happens when poetry swallows more rage than it can console, quiet or ironise – this book demands you ready yourself for a better world.

Set in early 1980s Poland against the violent decline of communism, a tender and passionate story of first love between two young men who eventually find themselves on opposite sides of the political divide—a stunningly poetic and heartrending literary debut for fans of Andre Aciman, Garth Greenwell, and Alan Hollinghurst.When university student Ludwik meets Janusz at a summer agricultural camp, he is fascinated yet wary of this handsome, carefree stranger. But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable. Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse. Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

Transgressive, transformative short stories that explore the margins of trans lives. Building on the success of All City, here is a wry, and at the same time dark and risk-taking, story collection from author (and baker) Alex DiFrancesco that pushes the boundaries of transgender awareness and filial bonds. Here is the hate between 16-year-old Junie, who is transitioning, and their mom’s boyfriend Chad when the family moves into Chad’s house on Lake Erie. And here is the love being tested between Sawyer and his dad, who named his boat after his child and resists changing it from Sara to Sawyer now. There is DiFrancesco’s willingness to enter lands that are violent and comfortless in some of these stories, testing the limits of what it means to be human, sometimes returning stronger and wiser and sometimes not returning at all as their characters surge forward into unknown spaces. DiFrancesco’s first novel All City (Seven Stories 2019) was praised by Publishers Weekly as a “loving, grieving warning [that] thoughtfully traces the resilience, fragility, and joy of precarious communities in an immediate, compassionate voice.” All City was one of BookRiot‘s “Best Post-Apocalyptic Books of 2019,” Entropy Mag‘s “Best of 2019,” and Largehearted Boy‘s “Favorite Novels of 2019.” It was a finalist for the 2019 Ohioana Book Award for Fiction.

Ich heiße Fatima. Ich trage den Namen einer heiligen Figur des Islam. Ich trage einen Namen, den ich ehren muss. Fatima ist das Kind, auf das keiner mehr gewartet hat, die Nachzüglerin, die einzige Tochter, die in Frankreich und nicht in Algerien zur Welt gekommen ist. Sie wächst mit ihren Schwestern in der berüchtigten Banlieue Clichy auf. Liebe und Sexualität sind in ihrer Familie ein Tabu. In der Schule ist Fatima unangepasst, laut und voller Wissensdurst. Sie hängt am liebsten mit den Jungs herum und fühlt sich falsch in ihrer Haut. Bis sie Nina trifft und ihre eigenen Gefühle für sie erkennt. Doch eine Frau zu lieben, bringt sie nicht nur in Konflikt mit ihrer Familie, ihrem Glauben, sondern auch mit sich selbst. Atemlos und ungeheuer sprachgewaltig zeigt Fatima Daas mit ihrem vielbeachteten Debüt, dass man sich nicht entscheiden muss und dass die Zerrissenheit der eigenen Identität kein Makel ist. Eine beeindruckende Geschichte weiblicher Selbstermächtigung – dieser Roman ist ein Befreiungsschlag!

A deeply irreverent and Biblically correct takedown of the far-right and their co-opting of religion, and guide to engaging them in effective conversational combat, in the spirit of Bill Maher and Christopher Hitchens.For over two centuries, the United States constitution has given us the right to live in a society where church and state exist independently, and without conflict. So why is it that, suddenly, Christianity is being co-opted by far-right groups, politicians, friends, and family members to justify oppressive and unequal policies? And how do we fight back against those acting—literally—in bad faith? Separation of Church and Hate, a new and critical book from comedian and TV and radio host John Fugelsang—who himself is the child of a former Catholic nun and Franciscan brother—finally offers the answers. In this informative, perspective-shifting guide, Fugelsang takes readers through common talking points and arguments—God condemns abortion, gay marriage is a sin, guns are an ordained right, and more—and exposes their hypocrisy and overall inaccuracy through scripture, philosophy, and plain old common sense. Told with Fugelsang’s trademark blend of radical honesty, relevant humor, and deep political and religious knowledge, Separation of Church and Hate is the book every American today needs. It is a return to civility, a rallying cry for compassion and clarity, and a reclamation of the values and truths we hold dear, for anyone who was raised Christian but has become disillusioned with organized religion; for Democrats, progressives, liberals, and moderates who are tired of the right wing pretending to own Christianity; for atheists, agnostics, and any one of any faith who’s sick of the fundamentalists using religion as a cloaking device for hate; for everyone who’s realized you don’t necessarily need organized religion to be a good person.