A native Hawaiian teen travels to a luxury island resort in search of her missing twin and uncovers the dark side of paradise, in this YA supernatural thriller that's Mexican Gothic meets She is a Haunting. For the world’s wealthiest, Kōpaʻa Island Resort is more than a destination. It’s the ultimate escape. With no cell service or Wi-Fi, the Hawaiian island is a coveted wellness retreat renowned for its persimmon orchard and promises of rejuvenation. But their dream vacation is Lehua’s nightmare. When her twin sister, Ohia, goes missing, Lehua follows her trail to Kōpaʻa to find her. Instead, Lehua is cut off from civilization—and help—after the island’s boat leaves without her, stranding her with the resort’s lavish guests and enigmatic staff. As Lehua investigates Ohia’s disappearance, she discovers her missing sister isn’t the island’s only mystery. Kōpaʻa’s rich exterior and sweet persimmons hide its dark plantation past. And Lehua can’t ignore the dreams haunting her each night—nor the warning telling her to leave the island at once. To uncover what happened to Ohia, Lehua will have to unearth the island’s bloody history and face the horrors that lurk within its sugarcane fields—or risk being consumed by them. Sharply observed and gorgeously written, That Which Feeds Us explores the true cost of paradise as Lehua must fight to reclaim the land, the stories, and the very souls of her people.

A vivid, surreal Gothic about a queer, Latine, working class witch who sets out to rescue a bespelled heiress and loses control of her powers and her heart in the process. It is 1968 Oakland, and Natalia Fuentes has been hearing rumors about the beautiful Violeta Miramontes. The young heiress to Spanish colonial wealth has been left paralyzed by a mysterious illness. But Nati knows a thing or two about witchcraft, and she is certain that this is the work of dark magic. Armed with a plan to break the spell and earn a handsome reward, Nati works her way into the house as Violeta’s caretaker, and immediately discovers her suspicions are true. But who cursed Violeta? And why? As feelings between the two women bloom into romance, Nati grows more and more reckless, and is forced to face her own ghosts— ones she hoped would stay gone forever. Riveting and richly layered, Muñeca explores how far one will go to save the person they love—even if that means damning themselves. Cynthia Gómez fills her debut novel with moments that chill your bones and warm your heart, a razor-sharp examination of deep-rooted issues that will haunt readers long after the last page is turned.

Vanja, a government worker, leaves her home city of Essre for the austere, wintry colony of Amatka on a research assignment. It takes some adjusting: people act differently in Amatka, and citizens are monitored for signs of subversion. Intending to stay just a short while, Vanja finds herself falling in love with her housemate, Nina, and decides to stick around. But when she stumbles on evidence of a growing threat to the colony and a cover-up by its administration, she begins an investigation that puts her at tremendous risk. In Karin Tidbeck's dystopic imagining, language has the power to shape reality. Unless objects, buildings, and the surrounding landscape are repeatedly named, and named properly, everything will fall apart. Trapped in the repressive colony, Vanja dreams of using language to break free, but her individualism may well threaten the very fabric of reality. Amatka is a beguiling and wholly original novel about freedom, love, and artistic creation by an idiosyncratic new voice.

After a rough tumble and maybe-serious head injury, a disillusioned trans poet falls for a charming corporate lawyer in a love story that grapples with the explosive ghosts of relationships past, romantic and familial, from the Lambda Award-nominated author of Bellies, Nicola Dinan “Fell down the stairs and woke up a trad wife.” Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. With a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued with a deep dissatisfaction during what should be the best years of her life. After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent, a corporate lawyer and hobby baker, whose trad friendship group may as well speak a foreign language, and whose Chinese parents never pictured their son dating a trans woman. This uncharted territory may have rough terrain, but Vincent cares for Max in a way she’d long given up on as a foolish fantasy. Yet Vincent is carrying his own baggage from his gap year in Thailand a decade prior: an explosive entanglement with a mysterious, gorgeous traveler. Voice-driven, warm, and poignant, Disappoint Me is an exploration of millennial angst, race, trans panic, and the allure of bourgeois domesticity that asks if we are defined by our worst mistakes.

THERE'S NO SUCH THING AS AN ORDINARY LOVE STORY'Almost unbearably beautiful. Ordinary Love is extraordinary' Emilia Hart, bestselling author of Weyward'Profoundly moving' Emily St. John Mandel, bestselling author of Station ElevenWhen Emily catches sight of Gennifer Hall at a party, she is transported back to the moment they fell in love as teenagers. Their connection was electric, and they thought it was forever.Twenty years later, Gen is an Olympic runner, the career she strived for, while Emily is living a picture-perfect Manhattan townhouse, two young children and a wealthy husband, Jack. But Jack's controlling behaviour is spiralling, and Emily has lost sight of who she once was.Now, despite Emily's fracturing marriage and the pressures of Gen's career, they are drawn back together by a magnetic attraction. After years of heartbreak, missed chances and misunderstandings, will they finally get a second chance at first love?

A lyrical culinary journey that explores the hidden legacy of Black Appalachians, through powerful storytelling alongside nearly forty comforting recipes, from the former poet laureate of Kentucky. People are always surprised that Black people reside in the hills of Appalachia. Those not surprised that we were there, are surprised that we stayed. Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine. An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits , brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia. As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.

Squid Game meets The Left Hand of Darkness meets Under the Skin in this radical literary sensation from South Korea about an alien's hunt for food that transforms into an existential crisis about what it means to be human. After crashing their spacecraft in the middle of nowhere, a shapeshifting alien find themself stranded on an unfamiliar planet and disabled by Earth's gravity. To survive, they will need to practice walking. And what better way than to hunt for food? As they discover, humans are delicious. Intelligent, clever, and adaptable, the alien shift their gender, appearance, and conduct to suit a prey's sexual preference, then attack at the pivotal moment of their encounter. They use a variety of hunting tools, including a popular dating app, to target the juiciest prey and carry a backpack filled with torturous instruments and cleaning equipment. But the alien's existence begins to unravel one night when they fail to kill their latest meal. Thrust into an ill-fated chase across the city, the alien is confronted with the psychological and physical tolls their experience on Earth has taken. Questioning what they must do to sustain their own survival, they begin to understand why humans also fight to live. But their hunger is insatiable, and the alien once again targets a new prey, not knowing what awaits. . . . Dolki Min's haunting debut novel is part psychological thriller, part searing critique of the social structures that marginalize those who are different--the disabled, queer, and nonconformist. Walking Practice uncovers humanity in who we consider to be alien, and illuminates how alienation can shape the human experience. Walking Practice features 21 black-and-white line drawings throughout. Translated from the Korean by Victoria Caudle

Prepare to die. His kingdom is near. Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with. But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all. Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own. A furious, queer debut novel about embracing the monster within and unleashing its power against your oppressors. Perfect for fans of Gideon the Ninth and Annihilation.

“A penetrating series of personal essays… a memoir that scratches a layer deeper than expected. Thematically and stylistically, this is a book with resonance.” - Kirkus Reviews "De Rozario transfixes ... a unique and touching account" - Publishers Weekly "... a taut and riveting collection..." - The L.A. Times "Poetic, almost incantory." - The British Columbia Review *** In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different. Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you.   Dinner on Monster  Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as  Carrie, The Witch , and  The Ring  to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think.  Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism,  Dinner on Monster Island  is a deeply personal examination of one woman’s experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live.