Get Out meets Parasite in this eerily haunting debut and Reddit hit—soon to be a Netflix original movie starring Blake Lively—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit. As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, uncanny and inexplicable things start happening, including the family’s youngest child going missing and a ghostly presence materializing in the basement. Even more weird, the family can’t seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family—or is Eve just imagining things?

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

What happens to all the mind-controlled minions when the evil villain is finally vanquished? When Oaklin Nettlewood (accidentally) joined an evil cult, they and the rest of their small community were promptly whammied by mind control magic and forced to do unspeakable things. Now, years later, the realm's heroes have saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. Because the minions who were nothing more than obstacles were Oaklin's last remaining family and friends, and now as the entire realm celebrates, Oaklin is left alone to pick up the pieces. And so, with a spell-damaged memory and whole bushel of trauma, they buy a small farm on the edge of Mossley's Rest and swear an After all the things they were forced to do with their magic, they will never use it again. Ever. But the gentle ghost who lives in Oaklin's house has other ideas. And as she coaxes Oaklin out of their shell and back into the world, Oaklin begins to find companionship (a grumpy horse and a very good boy dog), friendship (a local bard and magical baker who should just kiss already), and even romance (a paladin-librarian who makes Oaklin's heart flutter.) Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

It has Hikaru’s face. It has Hikaru’s voice. It even has Hikaru’s memories. But whatever came down from the mountains six months ago isn’t Yoshiki’s best friend. Whatever it is, it’s dangerous. Carrying on at school and hanging out as if nothing has changed―as if Hikaru isn’t gone―would be crazy...but when it looks so very like Hikaru...and acts so very like Hikaru...

What happens to all the mind-controlled minions when the evil villain is finally vanquished? When Oaklin Nettlewood (accidentally) joined an evil cult, they and the rest of their small community were promptly whammied by mind control magic and forced to do unspeakable things. Now, years later, the realm's heroes have saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. Because the minions who were nothing more than obstacles were Oaklin's last remaining family and friends, and now as the entire realm celebrates, Oaklin is left alone to pick up the pieces. And so, with a spell-damaged memory and whole bushel of trauma, they buy a small farm on the edge of Mossley's Rest and swear an After all the things they were forced to do with their magic, they will never use it again. Ever. But the gentle ghost who lives in Oaklin's house has other ideas. And as she coaxes Oaklin out of their shell and back into the world, Oaklin begins to find companionship (a grumpy horse and a very good boy dog), friendship (a local bard and magical baker who should just kiss already), and even romance (a paladin-librarian who makes Oaklin's heart flutter.) Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

Follow a motley crew on an exciting journey through space-and one adventurous young explorer who discovers the meaning of family in the far reaches of the universe-in this light-hearted debut space opera from a rising sci-fi star. Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. An introspective young woman who learned early to keep to herself, she’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain. Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary wants. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other. To survive, Rosemary’s got to learn how to rely on this assortment of oddballs—an experience that teaches her about love and trust, and that having a family isn’t necessarily the worst thing in the universe.