IN A DYING WORLD, GRIEF HAS A LIFE OF ITS OWN... With the collapse of ecosystems and the extinction of species comes the Grief: an unstoppable melancholia that ends in suicide. When Ruby’s friend, mourning the loss of the Great Barrier Reef, succumbs to the Grief, the letters she leaves behind reveal the hidden world of the resurrected dead. The Tasmanian tiger, brought back from extinction in an isolated facility, is only the first... but rebirth is not always biological, and it comes with a price. As a scientist, Ruby resists the Grief by focusing her research on resilient jellyfish, but she can’t avoid choosing which side she’s on. How can she fight against the dead and the forces behind them when doing so risks her home, her life, and the entire biosphere?

Enter a lush world of cataclysmic storms, planet-wide jungles, floating cities and devastating magic in this first book of an explosive new science fantasy trilogy, perfect for fans of N.K. Jemisin, Tasha Suri and Martha Wells. High above a jungle-planet float the last refuges of humanity—plant-made civilizations held together by tradition, technology, and arcane science. Here, architects are revered deeply, with humanity’s survival reliant on a privileged few. If not for their abilities, the cities would plunge into the devastating earthrage storms below. Charismatic and powerful, Iravan is one such architect. His abilities are his identity, but to Ahilya, his archeologist wife, they are a method to suppress non-architects. Their marriage is thorny and fraught—yet when a jungle expedition goes terribly wrong, jeopardizing their careers, Ahilya and Iravan must work together to save their reputations. But as their city begins to plummet, their discoveries threaten not only their marriage, but their entire civilization.

He was sent to kill a pest. Instead, he found a monster. Enter the decadent, deadly city of Tiliard, carved into the stump of an ancient tree. In its canopy, the pampered elite warp minds with toxic perfume; in its roots, gangs of exterminators hunt a colossal worm with an appetite for beauty. In a complex, chaotic city, Guy Moulène has a simple keep his sister out of debt. For her sake, he'll take on any job, no matter how vile.As an exterminator, Guy hunts the uncanny pests that crawl up from the river. These vermin are all strange, and often dangerous. His latest quarry is a worm the size of a dragon with a deadly venom and a ravenous taste for artwork. As it digests Tiliard from the sewers to the opera houses, its toxin reshapes the future of the city. No sane person would hunt it, if they had the choice. Guy doesn't have a choice.

Drawing on the creatures and horrors of Irish folklore,The Burial Tide unearths our darkest how far we’d go to win our freedom, and how quickly our desires blur the line between human and monster. A woman who can’t remember her death. On an eerily quiet island off the coast of Ireland, a woman with no memory claws her way out of her grave and back to life. But not everyone welcomes the return of Mara Fitch. An island with a terrible secret. Inishbannock. Where strange misshapen figures watch from the trees and the roads are covered in teeth. Where two brothers gamble for nothing, the doctor only treats the dead, and the pub owner speaks in riddles. Where a poet loses and finds his soul. And a husband without a wife claims to know everything about Mara. A past that refuses to stay buried. As Mara returns to her life on this upside-down island, her memories begin to leech their way back to the surface. The more she remembers, the more the village will do anything to stop her . . . But the sea remembers it all.

Under eternally gray skies the Wetworks harvests nutritious waste from the “Root”, the only plant humanity found after we fled through a gate to escape our home world’s ecological collapse. When a bloody accident at the sawmill births a new kind of person, this strange realm finally has someone who transcends the sins of the last one. Every petal and stalk of the Root is listening and whispering. Through this transfigured being, Jon Heap, we can hear what the all-plant says. We already depend on the Root, but it wants to give us something new: fresh fruit our priests will bless, our farmers will reap, and our mothers will bear. The Root will alter our bodies as it desires and despite the pain we will call it a miracle.

Head Chef Jun Li keeps a mermaid in a run-down Morningside Heights bathroom, where he carves him up, piece by piece, at the behest of the wealthy Winslow family who funded his rise from his parents’ Flushing restaurant to Michelin-starred chef. As he butchers to satisfy the family’s increasingly voracious appetite, the neurotoxic flesh drives the family toward paranoia, sexual obsession, and madness, while an unsettling intimacy blooms between chef and ingredient. Jun must decide how much of himself—and his captive—he’s willing to sacrifice to prove he belongs among Manhattan’s gilded elite, all with a second Michelin star hanging in the balance. For fans of Tender is the Flesh by Agustina Bazterrica, Our Wives Under the Sea by Julia Armfield and Mark Mylod’s film The Menu, this stunning literary horror, with a satirical edge, is a delightfully dark journey through desire and greed that begs to be talked about.

In the bustling streets and cloistered homes of Lagos, a cast of vivid characters—some haunted, some defiant—navigate danger, demons, and love in a quest to lead true lives. As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance: a driver for a debauched politician with the power to command life and death; a legendary fashion designer who gives birth to a grown daughter; a lesbian couple whose tender relationship sheds unexpected light on their experience with underground sex work; a wife and mother who attends a secret spiritual gathering that shifts her world. As their lives intertwine—in bustling markets and underground clubs, churches and hotel rooms—vagabonds are seized and challenged by spirits who command the city's dark energy. Whether running from danger, meeting with secret lovers, finding their identities, or vanquishing their shadowselves, Osunde's characters confront and support one another, before converging for the once-in-a-lifetime gathering that gives the book its unexpectedly joyous conclusion. Blending unvarnished realism with myth and fantasy, Vagabonds! is a vital work of imagination that takes us deep inside the hearts, minds, and bodies of a people in duress—and in triumph.

From the acclaimed author of Spoonbenders comes the gripping tale of a family's mysterious religion, and the daughter who turns her back on their god. In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. These remote hills of the Smoky Mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella--now a professional bootlegger--returns for Motty's funeral, and to check on the mysterious ten-year-old girl named Sunny that Motty adopted. Sunny appears innocent enough, but she is more powerful than Stella could imagine--and she's a direct link to Stella's buried past and her family's destructive faith. Haunting and wholly engrossing, summoning mesmerizing voices and giving shape to the dark, Revelator is a southern gothic tale for the ages.

In this unforgettable work of fiction, Donald Ray Pollock peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents.Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are woebegone, baffled and depraved but irresistibly, undeniably real. Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

Magic in the blood. Danger in the streets. Lord Crane has never had a lover quite as elusive as Stephen Day. True, Stephen’s job as justiciar requires secrecy, but the magician’s disappearing act bothers Crane more than it should. When a blackmailer threatens to expose their illicit relationship, Crane knows a smart man would hop the first ship bound for China. But something unexpectedly stops him. His heart. Stephen has problems of his own. As he investigates a plague of giant rats sweeping London, his sudden increase in power, boosted by his blood-and-sex bond with Crane, is rousing suspicion that he’s turned warlock. With all eyes watching him, the threat of exposure grows. Stephen could lose his friends, his job and his liberty over his relationship with Crane. He’s not sure if he can take that risk much longer. And Crane isn’t sure if he can ask him to. The rats are closing in, and something has to give… Warning: Contains m/m sex (on desks), blackmail, dark pasts, a domineering earl, a magician on the edge, vampire ghosts (possibly), and the giant rats of Sumatra.

Fielding Bliss has never forgotten the summer of 1984: the year a heatwave scorched the small town of Breathed, Ohio. The year he became friends with the devil. When local prosecutor Autopsy Bliss publishes an invitation to the devil to come to the country town of Breathed, Ohio, nobody quite expected that he would turn up. They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy. Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be. But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town. Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

“A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

In 1937, Elias Canetti began collecting notes for the project that 'by definition, he could never live to complete', as translator Peter Filkins writes in his afterword. The Book Against Death is the work of a a collection of Canetti's aphorisms, diatribes, musings and commentaries on and against death – published in English for the first time since his death in 1994 – interspersed with material from philosophers and writers including Goethe, Walter Benjamin and Robert Walser. This major work by the 1981 Nobel Prize in Literature laureate is a disarming and often darkly comic reckoning with the inevitability of death and with its politicization, evoking despair at the loss of loved ones and the impossibility of facing one's own death, while fiercely protesting the mass deaths incurred during war and the willingness of the despot to wield death as power. Infused with fervour and vitality, The Book Against Death ultimately forms a moving affirmation of the value of life itself.