In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.  Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Quinn Maybrook just wants to make it until graduation. She might not make it to morning. Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can. Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

Lio Min’s Beating Heart Baby is a love letter to internet friendships, anime, and indie rock When artistic and sensitive Santi arrives at his new high school, everyone in the wildly talented marching band welcomes him with open arms. Everyone except for the prickly, proud musical prodigy Suwa, who doesn’t think Santi has what it takes to be in the band.But Santi and Suwa share painful pasts, and when they open up to each other, a tentative friendship begins. And soon, that friendship turns into something more. . . . Will their fresh start rip at the seams as Suwa seeks out a solo spotlight, and both boys come to terms with what it'll take, and what they'll have to let go, to realize their dreams?

Quinn Maybrook just wants to make it until graduation. She might not make it to morning. Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can. Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

A bold and unabashed novel about a young Palestinian woman's unraveling, far from home, as she gets caught up in a scheme reselling Birkin bags The Coin follows a Palestinian woman as she pursues a dream that generations of her family have failed at: to live and thrive in America. She teaches at a school for underprivileged boys in New York, where her eccentric methods cross conventional boundaries. She befriends a homeless swindler and the two participate in a pyramid scheme reselling Birkin bags, the value of which "increases, year by year, regardless of poverty, of war, of famine." The juxtaposition of luxury and the abject engulfs her as she is able to con her way to bag after bag, preoccupied by the suffering she knows of the world. Eventually, her body and mind go to war. America is stifling her—her willfulness, her sexuality, her ideology. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her feelings of existential statelessness, and the narrator unravels spectacularly. Enthralling, sensory, and uncanny, The Coin explores materiality, nature and civilization, class, homelessness, sexuality, beauty—and how oppression and inherited trauma manifest in every area of our lives—all while resisting easy moralizing. Provocative and original, humorous and inviting, The Coin marks the arrival of a major new literary voice.

On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant’s name was Louis Zamperini. In boyhood, he'd been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to ride the rails. As a teenager, he had channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics and within sight of the four-minute mile. But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed flight, a tiny raft, and a drift into the unknown. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.

Author of I WISH YOU ALL THE BEST Mason Deaver's THE BUILD-A-BOYFRIEND PROJECT, in which a wannabe journalist gets the professional break he's been looking for in the form of a sweet but inept young man who desperately needs to learn how to date, until real feelings threaten to derail both his career prospects and the relationship he didn't know he wanted.

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.