From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine. Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home. In the colorful market streets of Athens and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, the course of Meddy’s promising future is suddenly and irrevocably altered. When her locs are transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth. Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the crosscurrents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

Visceral, gritty, and unforgiving, GRIEF EATER is a zombie story like you’ve never read before. When Kristina rises from her violent death, she’s not the same fragile woman her family once abandoned. She’s rageful, powerful, and hungry—for the blood of the ones who were supposed to love her. With a newfound craving to see vengeance and grief served, she launches into a once-in-an-undead-lifetime journey across blood-slicked highways to the scorched Australian bush and her hometown. As her body fails and her mind fractures, she’s left with one final question: Is she here to forgive, or to feed? A transgressive, gory examination of queer identity and found family, GRIEF EATER sinks its teeth into trauma and what it means to be devoured by grief. Advance Praise for Grief Eater “Grief Eater is a scathing rebuke. And yet it has so much heart. Every line of Osborne’s gorgeous prose is a knife that cuts like a balm. Lyrical, constantly surprising, essential—Grief Eater takes a familiar genre and transforms it into something entirely new.” —Cadwell Turnbull, award-winning author of the Convergence Saga “This story will not spare you. It will reach into your chest and eat your heart. Osborne writes with brutal clarity about abuse and betrayal, about the queer joy and chosen family that will help you survive it. About how love and a quest for vengeance can be strong enough to move the dead. I’ve never read anything like it.” —K Tidbeck, author of Amatka and Jagannath. “Grief Eater is an embodied, sensory experience: screaming, snarling grief; monstrous hunger; the desire for answers that can only be found in blood. Horror at its finest, as glorious, gory relief and release.” —Angela Meyer, author of Moon Sugar “Soaked in blood and loss, Grief Eater is a bittersweet tale that is redolent with the transformative closure that comes after confronting painful trauma. A visceral and unflinching read!” —Suzan Palumbo, author of Skin Thief: Stories and Countess

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

A queer woman must fight her way out of a big-box craft store run by a diabolical religious cult in this gripping survival horror novel by Jenny Kiefer, author of This Wretched ValleyThe ratcheting tension and gut-churning terror will appeal to fans of The Cabin at the End of the World by Paul Tremblay and The Ritual by Adam NevillRuth is trapped. She’s stuck in her small, religious hometown of Kill Devil, Kentucky, stuck in the closet, and stuck living paycheck to paycheck. After her manager finds out that she lives with her girlfriend, Ruth is fired from her job as a cashier at New Creations—a craft store owned by the church that dominates life in the town. In an act of revenge, Ruth attempts to shoplift some yarn but is caught red-handed by a New Creations cashier. Instead of calling the police, the employees lock her in the store—and attack her. When Ruth is forced to stab out one of their eyes with a knitting needle, she realizes she's facing far bigger trouble than a simple shoplifting charge. As Ruth fights for her life, she plunges deeper into the tangled web of the New Creationists, who are hiding a terrible secret that threatens not only her, but the entire town.This relentless horror novel will have you on the edge of your seat as it hurtles towards a breathtaking conclusion. Will Ruth escape? Or will the shocking secret at the heart of the cult die with her?

Cuckoo is a searing new novel from Manhunt author Gretchen Felker-Martin, where a motley crew of kidnapped kids try to stay true to themselves while serving time in a conversion camp from hell. In the late 90s, five queer kids, whose parents want them “fixed,” find themselves thrown together at a secretive "tough love" camp deep in the scorching Utah desert. Tormented and worked to the point of collapse by hardline religious zealots intent on straightening them out, they slowly become aware that something in the mountains north of the camp is speaking to them in their dreams, and that the children who return home to their families have...changed.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

“Murder Bimbo is Gone Girl for the Luigi Mangione era, and Rebecca Novack is one of our funniest and most acerbic new writers.” —Catherine Lacey, author of Biography of X An exhilarating and provocative debut perfect for fans of My Sister the Serial Killer, Yellowface, and Killing Eve—the origin story of sex worker turned assassin turned unlikely folk hero, Murder Bimbo, as told by the Bimbo herself (and then revised, uncensored, and reconsidered).A thirty-two-year-old sex worker is shocked when she’s approached by undercover government agents to aid them in a top-secret plot to assassinate a politician known as “Meat Neck.” But once the deed is done, she realizes what made her the perfect She’s 100% disposable. Holed up in an off-the-grid cabin in the woods, she now has only two days, her wits, and a laptop to save her own life. Her best bet is to reach out to the wildly popular feminist investigative podcast Justice for Bimbos. In a hastily typed series of emails, the newly minted “Murder Bimbo” explains how she was recruited and then trained by a cabal of code-named US agents to take out Meat Neck. Then she starts a new series of emails. This time, they’re addressed to her ex, and the facts line up a little differently… Constructed in three increasingly unhinged acts, each a more subversive, twisted version of the story than the last, Murder Bimbo can be read as a gloriously bold literary thriller, a satirical megalomaniac’s manifesto, or a raucous send-up of the political insanity we all live inside every day. Either way, it’s a dead-serious announcement of an electric new voice in American literature.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

A gripping, emotional, and darkly funny queer horror novel about family trauma and possession, for fans of Rachel Harrison and Catriona Ward.Single gay mom Brigid always thought that cutting ties with her extremist Catholic family was the best thing she could have done for her daughter, Dylan—and for herself. But when Dylan starts having terrifying fits of unnatural violence, Brigid can’t shake her memories of a girl from her childhood who behaved the same way . . . until Brigid’s uncle, Father Angus, performed an exorcism.Convinced that her daughter is suffering from demonic possession, Brigid does the thing she told herself she’d never she goes home. Father Angus is the worst person she knows, but he’s also the only person who can help her daughter.But as Brigid starts to uncover secrets about Father Angus, that long-ago exorcism, and her family’s past, she realizes that she and Dylan have never been in more danger.This Is My Body is a piercing journey into religious trauma and childhood shame, building towards a heart-pounding twisty climax that will spin your head all the way around.