Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics. Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come). Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England. Alternate cover edition of ISBN 9780679783268

Mallory Greenleaf is done with chess. Every move counts nowadays. After the sport led to the destruction of her family four years earlier, Mallory's focus is on her mom, her sisters, and the dead-end job that keeps the lights on. That is, until she begrudgingly agrees to play in one last charity tournament and inadvertently wipes the board with notorious "Kingkiller" Nolan Sawyer: current world champion and reigning bad boy of chess. Nolan's loss to an unknown rook-ie shocks everyone—especially Mallory. What's even more confusing? His desire to cross pawns again. What kind of gambit is Nolan playing? The smart move would be to walk away. Resign. Game over. But Mallory's victory opens the door to sorely needed cash prizes and, despite everything, she can't help feeling drawn to the enigmatic strategist.... As she rockets up the ranks, Mallory struggles to keep her family safely separated from the game that wrecked it in the first place. And as her love for the sport she so desperately wanted to hate begins to rekindle, Mallory quickly realizes that the games aren't only on the board, the spotlight is hotter than she imagined, and the competition can be fierce(-ly attractive. And intelligent...and infuriating...)

First Son Alex Claremont-Diaz is the closest thing to a prince this side of the Atlantic. With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations. The plan for damage control: staging a fake friendship between the First Son and the Prince. As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?

Two best friends. One dead girl. Two sides of the story. This is the story of Viola, and what happened before she killed Syl. She may be a killer, but she has something important to say. This is the story of Syl, and what led to her death. Syl may be dead, but she isn't gone. Yet. Viola and Syl were like sisters of different mothers. Born on the same day, neighbors from day one. The same schools, the same friends, the same lives. Nobody ever thought that these girls could be torn apart. Until it happened. Two weeks before Syl is supposed to leave for Stanford and Viola is ready for her new life in Princeton, Syl's body is found on the passenger seat of Viola's abandoned car. And Viola is gone. The only evidence found at the scene leads to Viola. Was she really responsible for her best friend's death? Or are there other things at play? Two versions of the story unfold, told from both Syl's and Viola's point of views in this unique turnaround book. The reader decides which version to read first, and which one to believe. Or not.

Medea longs for a different life. Since childhood, she has been separated from her sister, shunned by her mother, and persecuted and tormented by her brother and father. All because of a unique and dangerous witchcraft. But when a dashing young hero, Jason, arrives to claim the famed Golden Fleece that her father fiercely protects, Medea sees her opportunity for escape. Her offer to help Jason overcome the trials set by her father sets in motion a journey that will test every ounce of her strength, magic and loyalty; a journey that will see her battle monsters, dethrone kings and fall in love. But when faced with the ultimate betrayal, Medea is driven to an act of desperation so brutal it rips apart the lives of everyone involved...

Mallory Greenleaf is done with chess. Every move counts nowadays. After the sport led to the destruction of her family four years earlier, Mallory's focus is on her mom, her sisters, and the dead-end job that keeps the lights on. That is, until she begrudgingly agrees to play in one last charity tournament and inadvertently wipes the board with notorious "Kingkiller" Nolan Sawyer: current world champion and reigning bad boy of chess. Nolan's loss to an unknown rook-ie shocks everyone—especially Mallory. What's even more confusing? His desire to cross pawns again. What kind of gambit is Nolan playing? The smart move would be to walk away. Resign. Game over. But Mallory's victory opens the door to sorely needed cash prizes and, despite everything, she can't help feeling drawn to the enigmatic strategist.... As she rockets up the ranks, Mallory struggles to keep her family safely separated from the game that wrecked it in the first place. And as her love for the sport she so desperately wanted to hate begins to rekindle, Mallory quickly realizes that the games aren't only on the board, the spotlight is hotter than she imagined, and the competition can be fierce(-ly attractive. And intelligent...and infuriating...)