From the moment I read the opening of I'll Be The Monster I was gripped. An ingenious premise, backed up with pitch-perfect dialogue, arresting scenes, and a caustic humour... one of our most promising emerging writers' Sophie Mackintosh, author of Cursed Bread The college bars were shuttered. Parties banned. Suicide watch was the new normal. And yet, outside, the air was sweet. Trees exploded in white and pink. Birds sang through long, pastel dusks. When I think of that time, I think of pale skin and outrageous blossoms. I think of choices. A homicidal couple embarks on a luxury holiday to save their marriage. After years of secrets and self-restraint, they’ve reached breaking point. But three days into the trip, they run into Benny, an acquaintance from their Cambridge days. And Benny is desperate to reminisce about a time – and a person – they would rather forget. Darkly funny and razor-sharp, I’ll Be The Monster follows a dangerous game of cat and mouse as it plays out under the stifling heat of the Mediterranean sun. From a major new talent in literary fiction, this gripping debut is a love story about the worst people you know – and of what happens when a change of heart occurs too late.

'This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine EvaristoIn 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history.Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain's first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today - Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain.Bernardine Evaristo's life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It's a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It's a manifesto for being unstoppable.'Raw and emotive . . . a powerful account of how Evaristo got to the top of her game - it's moving, but there's also much humour and joy' Independent 'Bernardine Evaristo is one of those writers who should be read by everyone, everywhere' Elif Shafak 'Bernardine Evaristo is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional' Nikesh Shukla

“Kami akan berada di sini sepuluh hari lagi. Dan dia tahu bahwa kami akan menyampaikan pesan apa pun yang mungkin dimiliki adik perempuan saya dari putri Anda di dunia roh.”—Jangan Lihat! Ada sesuatu yang tertulis di sisi lain, kata-kata ‘Jangan setelah tengah malam’. Dan kemudian, mungkin sebagai renungan, angka 38. Aku meletakkan kembali kartu itu di laci dan mematikan lampu. Aku terbaring tanpa alasan, mendengar suara air menyentuh bebatuan di bawah balkonku.—Jangan Setelah Tengah Malam Kemerdekaan sudah di tangannya, bersama rumah kosong yang ceria, dan musim dingin yang cerah. Rutinitasnya kini sepenuhnya milik dia seorang. Dia tak pernah lagi memikirkan Midge hingga pada pagi hari tatkala dia melihat pohon apel itu.—Pohon Apel

An Instant New York Times Bestseller“Excellent and deeply reported.” —Tim Wu, The New York Times“Startling and intensely researched . . . an essential account of how OpenAI and ChatGPT came to be and the catastrophic places they will likely take us.” —Vulture“Hao’s reporting inside OpenAI is exceptional, and she’s persuasive in her argument that the public should focus less on A.I.’s putative ‘sentience’ and more on its implications for labor and the environment.” —Benjamin Wallace-Wells, New YorkerFrom a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzyWhen AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, she thought they were the good guys. Founded as a nonprofit with safety enshrined as its core mission, the organization was meant, its leader Sam Altman told us, to act as a check against more purely mercantile, and potentially dangerous, forces. What could go wrong?Over time, Hao began to wrestle ever more deeply with that question. Increasingly, she realized that the core truth of this massively disruptive sector is that its vision of success requires an almost unprecedented amount of the “compute” power of high-end chips and the processing capacity to create massive large language models, the sheer volume of data that needs to be amassed at scale, the humans “cleaning up” that data for sweatshop wages throughout the Global South, and a truly alarming spike in the usage of energy and water underlying it all. The truth is that we have entered a new and ominous age of only a small handful of globally scaled companies can even enter the field of play. At the head of the pack with its ChatGPT breakthrough, how would OpenAI resist such temptations?Spoiler it didn’t. Armed with Microsoft’s billions, OpenAI is setting a breakneck pace, chased by a small group of the most valuable companies in human history—toward what end, not even they can define. All this time, Hao has maintained her deep sourcing within the company and the industry, and so she was in intimate contact with the story that shocked the entire tech industry—Altman’s sudden firing and triumphant return. The behind-the-scenes story of what happened, told here in full for the first time, is revelatory of who the people controlling this technology really are. But this isn’t just the story of a single company, however fascinating it is. The g forces pressing down on the people of OpenAI are deforming the judgment of everyone else too—as such forces do. Naked power finds the ideology to cloak itself; no one thinks they’re the bad guy. But in the meantime, as Hao shows through intrepid reporting on the ground around the world, the enormous wheels of extraction grind on. By drawing on the viewpoints of Silicon Valley engineers, Kenyan data laborers, and Chilean water activists, Hao presents the fullest picture of AI and its impact we’ve seen to date, alongside a trenchant analysis of where things are headed. An astonishing eyewitness view from both up in the command capsule of the new economy and down where the real suffering happens, Empire of AI pierces the veil of the industry defining our era.

Come of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart?

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

From the author of Natural Beauty, set in the fiercely competitive art world, a novel about an obsessive friendship upended by a cutting-edge technology purported to enhance empathy and connection Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.   Enka quickly falls in love with and marries a billionaire whose family’s company is funding an unconventional technology purported to heighten empathy, which could allow someone else to inhabit Mathilde’s mind and absorb the trauma from her brain. Soon, the boundaries between Mathilde and Enka begin to blur even further, setting in motion a disturbing series of events that forever changes their lives. Blisteringly smart, thought-provoking, and shocking, Immaculate Conception deftly navigates big questions of art, technology, authorship, and what makes us human. Ling Ling Huang offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.