The macabre but beautiful work Les Chants de Maldoror has achieved a considerable reputation as one of the earliest and most extraordinary examples of Surrealist writing. It is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religious fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance." Little is known of the author of Maldoror, Isidore Ducasse, self-styled Comte de Lautréamont, except that he was born in Montevideo, Uruguay, in 1846 and died in Paris at the age of twenty-four. When first published in 1868-69, Maldoror went almost unnoticed. But in the 1890s the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Bloy, Maeterlinck, and Rémy de Gourmont. Later, Lautréamont was to be canonized by the Paris Surrealists as one of their principal "ancestors." This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it includes all the surviving literary work of Lautréamont.

This novel is the classic of Satanism. It caused a sensation when it first appeared in 1891 because of its extraordinarily detailed and vivid descriptions of the Black Mass. These descriptions are also authentic, for J. K. Huysmans, who has been called the greatest of the French decadents, had firsthand knowledge of the satanic practices, witch cults, and the whole of the occult underworld thriving in late nineteenth-century Paris. At its center is Durtal, a writer obsessed with the life of one of the blackest figures in history, Gilles de Rais. The legendary crimes, trial, and confession of this grotesque fifteenth-century child murderer, sadist, necrophile, and practitioner of all the black arts unfold in episode after horrifying episode. Mystical thematic threads connect this greatest of all revelers in evil with Durtal's own passionate pursuit, the reflection of a religious quest that was to lead Huysmans from uncertain agnosticism back to Catholicism. Durtal, the mouthpiece for the strange personality of Huysmans, leads a hermit-like existence cloistered from his fashionable contemporaries. Surrounding him are others equally cut off, sharing a nostalgic longing for the Middle Ages. There is a simply religious bell-ringer, a learned astrologer, a medical doctor versed in homeopath and occult lore, and a fourth person — a sheltered, unsatisfied bourgeois by day and mysterious succubus by night. They take refuge where they can from the forces of modern times — in a bell tower, in abstruse knowledge, and in diabolism. Huysmans' ability to mesmerize his readers with torrents of sound and image is itself suspiciously akin to the magic arts. His intoxication with the abominable and the depraved is magnified by his extreme sensitivity. He combines grimly realistic detail with esoteric knowledge, and searches relentlessly for the divine in the depths of evil and in the furthest reaches of human experience. The republication of this novel, along with the previous publication of Against the Grain, will make his works accessible to the larger audience that will surely find them both important and fascinating, as have Oscar Wilde, Havelock Ellis, and many other major literary figures.

Frank, no ordinary sixteen-year-old, lives with his father outside a remote Scottish village. Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly. The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

Suburbia. Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

WINNER OF THE 2021 NDR BOOK PRIZE IN GERMANY 'A must-read' Lyndal Roper, Regius Professor of History at Oriel College, OxfordFishing quotas on Lake Constance. Common lands in the UK. The medieval answer to Depop in the middle of Frankfurt.These are all just some of the sustainability initiatives from the Middle Ages that Annette Kehnel illuminates in her astounding new book, The Green Ages. From the mythical-sounding City of Ladies and their garden economy to early microcredit banks and rent-a-cow schemes, Kehnel uncovers a world at odds with what we might think of as the typical medieval existence.Pre-modern history is full of inspiring examples and concepts that open up new horizons. And we urgently need them as today's challenges - finite resources, the twilight of consumerism, growing inequality - threaten what we have come to think of as a modern way of living sustainably.This is a revelatory look at the past that has the power to change our future.

There is no plague in Enfaire… Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things but twisted forms… unholy shapes. And there are rumours, too—of a blasphemous union and of fell creatures that haunt the night. Yet, even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested. His Black Tongue is a tale of medieval horror, plunging the reader into the plague-torn land of 14th century France, when pestilence and death walked hand-in-hand, and life was little more than a sputtering candle, waiting to be put out. But there are worse things than death, than sickness and decay… and it comes upon leathery black wings. Includes The Bone Fields novella and the short stories The Knights of the Non-Euclidean Table and Necropolis.

Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey. Inspired by a rich blend of Arabic, Christian, and pre-Islamic traditions, Pilgrim delivers a pulse-pounding story of action, adventure, and bone-chilling horror.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

Aurora is caught between powerful alphas as they fight for the Wolf Throne. But darker forces are rising. . .The highly anticipated sequel to The Wolf King. Pre-order now! Aurora may have survived the Wolf King. But his bite marks her skin, and in accordance with Wolf Law, that makes her his property. Now, he wants her back. To beat him and take his throne, Aurora and Callum must form a dangerous alliance with one of the most feared Wolves in the Kingdom, Blake. He is their enemy, but he has entangled his life with Aurora’s—meaning she cannot harm him without forfeiting her own life. As she fights to break their connection, she suspects Blake is keeping secrets about a dark power that rises in the north, and the unsettling nature of the bond between them. It seems there is a bigger game at play than who sits on the Wolf Throne—one that threatens both the Kingdom of Wolves, and the Kingdom of Men. With her wolf awakening, enemies closing in, relationships tested, and secrets revealed—Aurora may be the only one who can stop an ancient evil from rising. If she can figure out who to trust. If she can figure out where she, and her heart, belong. If she can stay alive.The highly anticipated sequel to The Wolf King. A romantasy for fans of enemies to lovers, shifters, forbidden romance, villains you love to hate (or maybe just love!), and werewolves. Contains strong language and sexual situations.

Love, betrayal, murder, and witchcraft. When 35-year-old Satara Stratton discovers her husband Dean’s treacherous affair with her best friend, Lilah, she plunges into familiar deceit and death. Having disposed of men before without a hitch, she finds a new thrill in this betrayal. But with Lilah on a crusade to expose her guilt, Satara must outpace everyone to keep her secrets safe. Her fate intertwines with a Love Witch whose tempting spells seem a perfect solution to Satara’s woes. With newfound power at her fingertips, she gleefully manipulates the affections of those around her. Yet, Satara's lust for love proves her ultimate vulnerability. She soon learns that while it’s easy to bend others to her will, controlling her own heart is a perilous art indeed. Prepare for a darkly compelling journey where the boundaries of desire and devastation blur, and the quest for love becomes Satara's most lethal game. For fans of A Certain Hunger, step into the twisted, psychedelic world of SUGAR, a story about a femme fatale hooked on love and acid in this gripping tale of 1970's suburban chaos where nothing is as it seems.