In a forgotten patch of French countryside, a woman is battling her demons embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but at the same time wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

Welcome to Derry, Maine ... It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real ... They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.

This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are. Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined. Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power. source: annerice.com

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home. One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum. With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

Ursula K. Le Guin’s magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast. A masterly, hypnotic and her most consistently lyric and luminous book. This new edition includes an introduction by Shruti Swamy, author of A House is a Body. Midway through her career, Ursula K. Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh’s unified society and presents to us—in exquisite detail—their lives, histories, adventures, customs, language, and art.  In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component—original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton—bringing this utterly original and compelling world to life.

Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness. The story 'Omelas" was first published in 'New Dimensions 3' (1973), a hard-cover science fiction anthology edited by Robert Silverberg, in October 1973, and the following year it won the prestigious Hugo Award for best short story. The work was subsequently printed in Le Guin's short story collection 'The Wind's Twelve Quarters' (1975). Ursula K Le Guin (1929–2018) was an American writer who published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry & four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, and more. She was known for her treatment of gender ('The Left Hand of Darkness' (1969), 'The Matter of Seggri' (1994)), political systems ('The Telling' (2000), 'The Dispossessed' (1974)) and difference/otherness in any other form.

In a forgotten patch of French countryside, a woman is battling her demons embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but at the same time wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

A love letter to the horror genre from many of the most influential and bestselling authors in the industry. For twenty-five years, Becky Siegel Spratford has worked as a librarian in Reader Advisory, training library workers all over the world on how to engage their patrons and readers, and to use her place as a horror expert and critic to get the word out to others; to bring even more readers into the horror fold. Why I Love Horror is a captivating anthology and heartfelt tribute to the horror genre featuring essays from several of the most celebrated contemporary horror writers including, Grady Hendrix, Paul Tremblay, Stephen Graham Jones, Josh Malerman, Victor LaValle, Tananarive Due, and Rachel Harrison.

The National Book Award-winning classic from the author of Underworld and Libra, now a Netflix film starring Adam Driver, Don Cheadle, and Greta Gerwig White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous. Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition

William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

“All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.” For more than a century, The Wind in the Willows and its endearing protagonists—Mole, Water Rat, Badger, and, of course, the incorrigible Toad—have enchanted children of all ages. Whether the four friends are setting forth on an exciting adventure, engaging in a comic caper, or simply relaxing by the River Thames, their stories will surprise and captivate you. Hailed as one of the most enduringly popular works of the twentieth century, this story is a classic of magical fancy and enchanting wit. Penned in lyrical prose, the adventures and misadventures of the book’s intrepid quartet of heroes raise fantasy to the level of myth. Reflecting the freshness of childhood wonder, it still offers adults endless sophistication, substance, and depth. The animals’ world embodies the author’s wry, whimsical, and unfailingly inventive imagination. It is a world that succeeding generations of both adult and young readers have found irresistible. But why say more? To use the words of the estimable Mr. Toad himself: “Travel, change, interest, excitement!...Come inside.”