One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo. Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide whether she can open up to love for them—or herself—while there’s still time. Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.