Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue never sees them--until this year, when a boy emerges from the dark and speaks to her. His name is Gansey, a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can't entirely explain. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents the privilege around him; Ronan, the fierce soul whose emotions range from anger to despair; and Noah, the taciturn watcher who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She doesn't believe in true love, and never thought this would be a problem. But as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day.

An original and darkly comedic murder mystery about a female personified Death whose sabbatical in modern-day London is rudely interrupted by a string of unplanned murders. Perfect for fans of Good Omens, The Good Place and Sophie Kinsella.Her job is to die for. Literally.Most people think that when they meet Death, it’ll be a skeleton in a black potato sack. Maybe with a scythe. Truth is, she’s just a woman doing a job and she’s very good at it.But when Death takes a much-needed break to live on earth, things start to go terribly wrong. Someone’s killing people not on her list (well, not yet anyway) and it's down to her to find the culprit before it’s too late.To make matters worse, her sanctimonious sister, Life – whom Death hasn’t got on with in millennia – won’t stop blaming her . . . And then there’s the slight problem of the charming (sexy) parasitologist she’s suspicious of.But she’ll be fine, right?After all, who better to investigate a murder than Death herself?Quirky, fun and witty, this is Death like you've never seen her before. A lover of bright colours, a fierce protector of nature and a human falling in love for the first time. Death's sharp voice will linger in your mind long after you've read.

What If It's Us meets They Both Die at the End in this postapocalyptic, queer YA adventure romance from debut author Erik J. Brown. Perfect for fans of Adam Silvera, Alex London, and Heartstopper by Alice Oseman. When Andrew stumbles upon Jamie's house, he's injured, starved, and has nothing left to lose. A deadly pathogen has killed off most of the world's population, including everyone both boys have ever loved. And if this new world has taught them anything, it's to be scared of what other desperate people will do . . . so why does it seem so easy for them to trust each other? After danger breaches their shelter, they flee south in search of civilization. But something isn't adding up about Andrew's story, and it could cost them everything. And Jamie has a secret, too. He's starting to feel something more than friendship for Andrew, adding another layer of fear and confusion to an already tumultuous journey. The road ahead of them is long, and to survive, they'll have to shed their secrets, face the consequences of their actions, and find the courage to fight for the future they desire, together. Only one thing feels certain: all that's left in their world is the undeniable pull they have toward each other.

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent on cracking her case, inspired by a true story, and translated by Polly Barton. There are two things that I can simply not tolerate: feminists and margarine. Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, "The Konkatsu Killer", Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan

The second book in Maggie Stiefvater's #1 NYT bestselling series The Raven Cycle, now gorgeously illustrated as a graphic novel!Ronan Lynch is made of secrets. His longest kept one? He can pull impossible things out of dreams. It's a secret that's nearly killed him more than once.Waking the corpse road should have led Blue and the Raven Boys straight to Glendower, the Whelsh king rumored to be sleeping beneath the mountains of Henrietta.But instead, the forest of Cabeswater has disappeared, energy hums and sputters beneath the town, and the Raven Boys' search is at a dead end. Ronan's dreams may be the key to finding Glendower, but none of the Raven Boys are prepared for what will be unleashed in Ronan's desperate attempt to finally control his power. Reimagined as a stunning full-color graphic novel adapted and illustrated by Sas Milledge, Dream Thieves blurs the line between reality and nightmare until they are one and the same.

The first book in Maggie Stiefvater's #1 NYT bestselling series The Raven Cycle, now gorgeously illustrated as a graphic novel!Blue Sargent comes from a family of psychics. Only, she has never had the same clairvoyant abilities they had and has always felt too ordinary within the magic that surrounded her. Enter Gansey, a rich student from Aglionby, the town’s all-boys private school teeming with wealth, privilege, and trouble. Blue's always made it a point to stay away from its students, the Raven Boys.But when Gansey asks her to join him and three other Raven Boys on his quest to find a long-forgotten Welsh king rumored to be sleeping beneath the mountains of their quiet Virginia town, Blue doesn’t hesitate. She jumps at the chance to finally be a part of something real and full of magic, a world she was born into yet one that always stood just out of reach. Soon enough, she’s swept into a strange and shifting world woven into theirs, one far more dangerous than anything they could have dreamt up.Now reimagined as a stunning full-color graphic novel adapted by Stephanie Williams and illustrated by Sas Milledge, The Raven Boys unravels a thrilling plot around a cast of characters impossible to forget.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with an insane job offer—only to be forced to do the work of confronting herself.When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.At the camp, after a clumsy introductory session with the ISIS women, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?

For fans of Survivor and Less, this fast-paced debut novel shines an unflinching light on the drama of reality TV when a gay man returns to the cut-throat show he won in his youth after his adult life begins to unravel. Following the car accident that ended his football career and left his body scarred, 22-year-old Luke Griffin joins the cast of Endeavor, a new competition-based reality show that pits the tabloids’ darlings against one another in tasks of endurance and problem solving. At first, he thrives, effortlessly forming friendships and even a romantic relationship that he thinks will last a lifetime. But Luke has aspirations far bigger than the show's million-dollar prize, and soon a series of betrayals leads to irreversible tragedy, changing the course of his and his fellow contestants' lives forever.   Ten years later, Luke’s world looks very he is now a father of two and the stay-at-home husband to America’s only openly gay senator. When his husband's serial cheating is exposed, Luke impulsively joins the cast of Endeavor's latest season in a desperate bid to earn some fast cash. Back on set, he is confronted with everything he tried to leave in the bitter rivalries, shattered friendships, and crushing guilt, all of which threaten to tear down the walls he’s spent a decade building. As Season 20 of Endeavor kicks off, Luke must give everything to the game, even as he finally learns what it means––and what it costs––to face the truth. Combining the fabulous rivalries of The Traitors with the epic physical stunts of The Challenge, THE BOOK OF LUKE offers a grounded portrait of what it means to reinvent yourself when no one will let you forget your past - especially if it's immortalized on streaming services.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Husbands Don and Rodney have lived a good long life. Together they’ve experienced the highest highs of love and family, and lows so low that they felt like the end of the world. Now, the world is ending for real. A wandering blackhole is coming for Earth and in a month everything and everyone they’ve ever known will be gone. Suddenly, after 40 years together, Don and Rodney are out of time. They’re in a race against the clock to make it from Maine to Washington State to take care of some unfinished business before it’s all over. On the road they meet those who refuse to believe death is coming and those who rush to meet it. But there are also people living their final days as best they know how–impromptu weddings, bright burning bonfires, shared meals, new friends. And as the blackhole draws near, among ball lightning and under a cracked moon in a kaleidoscope sky, Don and Rodney will look back on their lives and ask if their best was good enough. Is it enough to burn bright if nothing comes from the ashes?