When you’ve been told over and over that you belong at the bottom, how do you come out on top? Dance Moms star and triple threat Nia Sioux shows the way via her story of resilience, triumph, and defining success for herself. Young dancer Nia Sioux was only nine years old when she stepped into stardom as one of the original cast members of Lifetime’s reality TV show Dance Moms. Training under the notorious Abby Lee Miller, Nia learned new choreography week after week, competed against dancers from across the country as well as at her own studio, and suffered through Abby’s ranking of the girls against each other in her infamous pyramid—all in front of an audience of millions. But there was much that viewers didn’t see. How the verbal and mental abuse she experienced in the studio went far beyond what made it into the show. How she was treated as the token Black dancer and ostracized for not fitting into an aesthetic that wasn’t designed for girls like her. How her friendships and her mental health crumbled under the strain of the show. How she lost control of her story and her sense of self. In this captivating memoir, Nia reclaims both the spotlight and her narrative. In addition to going behind the scenes of the seven seasons of Dance Moms, she shows how she fought against the negative perceptions that dominated her tween and teen years and emerged as a confident young woman secure in her talents and her direction. Anyone who has felt pigeonholed at the bottom of the pyramid will be inspired by Nia’s story of overcoming. “Despite barriers and constant naysayers, assumptions and criticisms, only you know who you are inside and out,” Nia says. “And you have the power to create your own narrative, your own level of success.”

Written on the Body is a secret code only visible in certain lights: the accumulation of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

A steamy sapphic romance with a fantastical twist about two bitter tennis rivals who realize they are reluctant soulmates—perfect for fans of Expiration Dates and Here We Go Again. Juliette Ricci dreams of only one being the best women’s tennis player in the world. She’s worked nonstop with her strict father/coach to prepare for her big chance in the Australian Open. Unfortunately, she’ll be playing Lucky Luca Kacic, an aloof player whose unorthodox style and reigning popularity deeply irritate Juliette. For months they’ve traded sly insults in their press conferences leading up to their showdown on the court, and their first ever match is the most anticipated of the season. But Juliette refuses to let her nerves—or Luca’s annoyingly perfect abs—get the best of her. Meanwhile, Luca seemingly has everything Juliette desires but there’s one thing missing from her love. When she shakes hands with Juliette after an agonizing match and sees her rival’s name appear on her wrist, it feels like a cruel joke. Juliette is a spoiled, arrogant brat who wants absolutely nothing to do with Luca or a soulmate. But despite their personal and professional clashes, the two grow closer after late-night massages and one too many shots of limoncello. Their chemistry is tangible, but Luca’s anxiety tells her that Juliette is just messing with her head to throw her off her game, and Juliette can’t understand why Luca is so hot and cold. With the pressure of the world scrutinizing their every move, they will have to decide what’s more important—being together or being number one.

An enthralling sapphic retelling of Swan Lake, for fans of Allison Saft and V.E Schwab.Magic has long been outlawed in Auréal. Odile has always known she’d be the one to restore it.Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It’s perfectly simple. Impersonate a princess, infiltrate the palace, steal the king's enchanted crown and restore magic to the kingdom.But when the King is unexpectedly murdered, she’s forced to recruit the help of Marie d'Odette, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of who to trust.Soon though Odile must decide – her mission or the girl she’s falling for?The fate of the Kingdom depends on her making the right choice. . .

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy  Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.     The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.    Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

A parent’s love letter to a daughter who has always known exactly who she is. One ordinary day, a caseworker from the Department of Children and Families knocked on the Hays family's door to investigate an anonymous complaint about the upbringing of their transgender child. It was this knock, this threat, that began the family's journey out of the Bible Belt but never far from the hate and fear resting at the nation’s core. Self-aware and intimate, A Girlhood asks us all to love better, not just for the sake of Hays’s child but for children everywhere enduring injustice and prejudice just as they begin to understand themselves. A Girlhood is a call to action, an ode to community, a plea for empathy, a hope for a better future. A Girlhood is a love letter to a child who has always known exactly who she is—and who is waiting for the rest of the world to catch up.