Witi Ihimaera brosse un fabuleux portrait d’une nature en symbiose avec le peuple maori et celui d’une femme intrépide, intelligente, redoutable… et drôle.Nouvelle-Zélande, 1935 - Paraiti, vieille guérisseuse maorie de grande renommée, sillonne la Nouvelle-Zélande avec son cheval, sa mule et son chien. Grâce à son savoir-faire ancestral et à une pharmacopée puisée dans la nature, elle soigne, soulage et sauve des vies. Mais lorsqu’une bourgeoise blanche de la ville la convoque pour l’aider à interrompre une grossesse déjà très avancée, elle se trouve face à un dilemme et à un secret terrible… Un secret à l’échelle du fossé qui sépare les communautés du pays.

This is a fine collection of short stories by the much-loved Patricia Grace, probably never more popular since the great commercial success of the novel Tu. The feast of stories is varied: urban, rural, New Zealand, overseas, tribal, contemporary. An elderly woman, whose husband has died, gathers firewood on the beach while the appliances in her house fall to bits one by one. Willie falls in love with a statue. Great-grandmother reveals how she chose her husband-to-be both of them. Rona curses the Moon. Petina tells Raycharles she's looking for a father for her baby. The thread that runs through all the stories, though, is Grace's huge sympathy for the underdog and the perspective of the outsider. The world she depicts is often a stark and unsentimental place, in which people struggle against ageing, rejection, violence and betrayal.

Sascha Stronach returns in this queer, Maori-inspired Endsong series about a police officer back from the dead who will stop at nothing to save her city from the evil that threatens to destroy it, perfect for fans of Gideon the Ninth and Black Sun. The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state. To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief. Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.

A Maori community on the coast of New Zealand is threatened by a land developer who wants to purchase the community property, move the community meeting hall, and construct many new buildings, including an "underwater zoo." The story is told in several chapters that switch narrators. Sometimes, it is Hemi, a man who was laid off from his job and realizes that this situation affords him the opportunity to reconnect with the land, his culture and his family. Other times, Toko is the narrator. Toko is Hemi's adopted son and is physically handicapped. However, he also has a sixth sense and can see events before they occur. Mostly, though, the story is told by Roimata, Hemi's wife and Toko's adoptive mother. She relates the growing concern the Maori have about developers coming into their land, and their quiet, concerted efforts to rebel. She details their successes and many painful failures in a sparse, simple prose. The book does not really have a true resolution; instead, Patricia Grace outlines the cultural differences that exist in New Zealand, and the uses and abuses of power, and how it can affect a people.

These never-before-collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness. Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals—in stature if not experience. Tagging along is his diminutive squire, a boy called Egg—whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.

Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors ride mighty fighting dragons, bred for size or speed. When HMS Reliant captures a French frigate and seizes the precious cargo, an unhatched dragon egg, fate sweeps Captain Will Laurence from his seafaring life into an uncertain future – and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

It's Christmas time and Holden Caulfield has just been expelled from yet another school... Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning. The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. J.D. Salinger's (1919–2010) classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

“I got you to look after me, and you got me to look after you, and that's why.” They are an unlikely George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. But George and Lennie have a to own an acre of land and a shack they can call their own.While the powerlessness of the laboring class is a recurring theme in Steinbeck's work of the late 1930s, he narrowed his focus when composing Of Mice and Men, creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is a friendship and a shared dream that makes an individual's existence meaningful.A unique perspective on life's hardships, this story has achieved the status of timeless classic due to its remarkable success as a novel, a Broadway play, and three acclaimed films.

From the Chatham Islands/Rekohu to London, the 21st century to 1835, this novel confronts the complexity of being Moriori, Maori and Pakeha. In the 1880s, Mere yearns for independence. Her best friend Iraia wants the same, but as the descendent of a slave, such things are barely conceivable to him. One summer as they approach adulthood, they notice that their friendship has changed, and that, if they are ever to experience freedom, they will need to travel beyond the isolation and safety of their Queen Charlotte Sound home. One hundred years later, twins Lula and Bigsy's birth is literally one in a million, as their mother Tui likes to tell people. But when Tui dies they learn there is much she kept secret, especially about their heritage. They too will need to travel beyond the world they have known, to an island they barely knew existed, at the eastern edge of New Zealand's Pacific realm. Neither Mere and Iraia, nor Lula and Bigsy are aware that someone else is part of their journeys. He does not watch over them so much as watch through them, feeling their loss and confusion as if it were his own.

A homunculus manages to breach impenetrable Fort Briggs, and the Elric brothers discover a terrible alchemical secret that penetrates every corner of the world as they know it! Meanwhile, Major Kimblee and a ruthless General Raven make Major General Olivier Mira Armstrong an offer she can't refuse... Whose side is she on, really? And how far is she willing to go?

The brothers pursue fugitive May Chang to solve the mystery of why their alchemical powers were rendered inert while she and Scar continue to be able to wield them. Meanwhile, Scar enlists some unlikely help to delve into the secrets of his brother's alchemical knowledge. And the newest, most horrifying homunculus makes an appearance...!

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

A Dance to the Music of Time – his brilliant 12-novel sequence, which chronicles the lives of over three hundred characters, is a unique evocation of life in twentieth-century England.The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”

Librarian note: Alternate covers can be found here and here. 'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.