An exquisitely moving story about grief, love, and family, from the global phenomenon Sally Rooney. Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined. For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.

NEW YORK TIMES  BESTSELLER  •  A former Wall Street quant sounds the alarm on Big Data and the mathematical models that threaten to rip apart our social fabric—with a new afterword   “A manual for the twenty-first-century citizen . . . relevant and urgent.”— Financial Times   NATIONAL BOOK AWARD LONGLIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY  The New York Times Book Review  • The Boston Globe • Wired  •  Fortune  •  Kirkus Reviews  •  The Guardian  •  Nature  •  On Point   We live in the age of the algorithm. Increasingly, the decisions that affect our lives—where we go to school, whether we can get a job or a loan, how much we pay for health insurance—are being made not by humans, but by machines. In theory, this should lead to greater fairness: Everyone is judged according to the same rules.   But as mathematician and data scientist Cathy O’Neil reveals, the mathematical models being used today are unregulated and uncontestable, even when they’re wrong. Most troubling, they reinforce discrimination—propping up the lucky, punishing the downtrodden, and undermining our democracy in the process. Welcome to the dark side of Big Data.

A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

Qu’elles soient joyeuses ou tragiques, visibles ou non, les ruptures rythment notre existence, nous transforment, nous remettent profondément en question.Comment conjuguer ces « bifurcations » de nos vies que sont les ruptures avec l’idée de notre identité, une et constante ? Nous révèlent-elles la multiplicité de nos identités possibles, ou le fait que nous nous affirmions progressivement, au fur et à mesure de ces « accidents » de la vie ? Nous épurent-elles ou nous démolissent-elles ?Pour la philosophe Claire Marin, la définition de notre être est tout autant dans nos sorties de route que dans nos lignes droites, dans les accrocs au contrat que dans le contrat lui-même. Naissances ou deuils, séparation ou nouvel amour, besoins d’ailleurs : nos oscillations, nos vacillements fragilisent nos représentations, ébranlent nos certitudes, certes. Mais ils soulignent aussi fondamentalement la place de l’imprévisible, et questionnent notre capacité à supporter l’incertitude, à composer avec la catastrophe et, en les surmontant, à parfois démarrer une nouvelle vie.

It's Christmas time and Holden Caulfield has just been expelled from yet another school... Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning. The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. J.D. Salinger's (1919–2010) classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.

It's Christmas time and Holden Caulfield has just been expelled from yet another school... Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning. The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. J.D. Salinger's (1919–2010) classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

After touring the rural areas of Panga, Sibling Dex (a tea monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers' new series continues to ask: in a world where people have what they want, does having more even matter?

Millennial expat couple Anna and Tom are living the dream in Berlin, in a bright, affordable, plant-filled apartment. Their life as young digital creatives revolves around slow cooking, Danish furniture, sexual experimentation and the city’s twenty-four-hour party scene – an ideal existence shared by an entire generation and tantalizingly lived out on social media. But beyond the images, dissatisfaction and ennui burgeon. Work becomes repetitive. Friends move back home, have children, grow up. Frustrated that their progressive politics amount to little more in practice than boycotting Uber, tipping in cash, or never eating tuna, Anna and Tom make a fruitless attempt at political activism. Feeling increasingly trapped in their picture-perfect life, the couple takes ever more radical steps in the pursuit of an authenticity and a sense of purpose perennially beyond their grasp. Superbly translated by Sophie Hughes, Vincenzo Latronico’s Perfection is a taut, spare sociological novel about the emptiness of contemporary existence, scathing and brilliantly affecting.

After touring the rural areas of Panga, Sibling Dex (a tea monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers' new series continues to ask: in a world where people have what they want, does having more even matter?