Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith.In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself and her son, Nero. This book follows Agrippina as a daughter, born in Cologne, to the expected heir to Augustus’s throne; as a sister to Caligula who raped his sisters and showered them with honors until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius who gave her access to near unlimited power; and then as a mother to Nero—who adored her until he had  her assassinated. Through senatorial political intrigue, assassination attempts, and exile to a small island, to the heights of imperial power, thrones, and golden cloaks and games and adoration, Agrippina scaled the absolute limits of female power in Rome. Her biography is also the story of the first Roman imperial family—the Julio-Claudians—and of the glory and corruption of the empire itself.

"My adult life can be divided into two distinct parts," Eula Biss writes, "the time before I owned a washing machine and the time after." Having just purchased her first home, she now embarks on a roguish and risky self-audit of the value system she has bought into. The result is a radical interrogation of work, leisure, and capitalism. Described by The New York Times as a writer who "advances from all sides, like a chess player," Biss brings her approach to the lived experience of capitalism. Ranging from IKEA to Beyoncé to Pokemon, across bars and laundromats and universities, she asks, of both herself and her class, "In what have we invested?"

The Princess Bride meets People We Meet on Vacation in this cozy quest romantasy about a group of friends who once defended their magical land together but haven’t spoken since, reuniting to attend a royal wedding, and ending up on a new adventure to save the realm—and hopefully themselves. Ten years ago, they saved the realm. It ruined their lives. Everyone in Mythria knows the story of how best friends Beatrice and Elowen, handsome ex-bandit Clare, and valiant leader Galwell the Great defended the land from darkness. It’s a tale beloved by all—except the former heroes. They haven’t spoken in a decade, devastated by what their quest cost them. But when they receive an invitation to the queen of Mythria’s wedding, it’s a summons they can’t refuse . . . and a reunion for the ages, with Clare secretly not over his long-ago fling with Beatrice, Beatrice fighting the guilt she feels over how everything ended, Elowen unprepared for the return of her former flame (the cunning Vandra), and all of them lost without Galwell’s presence. And if reuniting with old friends and lovers wasn’t perilous enough, dark forces from their past have returned, plotting a domination that only Mythria’s one-time defenders can stop. Maybe. Dusting off old weapons and old instincts, they face undead nemeses, crystal caves, enchanted swords, coffee shops, games of magical Truth or Dare, and, hardest of all, their past—rife with wounds never healed and romances never forgotten. This time around, will their story end in happily ever after?

Whether you want to criticise, kill, or use AI, you have to get through the hype and uncover the real story. Start with labour: in automation theory, a centaur is a person who chooses to use technology to help them do the things that matter to them. A reverse centaur is a person who has been conscripted to serve as a helper for a machine, at an inhuman, machine pace: a driver made to deliver all day long, nonstop; a warehouse worker made to work without food or bathroom breaks; a programmer made to crank out impossible amounts of code. As Doctorow says: it's not enough to ask what the technology does - we have to understand who it's doing it for and who it's doing it to. The intended audience for AI hype isn't the people who are forced to use AI. The AI show is a performance staged for bosses and investors. . Investment bankers claim AI will to be worth more than $16 trillion: a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of "value," every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI. Anything that can't go on forever eventually stops. When the AI bubble bursts, what will we salvage? Is there something in the wreckage that everyday people will find useful? In The Reverse Centaur's Guide to Life After AI - as he so successfully did in Enshittification - Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life "after" AI in which the tools work for us, not the other way around.

Award-winning environment and science reporter Zoë Schlanger delivers a groundbreaking work of popular science that probes the hidden world of the plant kingdom and reveals the astonishing capabilities of the green life all around us. It takes tremendous biological creativity to be a plant. To survive and thrive while rooted in a single spot, plants have adapted ingenious methods of survival. In recent years, scientists have learned about their ability to communicate, recognize their kin and behave socially, hear sounds, morph their bodies to blend into their surroundings, store useful memories that inform their life cycle, and trick animals into behaving to their benefit, to name just a few remarkable talents. The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system. What is intelligent life if not a vine that grows leaves to blend into the shrub on which it climbs, a flower that shapes its bloom to fit exactly the beak of its pollinator, a pea seedling that can hear water flowing and make its way toward it? Zoë Schlanger takes us across the globe, digging into her own memories and into the soil with the scientists who have spent their waking days studying these amazing entities up close. What can we learn about life on Earth from the living things that thrive, adapt, consume, and accommodate simultaneously? More important, what do we owe these life forms once we come to understand their rich and varied abilities? Examining the latest epiphanies in botanical research, Schlanger spotlights the intellectual struggles among the researchers conceiving a wholly new view of their subject, offering a glimpse of a field in turmoil as plant scientists debate the tenets of ongoing discoveries and how they influence our understanding of what a plant is. We need plants to survive. But what do they need us for—if at all? An eye-opening and informative look at the ecosystem we live in, this book challenges us to rethink the role of plants—and our own place—in the natural world.

Whether you want to criticise, kill, or use AI, you have to get through the hype and uncover the real story. Start with labour: in automation theory, a centaur is a person who chooses to use technology to help them do the things that matter to them. A reverse centaur is a person who has been conscripted to serve as a helper for a machine, at an inhuman, machine pace: a driver made to deliver all day long, nonstop; a warehouse worker made to work without food or bathroom breaks; a programmer made to crank out impossible amounts of code. As Doctorow says: it's not enough to ask what the technology does - we have to understand who it's doing it for and who it's doing it to. The intended audience for AI hype isn't the people who are forced to use AI. The AI show is a performance staged for bosses and investors. . Investment bankers claim AI will to be worth more than $16 trillion: a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of "value," every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI. Anything that can't go on forever eventually stops. When the AI bubble bursts, what will we salvage? Is there something in the wreckage that everyday people will find useful? In The Reverse Centaur's Guide to Life After AI - as he so successfully did in Enshittification - Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life "after" AI in which the tools work for us, not the other way around.

ファントムバスターズ消滅の危機!?　期間内に顧問を見つけられなければ、クセ強のオカルト研究部に吸収されてしまうことに！　アテがなく途方に暮れていたそんな時、モガリたちの学校に過去に世界を救ったと自称する†中二病教師†が赴任してきて──!?

幽霊とカラオケバトルしたり、生徒会と再び対峙したりと活動がさらに盛り上がってきたファントムバスターズ！　しかしその一方でザキは自身の霊感がもたらすある悩みを抱えていた…。自然な流れでザキから悩みを聞き出すため、モガリたちはお泊り会を画策するが──!?

部員も揃い、ファントムバスターズとして除霊活動を始めたモガリたち。知名度を上げるため広報活動をしていたが、冷徹リアリストとして知られる壱宮生徒会長に目を付けられる（？）ことに！　さらに宍喰野霊山からは、モガリ暗殺の使命を帯びた刺客が派遣されて──!?

高校一年生の是岸遊人は幽霊の存在を信じない霊感0の優等生！　しかし、幽霊を喰らって除霊をするという破天荒男子・宍喰野虎落との出会いをきっかけに、彼の高校生活は思いもよらない方向へ動き出す!!　鎌倉を舞台に男子高校生が繰り広げる悪霊退散青春コメディが始まる!!

A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “one of Latin America’s most exciting authors” (Silvia Moreno-Garcia) On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women. Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists. Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”

“I loved this gorgeous book about blood magic, chosen family and refugees in a hostile city. Naseem Jamnia has created a rich, complex world.”—Charlie Jane Anders, author of All the Birds in the Sky[STARRED REVIEW] “A delight to read. Highly recommended.”—Library JournalIn this intricate debut fantasy introducing a queernormative Persian-inspired world, a nonbinary refugee practitioner of blood magic discovers a strange disease that causes political rifts in their new homeland. Persian-American author Naseem Jamnia has crafted a gripping narrative with a moving, nuanced exploration of immigration, gender, healing, and family. Powerful and fascinating, The Bruising of Qilwa is the newest arrival in the era of fantasy classics such as the Broken Earth Trilogy, The Four Profound Weaves, and Who Fears Death.Firuz-e Jafari is fortunate enough to have immigrated to the Free Democratic City-State of Qilwa, fleeing the slaughter of other traditional Sassanian blood magic practitioners in their homeland. Despite the status of refugees in their new home, Firuz has a good job at a free healing clinic in Qilwa, working with Kofi, a kindly new employer, and mentoring Afsoneh, a troubled orphan refugee with powerful magic.But Firuz and Kofi have discovered a terrible new disease which leaves mysterious bruises on its victims. The illness is spreading quickly through Qilwa, and there are dangerous accusations of ineptly performed blood magic. In order to survive, Firuz must break a deadly cycle of prejudice, untangle sociopolitical constraints, and find a fresh start for their both their blood and found family.

Aoki is dating Ida, a boy in his class. Aoki and Ida are hard at work studying so they can go to the same college. They pray for their exams to go well at their first shrine visit of the year, but will their bond hold strong when it’s tested?! Meanwhile, Akkun and Hashimoto have taken different paths, but they still cheer each other on. Graduation is right around the corner!

Aoki is dating Ida, a boy in his class. At the end of summer break, Aoki and Ida go watch a fireworks show. Aoki’s heart is set fluttering as Ida abruptly shows more interest in romance! When their school cultural festival comes along, there’s even a chance for their parents to meet?!

Aoki is dating Ida, a boy in his class. Aoki is shaken when he finds out Ida wants to attend college in Kyoto, so they decide to go to an overnight open-campus event together. Meanwhile, Akkun and Hashimoto make summer plans, but is Akkun ready to meet Hashimoto’s parents?