From award-winning poet Vanessa Angélica Villarreal comes a brilliant, singular collection of essays that looks to music, fantasy, and pop culture to excavate and reimagine what has been disappeared by the forces of migration and colonialism.   In Magical/Realism, Vanessa Angélica Villarreal offers us an intimate mosaic of migration, violence, and colonial erasure through the lens of her marriage and her experiences navigating American monoculture. As she attempts to recover the truth from the absences and silences within her life, her relationships, and those of her ancestors, Vanessa pieces together her story from the fragments of music, memory, and fantasy that have helped her make sense of it all.    The trauma of remembering gives the collection its unique Each chapter is an attempt to reimagine and re-world what has been lost. In one essay, Vanessa examines the gender performativity of Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can provide healing when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember—her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce—and finds a new way to archive her history and map her future(s), one infused with the hope and joy of fantasy and magical thinking.   By engaging readers in her project of rebuilding narrative, Vanessa broadens our understanding of what memoir and cultural criticism can be. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories.

From the prizewinning rising legal star, the deeply researched and definitive book on the way the media and police distract us from what matters“Copaganda,” as defined by Alec Karakatsanis, describes a special kind of propaganda that affects who and what we fear and what kinds of social investments we support to address our fears. At a time when the United States incarcerates five times more people per capita than its own historical average and five to ten times more people per capita than other countries, its vast punishment bureaucracy spends huge amounts of time and money manipulating the rest of us to see the world from its point of view. As a result, we see a grossly distorted version of crime, punishment, and safety in our newspapers, magazines, and other media outlets. The news generates fear by focusing on crimes committed by the most marginalized people while ignoring far more serious threats to our collective well-being, from wage theft by corporations to environmental crimes to the deaths that result from cigarette smoke (which make the number of violent crimes pale in comparison). And it falsely suggests that the best way to respond to our fear is to increase government repression through police, prosecution, and prisons as opposed to addressing the root causes of interpersonal harm. In the spirit of such classics as Noam Chomsky’s Manufacturing Consent, Copaganda includes chapters on “What Is News?,” “Public Relations Spending by the Police,” “Whose Perspective? How Sources Shape News,” “How the News Uses Experts,” “How to Smuggle Ideology into the News,” and “Academic Copaganda.“ Already called “one of the most prominent voices on [copaganda]” (Teen Vogue), with a huge following on social media and appearances discussing copaganda on The Daily Show with Trevor Noah and The Breakfast Club, Karakatsanis brings a legal eye, humor, gripping personal stories, and a keen ability to read between the lines to a topic at the forefront of one of the most pressing public debates in our society.

It’s long been acknowledged that disability representation is lacking in the fantasy genre landscape, so in this cozy anthology, fourteen writers from around the globe come together to bring you wonderful fantasy stories centering disabled and chronically ill characters. Teeming with magic, otherworldly creatures, discoveries, and journeys, every story is as thrilling and fascinating as it is passionate and meaningful. Worlds are discovered, lives are changed, and swords are drawn. Disabled and chronically ill characters go questing, fighting dragons, healing, and enacting strange magics. Familiar fairy tales are reimagined, and new fairytales are forged, with each story shattering stereotypes and challenging traditional narratives. Come see yourself reflected—or discover something new. Stories included: One Cream, Five Sugars by Harper Kinsley A Witch's Tale by Rascal Hartley Use Your Words by Zira MacFarlane The Changeling of Brushby by Natalie Kelda To Make Her Eat by M. Stevenson Hope, Be It Never So Faint by Ashley N. Y. Sheesley A Night For Mischief by Elior Haley Lessons in Botany by Casper E. Falls Stroke of Midnight, Shoes of Glass by Adie Hart In Another World, I Twist The Knife by Rory G The Knife That Makes The Cut by Lynne Sargent Angharad ferch Truniaw by Tam Ayers The Girl & The Gum-riddle by Ella T Holmes City of the Sun by Kara Siert

George has major problems: They’ve just inherited the failing family estate, and the feelings for their best friend, Eleanor, have become more complicated than ever. Not to mention, if anyone found out they were secretly dressing in men’s clothes, George is sure it would be ruination for the family name. Eleanor has always wanted to do everything "right," including falling in love—but she’s never met a boy she was interested in. She’d much rather spend time with her best friend, George, and beloved cousin Charlotte. However, when a new suitor comes to town, she finds her closest friendships threatened, forcing her to rethink what "right" means and confront feelings she never knew she had. Inspired by Jane Austen and queer history, I Shall Never Fall in Love shines a light on what it means to be true to yourself and rewrites the rules for what makes a happily ever after.

Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries--beginning with the astronomer Johannes Kepler, who discovered the laws of planetary motion, and ending with the marine biologist and author Rachel Carson, who catalyzed the environmental movement. Stretching between these figures is a cast of artists, writers, and scientists--mostly women, mostly queer--whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson. Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures--Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman--and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.