In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness… In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected. When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate. After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu uses the chance to claim another future altogether: her brother's abandoned greatness. Mulan meets The Song of Achilles; an accomplished, poetic debut of war and destiny, sweeping across an epic alternate China.

Japanese fairy tales - enchanting, enigmatic stories of animals, human beings and the great natural world . Dark and innocent, sublime and whimsical, Miyazawa's stories have the ageless feel of the best fairy tales. There are animal allegories such as 'The Ungrateful Rat' where a rude rodent insults all the objects he meets - until he meets the Rat Trap/ There are morality tales such as 'The Restaurant of Many Orders', where two hunters become the hunted. There are also transcendent stories of childhood and mortality like Miyazawa's best-known 'Night Train to the Stars', where a magical steam train carries children through the night and up to the heavens. These stories reveal the unique brilliance of one of Japan's most beloved early twentieth-century writers. WITH A FOREWORD BY DAVID MITCHELL AND AN INTRODUCTION BY KAORI NAGAI 'Kenji Miyazawa fables are international-class' David Mitchell 'For readers who relish the disturbing material of fairy tale, the specificity and surprise of tanka , collisions of the everyday with the supernatural and glimpses of Japan right on the brink of industrialization, Kenji Miyazawa's masterly stories will be a delight' New York Times ' Few works have given me so much pleasure (and hard work) as the tales of Miyazawa Kenji [...] more genuine originality, and a more universal appeal, than almost anything else I have done.' John Bester, translator

The Desperate Battle Begins! For the past century, what's left of mankind has hidden in a giant, three-walled city, trapped in fear of the bizarre, giant humanoids known as the Titans. Little is known about where they came from or why they are bent on consuming humankind, but the sudden appearance of an enormous Titan is about to change everything...

The Desperate Battle Begins! For the past century, what's left of mankind has hidden in a giant, three-walled city, trapped in fear of the bizarre, giant humanoids known as the Titans. Little is known about where they came from or why they are bent on consuming humankind, but the sudden appearance of an enormous Titan is about to change everything...

From RuPaul’s Drag Race winner and host of HBO’s We’re Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and music. In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say. Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way—by following in the footsteps of Lin-Manuel Miranda’s Hamilton. Harriet wants to put on a show about her life, and she needs a songwriter to help her. She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed by a rival at the BET Awards. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have one week to write a Broadway caliber musical she can take on the road. Over the course of their time together, they not only mount a show that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future. Original, evocative, and historic, Harriet Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

A historical fantasy set during the Spanish Golden Age In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek Tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.

The Woods All Black is equal parts historical horror, trans romance, and blood-soaked revenge, all set in 1920s AppalachiaLeslie Bruin is assigned to the backwoods township of Spar Creek by the Frontier Nursing Service, under its usual mandate: vaccinate the flock, birth babies, and weather the judgements of churchy locals who look at him and see a failed woman. Forged in the fires of the Western Front and reborn in the cafes of Paris, Leslie believes he can handle whatever is thrown at him—but Spar Creek holds a darkness beyond his nightmares.Something ugly festers within the local congregation, and its malice has focused on a young person they insist is an unruly tomboy who must be brought to heel. Violence is bubbling when Leslie arrives, ready to spill over, and he'll have to act fast if he intends to be of use. But the hills enfolding Spar Creek have a mind of their own, and the woods are haunted in ways Leslie does not understand.The Woods All Black is a story of passion, prejudice, and power — an Appalachian period piece that explores reproductive justice and bodily autonomy, the terrors of small-town religiosity, and the necessity of fighting tooth and claw to live as who you truly are.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.