The astonishing sequel to Children of Time, the award-winning novel of humanity's battle for survival on a terraformed planet. Thousands of years ago, Earth's terraforming program took to the stars. On the world they called Nod, scientists discovered alien life - but it was their mission to overwrite it with the memory of Earth. Then humanity's great empire fell, and the program's decisions were lost to time. Aeons later, humanity and its new spider allies detected fragmentary radio signals between the stars. They dispatched an exploration vessel, hoping to find cousins from old Earth. But those ancient terraformers woke something on Nod better left undisturbed. And it's been waiting for them.

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe.  Poet, Mystic, Widow, Wife charts the life and times of four medieval women—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living.   Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death—and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.

An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe.  Poet, Mystic, Widow, Wife charts the life and times of four medieval women—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living.   Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death—and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.

The sequel is finally here! Shane and Ilya’s story, first seen in Heated Rivalry, continues in this long-awaited hockey romance from Rachel Reid. To the world they are rivals, but to each other they are everything. Ten years. That’s how long Shane Hollander and Ilya Rozanov have been seeing each other. How long they’ve been keeping their relationship a secret. From friends, from family…from the league. If Shane wants to stay at the top of his game, what he and Ilya share has to remain secret. He loves Ilya, but what if going public ruins everything? Ilya is sick of secrets. Shane has gotten so good at hiding his feelings, sometimes Ilya questions if they even exist. The closeness, the intimacy, even the risk that would come with being open about their relationship…Ilya wants it all. It’s time for them to decide what’s most important—hockey or love. It’s time to make a call. Game Changers Book 1: Game Changer Book 2: Heated Rivalry Book 3: Tough Guy Book 4: Common Goal Book 5: Role Model Book 6: The Long Game