From bestselling author Nina LaCour comes a sweeping family saga that wrestles with themes of self-discovery and love in all forms, inspired by the author's own Creole family New Orleans, 1944. Odette has always been one of the Honore sisters, glamorous and admired in their Creole community. But while Odette’s older sisters are content to be wives and mothers, Odette has always wanted something else. It is only with her beloved cousin, Delphine, that Odette can tell her secret: she is in love with a woman, and she longs to be an artist. Delphine has a secret lover, too, a white man. In the hidden garden they’ve discovered, Odette and Delphine can dream of futures full of passion and freedom. But five years later, Odette's life is nothing like what she'd planned. She's a widowed mother, living in Los Angeles, and she and Delphine, who is passing as white, have spiraled away from each other. When Delphine reaches a breaking point, Odette must make a shattering choice to try to hold her family together. Profound and expansive, a story of love and longing, art and motherhood, friendship and desire, Meet Me in the Garden is a decades-spanning tour de force, inspired by the author’s family and tracing the history of the Great Migration.

"Three seemingly disparate stories, all captivating in their own right, pull the reader toward a shocking collision made all the more satisfying by Murphy's brilliant twists. The stakes are high, the casualties tragic, the losses profound. Clear your schedule—you won't be putting this down until that last, mesmerizing page."   --Carter Wilson, USA Today and Publishers Weekly bestselling author of Tell Me What You Did   One quiet neighborhood Three different families Bound by murder  Klara never wanted the house with the white picket fence. Troy never wanted anything else.  Nothing is quite right with this happy couple, but they fit right in. The mother in the blue house, Mary, is cleaning out her son's old room before she sells, haunted by the mistakes of her past and afraid of what her home has become. Next door, Henry, freshly laid off and back living with his parents, has plenty of time to watch everyone – especially wives. He knows something is wrong. But then then nothing is quite as it seems, and sometimes you miss what is right in front of you.   Murder will soon thread its way through this world in ways no one will see coming ---unless you've been plotting all along.  

Jill and Ted adore their New York brownstone the way others adore their children. They have carefully, expensively, made every inch of it their own. It reflects who they are, their status and tastes. With the grand mahogany staircase and state-of-the-art kitchen, it is the stuff of glossy magazines and real-estate dreams. It is their sanctuary. So when Ted’s inheritance runs out and he makes a bad investment, they panic. How can they protect their beloved home and enviable lifestyle? The answer is obvious. Or at least, it is obvious to Jill and Ted. The death of one wealthy family member—from whom they stand to inherit millions—could solve all their problems. Together, they will get away with murder. As long as they trust each other. As long as neither makes a mistake. As long as there are no surprises…

Sharp Objects with a dash of Practical Magic in this southern gothic thriller with cool girl edge from USA Today bestselling author Emma C. Wells following two estranged sisters who will do anything to protect each other – even murder. Again. Milly can’t divine the future anymore, and maybe that’s a good thing. Lately, her life has been bleak enough, she doesn’t need the now-silent tea leaves to tell her. She’s alone and waitressing in a sleepy town while her estranged younger sister thrives miles away in a shiny new life with a shiny new marriage. Milly doesn’t blame Francis for wanting nothing to do with her. Not after what happened in that Tennessee meadow a decade before. But when Francis shows up on Milly’s doorstep with a black eye and a plea for help escaping her well-connected, wealthy husband – Milly can’t say no. Especially when the tea leaves are finally crystal clear: if the sisters don’t kill Francis’s husband, he’ll eventually kill her. But if they’re going to plot a murder, the sisters have no choice but to return to the one place, and two aunts, they’d left behind. A place where another body – and a multitude of secrets – were buried. Because this isn’t the first time the sisters have needed to dispose of a bad man. In fact, they might be pretty good at it.

Travis is Death in the modern world. He wears jeans and a T-shirt and lives in a small, grey town. His job is to offer people comfort in their final hours of life. He’s stoic, gentle, and a little naive, despite everything he knows. He’s young and handsome, despite who he is. Each death he witnesses is meaningful to him; he listens, never judges, and most importantly, never tries to change anyone’s fate. He knows that every life must eventually end to maintain the balance of the universe and he respects the cycle. Then he meets Dalia, a midwife, and her boisterous eight-year-old daughter Layla, who live across the hall. As Dalia and Layla come to embrace Travis, it becomes more difficult to maintain the detachment that’s allowed him to function for so long. Their time together teaches him what’s truly important in life—and what might be irrevocably lost in death. Written with radiant warmth, wisdom, and compassion, Everything Was Beautiful and Nothing Hurt is a timeless story about appreciating life, accepting its end, and finding our place in the universe—especially when it feels most impossible—that will resonate with anyone who has ever loved and lost or worried at time’s passing.

An audacious, darkly glittering novel set in the eerie days of civilization’s collapse—the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end. Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.