im watching the show as i read and im really liking it

Mine is alienshe.

It’s one of my favorite songs from the punk band Bikini Kill but also I feel like an alien who was planted on this hell called earth. 👽🛸👾

Part I was posted earlier today!

Disability - disability is a social construct

Historical context Jaundiced skin was a fearful shorthand for infectious diseases and illness in 19th century - yellow fever epidemics were widespread. Physiognomy was a popular belief at the time that it was possible to assess person’s character based on their appearance.

The Creature is clearly a visibly disabled figure with yellowish skin, and society ostracises him due to his body. It shows the social model of disability, where society creates disability through barriers and prejudice rather than the body being inherently deficient. The Creature’s tragedy comes from never being seen as human, and how misrecognition can inflict harm. Over the course of the novel, the Creature suffers immense psychological oppression— shame, self-loathing, and social isolation– in the face of persistent misrecognition. The Monster can only become monstrous after being continually rejected by society and denied the recognition it craved.

The moment when the Creature is shot by the family of the girl it just saved from drowning, people have drawn links to the US police shootings of disabled people. Magdiel Sanches was shot dead in 2017 when he was holding a pipe mistaken for a gun. Magdiel couldn’t hear the shouts to drop the weapon because he was deaf. In 2016, police murdered Charles Kinsey, the therapist of an autistic man named Arnaldo Rios-Soto, after mistaking his toy truck for a weapon. Police claimed Rios-Soto, not Kinsey, was the target. The murders and the shooting of the Creature raise the discussion of policing people who move differently from how we expect normative bodies to move, or communicate in ways that the majority doesn’t use. Also the inherent suspicion of people who do not have normative bodies and don’t behave in normative ways.

Marxism - Victor as both working class and upper class symbol

Historical context The Industrial Revolution started in 1760, and Shelley wrote Frankenstein in 1816. At that point, Shelley had seen: a steam engine created, a spinning mule, a wool-combing machine, the first successful cotton mill factory, the first railway journey, and the first large-scale riot protesting the new machinery and working conditions. In 1812, Parliament passed a law making the destruction of industrial machines punishable by death.

So the most popular reading of Frankenstein from a class perspective sees Victor as the bourgeois, exploitative class, and the Creature as the labour-exploited class. It’s a story between workers and those who control the forces of production. The Creature suffers the misery of the alienated labourer. It’s much larger and more powerful than Victor, but incapable of producing anything without him. Victor created Creature from disparate body parts, mirroring the industrial process of commodifying human labour. He creates the working class, yet he denies it agency and humanity. Victor’s ambition to transcend natural limits mirrors the capitalist drive for endless accumulation, often at the expense of human welfare.

Victor’s loss of control over the Creature symbolises the bourgeoisie's oppression, leading the proletariat to unite. Creature tells Victor, “Slave, I before reasoned with you, but you have proved yourself unworthy of my condescension. Remember that I have the power... You are my creator, but I am your master;-obey!” Once the proletariat class recognizes that it controls its ruler, it can fight to force the bourgeoisie to experience the same suffering and agony. The Creature does this when it begins its revenge.

The family Creature learns from is uninterested in the source of their benefactions when the worker who provides them remains unseen. But as soon as the Creature comes visible, it is cast out completely. The Creature can thus be read, both as product and worker, as an embodiment of production, and its treatment shows the 19th-century need for labourers, yet desire to treat them as invisible, magical beings or machines. The monster, like the proletariat, is forced to live poorly and rely on himself, despite his creator, the bourgeois, possessing the means to provide the monster with basic human needs.

On the other side, Victor can also be seen as the worker and Creature as his labour. Marx writes “the worker puts his life into the objects. The externalisation of the worker in his product implies not only that his labour becomes an object, an exterior existence but also that it exists opposite him, that the life he has lent the object affronts him, hostile and alien.” Victor works himself to the bone and is alienated from the rest of society to create the output he feels compelled to. -honestly if you want to learn more about it, you need to research it because I did not understand this reading fully and cannot explain it.

Environmentalism - climate change as a monster of our own creation

Historical context In her preface to the 1831 edition, Shelley comments that the summer of 1816 in Geneva was memorably unpleasant - constant rain, floods, the whole gang (including Lord Byron and Percy Shelley) was confined to their house. Shelley wouldn’t have been aware of it, but the weather that summer was caused by the 1815 eruption of the Tambora volcano in Indonesia. The eruption pumped massive quantities of sulphur into the atmosphere, radically cooling the Northern Hemisphere. In essence, people living between 1815 and 1816 experienced an extreme, miniature global climate change event. This caused violent storms and flooding in Europe.

The Creature in the environmental reading of Frankenstein is climate change, the Anthropocene age that humans created irresponsibly, artificially, against the laws of nature. This now comes back to haunt us and eventually has the power to kill us if we continue to act irresponsibly toward it.

Victor’s ultimate moral flaw was not in surpassing nature’s bounds or creating a hybrid being, but in disregarding his responsibility toward his creation—a fundamentally environmental issue. We, like Victor, are heedless of the consequences of climate change that we “created.” → Climate Disaster, Ecoanxiety, and Frankenstein: Mount Tambora and Its Aftereffects by Taylin Nelson

Artificial Intelligence/Social Media/Internet is a big topic now related to the book; maybe I’ll do another post on it sometime.

I didn’t do any research on feminism beyond Victor being a deadbeat dad, because honestly, that one sentence was enough lol.