A hopeless romantic meets a demoralized radio host in this cozy, Sleepless in Seattle-inspired love story from beloved author B.K. Borison. Aiden Valentine has a secret: he's fallen out of love with love. And as the host of Baltimore's romance hotline, that's a bit of a problem. But when a young girl calls in to the station asking for dating advice for her mom, the interview goes viral, thrusting Aiden and Heartstrings into the limelight. Lucie Stone thought she was doing just fine. She has a good job; an incredible family; and a smart, slightly devious kid. But when all of Baltimore is suddenly scrutinizing her love life-or lack thereof—she begins to question if she's as happy as she thought. Maybe a little more romance wouldn't be such a bad thing. Everyone wants Lucie to find her happy ending... even the handsome, temperamental man calling the shots. But when sparks start to fly behind the scenes, Lucie must make the final call between the radio-sponsored happily ever after or the man in the headphones next to her.

Digory and Polly discover a secret passage that links their houses, and are tricked into vanishing out of this world and into the World of Charn, where they wake up the evil Queen Jadis. There, they witness the creation of the Land of Narnia, as it is sung into being by the Great Lion, Aslan.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

Two best friends. Ten summer trips. One last chance to fall in love. Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together. Until two years ago, when they ruined everything. They haven’t spoken since. Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together—lay everything on the table, make it all right. Miraculously, he agrees. Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong?

Christina Lauren, returns with a delicious new romance between the buttoned-up heir of a grocery chain and his free-spirited artist ex as they fake their relationship in order to receive a massive inheritance. Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There’s just one catch. Due to an antiquated clause in his grandfather’s will, Liam won’t see a penny until he’s been happily married for five years. Just when Liam thinks he’s in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he’s afraid to introduce to his one-percenter parents—his unpolished, not-so-ex-wife. But in the presence of his family, Liam’s fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.

Ejiro Odavwaro wants to fall in love. Obiora Anozie wants a free vacation. Both hope they’ll find what they want on the upcoming reality dating show Cupid Calling, where they’ll be competing alongside twenty-eight other bachelors for the heart of one bachelorette. The very last thing they expect is to fall for each other.

The story of the heart can never be unwritten.Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away.But when she runs into Elliot Petropoulos—the first and only love of her life—the careful bubble she’s constructed begins to dissolve. Once upon a time, Elliot was Macy’s entire world—growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her.Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more—spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy’s decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love. Love, loss, friendship, and the betrayals of the past all collide in this first fiction novel from New York Times and #1 international bestselling author Christina Lauren (Autoboyography, Dating You / Hating You).

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now… Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

Librarian's note: There is an Alternate Cover Edition for this edition of this book here. A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned –a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible. When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

International bestseller Mhairi McFarlane delivers a witty, clever, emotional new novel about a woman whose life unravels spectacularly after her screenwriter boyfriend uses their relationship as inspiration for his new television show. When Roisin and Joe join their friends for a weekend at a country house, it's a triple celebration--a birthday, an engagement, and the launch of Joe's shiny new TV show. But as the weekend unfolds, tensions come to light in the group and Roisin begins to question her own relationship. And as they watch the first episode of Joe's drama, she realizes that the private things she told him--which should have stayed between them--are right there on the screen. With her friend group in chaos and her messy love life on display for the whole world to see, Roisin returns home to avoid the unwanted attention and help run her family's pub. But drama still follows, in the form of her dysfunctional family and the looming question: what other parts of her now-ex's show are inspired by real events? Lies? Infidelity? Every week, as a new episode airs, she wonders what other secrets will be revealed. Yet the most unexpected twist of all is an old friend, who is suddenly there for Roisin in ways she never knew she needed...