A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre Bobbitt worm (named after Lorena), and other uncanny creatures lurking in the deep ocean, far below where the light reaches. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a book that invites us to envision wilder, grander, and more abundant possibilities for the way we live.

“I used to be the warning in the chorus of a sea shanty. Men feared me. Now, I’m a petty thief.” Killing her betrothed and fleeing an arranged marriage was meant to free Briar, the Princess of the Sea, from a life trapped on land and chained to a throne. Powerful, ruthless, and wild, she once sailed the seas under her queen mother’s rule as the feared captain of The Twelfth Night. A decade later, she’s a pickpocket and the king’s favorite courtesan in a foreign, enemy court, working as an undercover spy while having a secret affair with the queen. As punishment for her murderous revenge, she’s stuck on land—cursed, forgotten to history, and stripped of her ruthless power that once made her so formidable. One spray of the sea against her skin will kill her. She’s trapped, hiding in plain sight, until the King announces a competition in which the winner will be granted a single wish—a wish that could undo her curse. Determined, she conceals herself as a pirate, and magically seals herself to The Gales and its trials.Only, the pirate identity she stole is being hunted by notorious bounty hunter and fellow trials competitor, Kressa—the same bounty hunter Briar is supposed to seduce and spy on as a courtesan.The same woman whose kiss ignited Briar’s dormant magic, breaking all the rules of her curse.Fifty competitors, three trials, two stolen identities, and one princess desperate enough to risk it all.Let the games begin. The adventure in Pirates of the Caribbean meets the romance of The Serpent of the Wings of Night in This Splintered Sea, a heart-wrenching sapphic romance full of adventure, intrigue, and betrayal.

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

One of two major medical treatises by medieval healer Hildegard von Bingen, presented in its entirety for the first time in English during the 900th anniversary of her birth. • A seminal text in the development of Western herbal medicine • Presents nine categories of healing systems--Plants, Elements, Trees, Stones, Fish, Birds, Animals, Reptiles, and Metals--and elaborates on their medicinal use • Closely related to Eastern medical approaches that are gaining respect today Saint, mystic, healer, visionary, fighter, Hildegard von Bingen stands as one of the great figures in the history of women in me. At a time when few women could write and most were denied a formal education, Hildegard von Bingen became a legendary healer, visionary, musician, artist, poet, and saint. Her works include twenty-seven symphonic compositions; Scivias, a compilation of her visions; and her two major medical works, Causae et Curae, a medical compendium, and Physica, published here in English in its entirety for the first time. Physica has a strong affinity with the Eastern medical approaches gaining great respect today. The modern reader interested in natural healing will recognize the enormous truth in the theories of this 12th-century physician, which remind us that our cures for illness depend on our natural world and our place in it.

The newest edition is here. Another alternate cover can be found here. Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.

While searching for stolen dragon eggs, newly engaged couple Kianthe and Reyna find themselves smack-dab in the middle of a swashbuckling love story. On one side is Serina, a failed farmer turned river pirate. Her booty? Wheat, grains, and the occasional jar of imported tea leaves. It's quite the embarrassment to Diarn Arlon, the powerful lord of the Nacean River, and he'll conscript anyone to bring her to justice. Especially Kianthe, the elemental mage who just crashed his party, and her somewhat-scary fiancée. Begrudgingly, the couple joins forces with Bobbie, one of Arlon's constables--who happens to be Serina's childhood friend. Bobbie is determined to capture the pirate before anyone else, but it would be a lot easier if Serina didn't absolutely loathe her now. As Kianthe and Reyna watch this relation-shipwreck from afar, it quickly becomes apparent that these disaster lesbians need all the help they can get. Luckily, matchmaking is Reyna's favorite past time. The dragon eggs may have to wait.

While searching for stolen dragon eggs, newly engaged couple Kianthe and Reyna find themselves smack-dab in the middle of a swashbuckling love story. On one side is Serina, a failed farmer turned river pirate. Her booty? Wheat, grains, and the occasional jar of imported tea leaves. It's quite the embarrassment to Diarn Arlon, the powerful lord of the Nacean River, and he'll conscript anyone to bring her to justice. Especially Kianthe, the elemental mage who just crashed his party, and her somewhat-scary fiancée. Begrudgingly, the couple joins forces with Bobbie, one of Arlon's constables--who happens to be Serina's childhood friend. Bobbie is determined to capture the pirate before anyone else, but it would be a lot easier if Serina didn't absolutely loathe her now. As Kianthe and Reyna watch this relation-shipwreck from afar, it quickly becomes apparent that these disaster lesbians need all the help they can get. Luckily, matchmaking is Reyna's favorite past time. The dragon eggs may have to wait.

In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: 'Why I'm No Longer Talking to White People About Race' that led to this book. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era—when white women fought in court to keep "ownership" of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars</i< tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.