Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the evolutions of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise—poets widely known and poets who deserve to be—share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the evolutions of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise—poets widely known and poets who deserve to be—share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

Two video game creators go head-to-head in this delightful, queer enemies-to-lovers workplace romance debut. Cat Li cares about two things: video games and swoony romances. The former means there hasn't been much of the latter in her (real) life, but when she lands her dream job writing the love storylines for Compass Hollow—the next big thing in games—she knows it’s all been worth it. Then she meets her boss: the infamous Andi Zhang, who’s not only an arrogant hater of happily-ever-afters determined to keep Cat from doing her job but also impossibly, annoyingly hot. As Compass Hollow’s narrative director, Andi couldn’t care less about love—in-game or out. After getting doxxed by internet trolls three years ago, Andi’s been trying to prove to the gaming world that they’re a serious gamedev. Their plan includes writing the best game possible, with zero lovey-dovey stuff. That is, until the man funding the game’s development insists Andi add romance in order to make the story “more appealing to female gamers.” Forced to give Cat a chance, Andi begrudgingly realizes there’s more to Cat than romantic idealism and, okay, a cute smile. But admitting that would mean giving up the single-player life that has kept their heart safe for years. And when Cat uncovers a behind-the-scenes plan to destroy Andi’s career, the two will have to put their differences aside and find a way to work together before it’s game over.

A sapphic rivals to lovers rom com for fans of Ted Lasso and A League of Their Own, where two soccer teammates are at odds before falling in love as their team gears up for the World Cup.Grace Henderson has been a star of the US Women’s National Team for ten years, even though she’s only 26. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. Phoebe is everything Grace isn’t—a gregarious jokester who plays with a joy that Grace lost somewhere along the way. The last thing Grace expects is to become friends with benefits with this class clown she sees as her rival.Phoebe Matthews has always admired Grace’s skill and was star struck to be training alongside her idol. But she quickly finds herself looking at Grace as more than a mere teammate. After one daring kiss, she’s hooked. Grace is everything she has been waiting to find.As the World Cup approaches, and Grace works her way back from injury, the women decide to find a way they can play together instead of vying for the same position. Except, when they are off the field, Grace is worried she’s catching feelings while Phoebe thinks they are dating. As the tension between them grows, will both players realize they care more about their relationship than making the roster?

Two exes find themselves stuck at the same house for Christmas in this holiday romance by Ashley Herring Blake, USA Today bestselling author of Iris Kelly Doesn't Date. It's been five years since Charlotte Donovan was ditched at the altar by her ex-fiancée, and she’s doing more than okay. Sure, her single mother never checks in, but she has her strings ensemble, the Rosalind Quartet, and her life in New York is a dream come true. As the holidays draw near, her ensemble mate Sloane persuades Charlotte and the rest of the quartet to spend Christmas with her family in Colorado—it is much cozier and quieter than Manhattan, and it would guarantee more practice time for the quartet’s upcoming tour. But when Charlotte arrives, she discovers that Sloane’s sister Adele also brought a friend home—and that friend is none other than her ex, Brighton. All Brighton Fairbrook wanted was to have the holliest, jolliest Christmas—and try to forget that her band kicked her out. But instead, she’s stuck pretending like she and her ex are strangers—which proves to be difficult when Sloane and Adele’s mom signs them all up for a series of Christmas dating events. Charlotte and Brighton are soon entrenched in horseback riding and cookie decorating, but Charlotte still won’t talk to her. Brighton can hardly blame her after what she did. After a few days, however, things start to slip through. Memories. Music. The way they used to play together—Brighton on guitar, Charlotte on her violin—and it all feels painfully familiar. But it’s all in the past and nothing can melt the ice in their hearts...right?

A sapphic opposites-attract romance with Mazey Edding's signature sparkling voice! Winning the lottery has ruined Opal Devlin's’s life. After quitting her dead-end job where she’d earned minimum wage and even less respect, she’s bombarded by people knocking at her door for a handout the second they found out her bank account was overflowing with cash. And Opal can’t seem to stop saying yes. With her tender heart thoroughly abused, Opal decides to protect herself by any means necessary, which to her translates to putting almost all her new money to buying a failing flower farm in Asheville, North Carolina to let the flowers live out their plant destiny while she uses the cabin on the property to start her painting business. But her plans for isolation and self-preservation go hopelessly awry when an angry (albeit gorgeous) Pepper Smith is waiting for her at her new farm. Pepper states she’s the rightful owner of Thistle and Bloom Farms, and isn’t moving out. The unlikely pair strike up an agreement of co-habitation, and butt-heads at every turn. Can these opposites both live out their dreams and plant roots? Or will their combustible arguing (and growing attraction) burn the whole place down?

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is honestly a bit out of his league. So when tragedy strikes and Maisie and Grant lose their mother and Patrick’s brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of “Guncle Rules” ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn’t solved with treats and jokes, Patrick’s eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you’re unfailingly human.

When people-pleasing Chloe learns that her birth mother has unexpectedly had another baby, she doesn’t hesitate to become a next of kin guardian. But when she fails to pass Child Protective Services’ financial evaluation, she is faced with a choice: see her baby sister placed in foster care or participate in CPS’ new initiative, TeamUp. Enter Warren, a surly mechanic’s apprentice attempting to get custody of his deaf fifteen-year-old brother after failing CPS’ housing evaluation. The two strangers immediately clash but agree to live together until Warren can find housing elsewhere and Chloe can further grow her freelance career. As their lives intertwine, Chloe and Warren both realise that they’re far more similar than they could have imagined. What started as forced begins to feel natural—and far less lonely. Chemistry soon intensifies beyond what either of them can stand, but they must each decide if what burns between them is worth risking their arrangement and, ultimately, the well-being of their siblings. With banter, heart, and steam that will have the reader blushing, Next of Kin is a true underdog story of two young adults redefining what family can look like.