Sinner. Villain. Wicked. The Prince of Envy has never claimed to be a saint. But when a cryptic note arrives, signaling the beginning of a deadly game, he knows it will take more than a hint of sin to win and save his falling demon court. Riddles, hexed objects, anonymous players, nothing will stand in his way, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin like no other… Virtuous. Darling. Liar. The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows Waverly Green’s most notorious rake to blackmail her. To avoid a ruinous scandal, Camilla is forced to enter a devil’s bargain with Envy, little expecting his game will awaken her true nature . . . Together, Envy and Camilla must embark on a perilous journey through the Underworld—from glittering demon courts to the sultry vampire realm and beyond—while trying to avoid the most dangerous trap of all: falling in love.

Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her new-found power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other. With Marcella's rise, new enmities create opportunity--and the stage of Merit City will once again be set for a final, terrible reckoning. A super-powered collision of extraordinary minds and vengeful intentions—#1 New York Times bestselling author V. E. Schwab returns with the thrilling follow-up to Vicious.

Sinner. Villain. Wicked. The Prince of Envy has never claimed to be a saint. But when a cryptic note arrives, signaling the beginning of a deadly game, he knows it will take more than a hint of sin to win and save his falling demon court. Riddles, hexed objects, anonymous players, nothing will stand in his way, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin like no other… Virtuous. Darling. Liar. The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows Waverly Green’s most notorious rake to blackmail her. To avoid a ruinous scandal, Camilla is forced to enter a devil’s bargain with Envy, little expecting his game will awaken her true nature . . . Together, Envy and Camilla must embark on a perilous journey through the Underworld—from glittering demon courts to the sultry vampire realm and beyond—while trying to avoid the most dangerous trap of all: falling in love.

From the author of the beloved national bestseller Migrations, a pulse-pounding new novel set in the wild Scottish Highlands.Inti Flynn arrives in Scotland with her twin sister, Aggie, to lead a team of biologists tasked with reintroducing fourteen gray wolves into the remote Highlands. She hopes to heal not only the dying landscape, but Aggie, too, unmade by the terrible secrets that drove the sisters out of Alaska.Inti is not the woman she once was, either, changed by the harm she’s witnessed—inflicted by humans on both the wild and each other. Yet as the wolves surprise everyone by thriving, Inti begins to let her guard down, even opening herself up to the possibility of love. But when a farmer is found dead, Inti knows where the town will lay blame. Unable to accept her wolves could be responsible, Inti makes a reckless decision to protect them. But if the wolves didn’t make the kill, then who did? And what will Inti do when the man she is falling for seems to be the prime suspect?Propulsive and spell-binding, Charlotte McConaghy's Once There Were Wolves is the unforgettable story of a woman desperate to save the creatures she loves—if she isn’t consumed by a wild that was once her refuge.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

Home is where the heart is - and this one is haunted. The No. 1 New York Times bestselling author of the Rebel Blue Ranch series returns with a brand-new story, featuring a small-town upholsterer in need of a fresh start, a photographer whose life has come to a screeching halt . . . and the supernatural forces that bring them together. Collins Cartwright does not want to go home. Sweetwater Peak, Wyoming, was supposed to be in her rearview mirror, but when she finds out a developer is trying to buy her parents' antique shop out from under them, she doesn't have a choice - at least, that's what she tells her family. They don't need to know she's lost her job and is out of money. Or that the ghosts that have always been her companions have recently gone silent. But just because she's returned home doesn't mean she has to stay with her parents or crash on her twin sister's couch. Lucky for her, the new-to-town upholsterer has a room for rent above his store. Unluckily, it is absolutely crawling with more ghosts who are freezing her out. And Collins hates being ignored. Brady Cooper is absolutely and totally fine. Seriously, there's no secret reason why he decided to uproot his life and suddenly move to Sweetwater Peak. He just needed a change of pace. At least, that's what he tells himself. And everyone else. When he agrees to let the elusive Collins Cartwright stay in his spare room, he doesn't know that she's absolutely bonkers - constantly talking to herself and having conversations with no one - or that she looked like that. But as they begin to get closer, the lines between them start to blur, leaving both of them - and the ghosts that have been pushing them together - wondering whether or not their temporary arrangement could be something more permanent.