A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

From a dazzling new international voice, an audacious, darkly funny novel about a young woman whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreatOn the surface, Marisa's life looks enviable. She lives in a beautiful apartment in the center of Madrid, she has a hot neighbor who is always around to sleep with her, and she’s quickly risen through the ranks at a successful advertising agency. And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office hiding from her coworkers, bingeing YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or trying to get hit by a car so she can go on disability.But Marisa's dubious success, which is largely built on lies and work she's stolen from other people, is in danger of being exposed when she's forced to go on her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses and is pushed to the brink of a complete spiral.

From a dazzling new international voice, an audacious, darkly funny novel about a young woman whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreatOn the surface, Marisa's life looks enviable. She lives in a beautiful apartment in the center of Madrid, she has a hot neighbor who is always around to sleep with her, and she’s quickly risen through the ranks at a successful advertising agency. And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office hiding from her coworkers, bingeing YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or trying to get hit by a car so she can go on disability.But Marisa's dubious success, which is largely built on lies and work she's stolen from other people, is in danger of being exposed when she's forced to go on her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses and is pushed to the brink of a complete spiral.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. As relevant today as any time before, The Hounding celebrates the wild breaks from convention we’re all sometimes pulled toward, and wonders if, in a world like this one, it isn’t safer to be a dog than an unusual young girl.

A unique tale that interweaves crime fiction with intimate tales of morality and search for individual freedom. After Rita is found dead in the bell tower of the church she used to attend, the official investigation into the incident is quickly closed. Her sickly mother is the only person still determined to find the culprit. Chronicling a difficult journey across the suburbs of the city, an old debt and a revealing conversation, Elena Knows unravels the secrets of its characters and the hidden facets of authoritarianism and hypocrisy in our society.

Amid a global pandemic one young woman is trying to keep the pieces together—of her family, stunned by a devastating loss, and of her mind, left mangled and misfiring from a mystifying disease She’s afraid of her own floorboards, and she hears “What is love? Baby, don't hurt me" playing repeatedly in her head. She hates her friends, or more accurately, she doesn’t know who they are. Has the illness stolen her mind and given her a new one? Does it mean she’ll get to start over, a chance afforded to few people? The very weave of herself seems to have loosened as time and memories pass straight through her body. “I’m sorry not to respond to your email,” she writes, “but I live completely in the present now." Will There Ever be Another You is the brain-shredding, phosphorescent story of one woman’s dissolution and her attempt to create a new way of thinking, as well as a profound investigation into what keeps us alive in times of unprecedented disorientation and loss.

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans. Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future. Though the historical archive is silent about the eighteen months Juárez spent in New Orleans, Yuri Herrera imagines how Juárez’s time there prepared him for what was to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera’s fiction, Season of the Swamp is a magnificent work of speculative history, a love letter to the city of New Orleans and its polyglot culture, and a cautionary statement that informs our understanding of the world we live in.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. As relevant today as any time before, The Hounding celebrates the wild breaks from convention we’re all sometimes pulled toward, and wonders if, in a world like this one, it isn’t safer to be a dog than an unusual young girl.

A tour of an ancient library transports readers to Mesopotamia, introducing us to its people, their ideas, and their humanity. The library of Ashurbanipal, Assyria’s last great king, held more than thirty thousand documents, an astonishing collection at the forefront of knowledge in its day, from ancient traditions in religion and literature to the latest developments in magic and medicine. When the Assyrian empire fell, the library burned to the ground, and its contents, cuneiform tablets impressed in clay, lay buried for thousands of years until a team of Victorian archaeologists discovered the remnants in modern-day Iraq. The clay had baked and hardened; the very fire that consumed the library had helped its texts to survive for millennia. In The Library of Ancient Wisdom, scholar Selena Wisnom, one of only a few hundred experts able to read cuneiform script today, guides us inside this important collection and, through its contents, brings ancient Mesopotamia and its people to life. Introducing us to Ashurbanipal and his family, scribes, astrologers, physicians, and more, Wisnom explores the library’s tablets and the details they divulge about how these ancient people thought about the world. Like us, they had concerns about job security, jealous rivalries, and profound friendships, and questions about the meaning of life. Wisnom ushers us into a world where magic was commonplace, where the gods spoke to you in dreams, and where the secrets of the universe were revealed through puns—a tour that takes us to the heart of what it means to be human. Offering a close look at a major historical landmark as well as a readable account of the world’s earliest civilizations, The Library of Ancient Wisdom lays bare the ideas, hopes, fears, and desires that survive on humble clay.