Heartstopper meets A Knight’s Tale in this queer medieval rom-com YA debut about love, friendship, and being brave enough to change the course of history. It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run-up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy, and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair. Realizing they might make better allies than enemies, Gwen and Art make a reluctant pact to cover for each other, and as things heat up at the annual royal tournament, Gwen is swept off her feet by her knight, and Arthur takes an interest in Gwen's royal brother. Lex Croucher's Gwen & Art Are Not in Love is chock full of sword-fighting, found family, and romantic shenanigans destined to make readers fall in love.

Return to Camelot in the much anticipated and funny follow-up to the instant New York Times bestselling and YA Book Prize winning Gwen and Art Are Not in Love. They fell in love. They won a great battle. It should have been happily ever after. But now, Camelot’s famous couples have fallen apart. Newly crowned King Gabriel is having panic attacks in cupboards in-between council meetings. He can't tell Arthur just how not okay he is – so he's set him free, to find love with someone who can get through the day without breaking down. Bridget has lost her spark for sparring, forfeiting again and again in the lists. When she’s invited to join Gabriel's round table, she hopes it’ll be the change she needs. But trying to navigate the post-happily-ever-after reality of a relationship with Gwen, when Bridget no longer feels like the dashing knight Gwen fell in love with, feels impossible. With the kingdom still reeling from an attempted uprising, and rumoured sightings of the holy grail, the questing beast and the green knight happening across the country, the gang depart on a PR tour destined for disaster. Can Gabriel be the king his country deserves? Can Bridget get her jousting groove back? And will they find their way back to the courtly love that once seemed fated?

To hell with love, this goddess has other plans... Thousands of years ago, the gods told a lie: how Persephone was a pawn in the politics of other gods. How Hades kidnapped Persephone to be his bride. How her mother, Demeter, was so distraught she caused the Earth to start dying. The real story is much more interesting. Persephone wasn't taken to hell: she jumped. There was no way she was going to be married off to some smug god more in love with himself than her. Now all she has to do is convince the Underworld's annoyingly sexy, arrogant and frankly rude ruler, Hades, to fall in line with her plan. A plan that will shake Mount Olympus to its very core. But consequences can be deadly, especially when you're already in hell . . . A fierce, fresh and enormously fun YA fantasy re-imagining from a growing TikTok superstar.

Shirley Jackson’s beloved gothic tale of a peculiar girl named Merricat and her family’s dark secret Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home? This startling and irresistibly witty collection from the phenomenally talented Moïra Fowley is an exploration of all our darkest impulses and deepest fears.

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

Shirley Jackson’s beloved gothic tale of a peculiar girl named Merricat and her family’s dark secret Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.

"You're using me," I said. "That might be true, but I also love you." One is the Lady of the Waking Waters, an immortal mermaid. The other is a thief, who steals lives until a wish can be fulfilled, and a life-changing choice must be made.

Mariel, a newly blooded captain of the Merry Men, is desperate to live up to the legacy of her grandfather, the legendary Robin Hood. Clem, a backwoods assistant healer known for her new-fangled cures, just wants to help people. When Mariel's ramshackle band kidnap Clem as retribution for her guardian helping the Sheriff of Nottingham, all seems to be going (sort of) to plan … until Jack Hartley, Mariel's father and Commander of the Merry Men, is captured in a deadly ambush. Determined to prove herself, Mariel sets out to get him back – with her annoyingly cheerful kidnappee in tow. But the wood is at war. Many believe the Merry Men are no longer on the right side of history. Watching Clem tend the party's wounds, Mariel begins to doubt the cause to which she has devoted her life. As the two of them grow closer, one thing is clear. They must prepare to fight for their lives – and for the lives of everybody in the greenwood.

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself. You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them. The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.