(Alternate cover edition of ISBN 031624662X / 9780316246620.) On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest. Once, she was the Justice of Toren - a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy. Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

A page-turning tale of marriage, scandal, and fame, perfect for readers of Taylor Jenkins Reid: “The glitz and underlying darkness of Hollywood make for a setting as complex and compelling as Ramisetti's characters . . . rings with insight—and with heart” (Meena Harris, #1 New York Times bestselling author). At age 26, Advika Srinivasan considers herself a failed screenwriter. To pay the bills and keep her mind off of the recent death of her twin sister, she’s taken to bartending A-list events, including the 2015 Governors Ball, the official afterparty of the Oscars. There, in a cinematic dream come true, she meets the legendary Julian Zelding—a film producer as handsome as Paul Newman and ten times as powerful—fresh off his fifth best picture win. Despite their 41-year age difference, Advika falls helplessly under his spell, and their evening flirtation ignites into a whirlwind courtship and elopement. Advika is enthralled by Julian’s charm and luxurious lifestyle, but while Julian loves to talk about his famous friends and achievements, he smoothly changes the subject whenever his previous relationships come up. Then, a month into their marriage, Julian’s first wife—the famous actress Evie Lockhart—dies, and a tabloid reports a shocking stipulation in her will. A single film reel and $1,000,000 will be bequeathed to “Julian’s latest child bride” on one condition: Advika must divorce him first. Shaken out of her love fog and still-simmering grief over the loss of her sister—and uneasy about Julian’s sudden, inexplicable urge to start a family—Advika decides to investigate him through the eyes and experiences of his exes. From reading his first wife’s biography, to listening to his second wife’s confessional albums, to watching his third wife’s Real Housewives-esque reality show, Advika starts to realize how little she knows about her husband. Realizing she rushed into the marriage for all the wrong reasons, Advika uses the info gleaned from the lives of her husband’s exes to concoct a plan to extricate herself from Julian once and for all.

Mahabharata-the great epic is a source of perennial inspiration for the masses of India. The present volume is a collection of four lectures delivered in 1943 under the auspices of the University of Bombay. The first lecture deals with the critical studies of this epic undertaken by the Western scholars and the date and contents of Mahabharata are discussed here in extensor.

Explores ideas on women and sexuality presented in the great Hindu epic, the Mahabharata. The Hindu tradition has held conflicting views on womanhood from its earliest texts—holding women aloft as goddesses to be worshipped on the one hand and remaining deeply suspicious about women’s sexuality on the other. In Woman as Fire, Woman as Sage, Arti Dhand examines the religious premises upon which Hindu ideas of sexuality and women are constructed. The work focuses on the great Hindu epic, the Mahabharata, a text that not only reflects the cogitations of a momentous period in Hindu history, but also was critical in shaping the future of Hinduism. Dhand proposes that the epic’s understanding of womanhood cannot be isolated from the broader religious questions that were debated at the time, and that the formation of a sexual ideology is one element in crafting a coherent religious framework for Hinduism.

A powerful reimagining of the story of Ganga, goddess of the river, and her doomed mortal son, from Vaishnavi Patel, author of the instant New York Times bestseller Kaikeyi . A mother and a son. A goddess and a prince. A curse and an oath. A river whose course will change the fate of the world. Ganga, joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse. Though she knows nothing of mortal life, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. But in a cruel turn of fate, just as she is freed of her binding, she is forced to leave her infant son behind. Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse. And when he makes an oath that he will never claim his father’s throne, he sets in motion a chain of events that will end in a terrible and tragic war. As the years unfold, Ganga and Devavrata are drawn together again and again, each confluence another step on a path that has been written in the stars, in this deeply moving and masterful tale of duty, destiny, and the unwavering bond between mother and son.