Born in Fukushima in 1933, the same year as the Emperor, Kazu’s life is tied by a series of coincidences to Japan’s Imperial family and to one particular spot in Tokyo; the park near Ueno Station – the same place his unquiet spirit now haunts in death. It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics. Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Librarian's note: There is an Alternate Cover Edition for this edition of this book here. One of the most-beloved of all Japanese manga titles, Naoko Takeuchi's Sailor Moon has enthralled millions of readers worldwide since its debut in book form in early 1992. When Usagi Tsukino adopts a stray cat, she gets more than she bargains for The talking cat, Luna, informs Usagi that she is actually Sailor Moon, a magical princess from the future and protector of the Solar System. With the help of her new friends, the Sailor Scouts, and the mysterious Tuxedo Mask, Sailor Moon embarks on a quest to save us all from the evil powers of the Negaverse.

"Aquí mataron gente por sacar la bandera/Por eso es que ahora yo la llevo donde quiera." (Here they killed people for taking out the flag/that's why I bring it anywhere I want now.)—LA MuDANZA Global superstar Bad Bunny, born Benito Antonio Martínez Ocasio, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption, and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, P FKN R draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context. Authors Vanessa Díaz and Petra Rivera-Rideau—creators of the "Bad Bunny Syllabus"—demonstrate Bad Bunny's place in a long tradition of infusing joy and protest into music and honor the many, evolving forms of daily resistance to oppression and colonialism that are part of Puerto Rican life.

This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are. Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined. Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power. source: annerice.com

A darkly comic, introspective debut collection that looks beneath the surface of trans life in 2010s SeattlePeople called it paradise, but baby, it wasn’t. What to do when starting testosterone unlocks a newfound desire for men? How to respond when your boss’s boss asks if you’ve had “the surgery” and then requests you talk her niece out of transitioning? What obligation do you have to intervene in the faltering mental health of the baby trans drug dealer you’ve met only once while tripping on the acid he sold you?The young transmasculine characters in Crawl navigate these and other questions in the dive bars, bathhouses, parks, workplaces, music venues, beaches, and college campuses of 2010s Seattle. Max Delsohn’s stories—by turns exuberant, heartfelt, tragic, and wry—portray the pleasures and pains of sex and romance, the possibilities and ambivalences of gender expression, and the joys and failures of community in a city and a time that has branded itself a radical queer utopia but proves much more complicated in reality.

From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the difficult affair between two cowboys survives everything but the world's violent intolerance. These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes—confrontation of tough problems, prejudice, persistence in the face of difficulty—with the more benign values of the new west. Stories in Close Range have appeared in The New Yorker, The Atlantic Monthly, Harper's, and GQ. They have been selected for the O. Henry Stories 1998 and The Best American Short Stories of the Century and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft.

Tiny Moons is a collection of essays about food and belonging. Nina Mingya Powles journeys between Wellington, Kota Kinabalu and Shanghai, tracing the constants in her life: eating and cooking, and the dishes that have come to define her. Through childhood snacks, family feasts, Shanghai street food and student dinners, she attempts to find a way back towards her Chinese-Malaysian heritage.