Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now… Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

The iconic, multiplatinum, Grammy Award®–winning performer Brandy brings us a raw, intimate portrait of her life, charting her growth to stardom from Mississippi churches to Hollywood spotlightsFrom the moment she first sang at church in McComb, Mississippi, Brandy knew her voice was special. At fourteen she landed her first record deal. At fifteen her album went platinum. At sixteen she was starring in the hit sitcom Moesha and became the first Black actress to play Cinderella on screen alongside fairy godmother, Whitney Houston. Yet as the accolades piled up, so too did the pressure the maintain a flawless image. To onlookers, she had crafted the blueprint for the teenage “it” girl. But behind closed doors “The Vocal Bible”  as she was known, was struggling. Now, for the first time, Brandy reveals the real story behind her life in the spotlight, the stratospheric highs and the unimaginable lows, the groundbreaking moments and the relatable journey she had to take to discover her authentic self—as a woman, a mother, an artist—as Brandy. Brandy's debut memoir is a fearless and remarkable story of hope, resilience and the strength it takes to make peace with the past.

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption, asking readers to question what it means to stop surviving and start living. Leigh is the last of the Wildes. She knows this because she watched them all die. Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal. But the past isn't so easily buried. No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

This is a story of intrigue and revenge. Tracy Whitney is young, beautiful and intelligent - and about to marry into wealth and glamour. Until, suddenly, she is betrayed, framed by a ruthless Mafia gang, abandoned by the man she loves. Only her ingenuity saves her and helps her fight back.

This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.